Daily Kos: Scientists Visit the Creation Museum – “Tamaki Sato was confused by the dinosaur exhibit. The placards described the various dinosaurs as originating from different geological periods — the stegosaurus from the Upper Jurassic, the heterodontosaurus from the Lower Jurassic, the velociraptor from the Upper Cretaceous — yet in each case, the date of demise was the same: around 2348 B.C. “I was just curious why,” said Dr. Sato, a professor of geology from Tokyo Gakugei University in Japan” Poor Dr. Sato. Has he never read the Bible? Doesn’t he know that 2348 BC was the year of the Great Flood?
1. define all music in only two categories; pop and art (really no folk music?)
2. has a hall of shame for the “individuals and institutions who debase art music” (why not in good fun?)
3. have a set of criteria for all art music (there definition of art music is ambitious but fatally flawed, they trip themselves up in the complexity argument, also by giving any music/idea a fixed criteria pretty much makes it dead on the spot to be dissected in a vacuum sealed bell jar and not a living breathing ‘art’ form)
4. have a list of ‘approved’ art music (not a bad idea, but looking at their list makes me confident i wouldn’t ever want to be a member of their ‘club’)
5. have a list of neglected classics (see #4)
6. have a mailing list (why not… it would be interesting to see what they think)
Poisson Rouge’s sense of musical adventure | Culture Monster | Los Angeles Times -Marc Swed checks out the poisson rouge in NYC. “The place isn’t merely cool, as the New York Times has dubbed it, the venue is a downright musical marvel. I wasn’t miserable on Monday, which I might have been with this program. Instead, I found the evening such a pleasure that I hope there is room on the crowded Poisson Rouge bandwagon for yet another critic.”