<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Koyaanisqatsi 1, Hollywood Bowl 0</title>
	<atom:link href="http://www.paulbailey.us/2009/07/24/koyaanisqatsi/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.paulbailey.us/2009/07/24/koyaanisqatsi/</link>
	<description>composer, musician, educator</description>
	<lastBuildDate>Sun, 09 Oct 2011 17:23:14 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>By: paul</title>
		<link>http://www.paulbailey.us/2009/07/24/koyaanisqatsi/#comment-190</link>
		<dc:creator>paul</dc:creator>
		<pubDate>Fri, 07 Aug 2009 23:30:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=1945#comment-190</guid>
		<description>paul,

not bad indeed and i totally agree about the star spangled banner. it was a great way to set the tone for the night.</description>
		<content:encoded><![CDATA[<p>paul,</p>
<p>not bad indeed and i totally agree about the star spangled banner. it was a great way to set the tone for the night.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Paul H. Muller</title>
		<link>http://www.paulbailey.us/2009/07/24/koyaanisqatsi/#comment-189</link>
		<dc:creator>Paul H. Muller</dc:creator>
		<pubDate>Fri, 07 Aug 2009 05:28:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=1945#comment-189</guid>
		<description>I was at the performance and agree with everything you have pointed out.  Here are a few more observations:

The Star Spangled Banner arrangement at the opening was interesting - I would like to hear it again.

I thought the soprano singing the first half of the program was outstanding.

The bass who sang the opening lead in Koyaaniqatsi was really on the spot.  Everyone knows what the film score sounds like and those opening words are iconic.  This guy had a deep enough voice and a good tone, but the texture seemed much bolder than in the original.  And I think the sound engineer let us down again.  He was well into the part before the sound seemed dialed in right.  Not the singer&#039;s fault but because it was distinctively different a lot of people must have been disappointed.

The piece almost always sounded better when the chorus was singing.  I thought the keyboard covering was intelligently done, given what must have been a limited rehearsal time for the full orchestra.

Someone in the lower brass blew an entrance at the beginning of &quot;The Grid&quot;.  I was so looking forward to those fog-horn like tones ringing out over the bowl.  The tuba was there, but the other guy was either lost or just flat missed it completely.  More likely it was a bad mike or some other sound problem.  Big disappointment for me.

The chorus did a great job and got a scattering of appreciative shouts at the end of &quot;The Grid&quot;.

The video projection of the movie seemed unusually sharp and crisp.  I have watched the movie many times on a TV screen, but this was a big upgrade.

I agree that hearing Koyaanisqatsi again was worth all the various irritations.  It could have stood more rehearsal time, but it was more an event than a concert.  Philip Glass always comes across as very personable and it was great to hear him in person.  And it worked from a business standpoint - the bowl was at least 75% full.

Not bad for minimalism.</description>
		<content:encoded><![CDATA[<p>I was at the performance and agree with everything you have pointed out.  Here are a few more observations:</p>
<p>The Star Spangled Banner arrangement at the opening was interesting &#8211; I would like to hear it again.</p>
<p>I thought the soprano singing the first half of the program was outstanding.</p>
<p>The bass who sang the opening lead in Koyaaniqatsi was really on the spot.  Everyone knows what the film score sounds like and those opening words are iconic.  This guy had a deep enough voice and a good tone, but the texture seemed much bolder than in the original.  And I think the sound engineer let us down again.  He was well into the part before the sound seemed dialed in right.  Not the singer&#8217;s fault but because it was distinctively different a lot of people must have been disappointed.</p>
<p>The piece almost always sounded better when the chorus was singing.  I thought the keyboard covering was intelligently done, given what must have been a limited rehearsal time for the full orchestra.</p>
<p>Someone in the lower brass blew an entrance at the beginning of &#8220;The Grid&#8221;.  I was so looking forward to those fog-horn like tones ringing out over the bowl.  The tuba was there, but the other guy was either lost or just flat missed it completely.  More likely it was a bad mike or some other sound problem.  Big disappointment for me.</p>
<p>The chorus did a great job and got a scattering of appreciative shouts at the end of &#8220;The Grid&#8221;.</p>
<p>The video projection of the movie seemed unusually sharp and crisp.  I have watched the movie many times on a TV screen, but this was a big upgrade.</p>
<p>I agree that hearing Koyaanisqatsi again was worth all the various irritations.  It could have stood more rehearsal time, but it was more an event than a concert.  Philip Glass always comes across as very personable and it was great to hear him in person.  And it worked from a business standpoint &#8211; the bowl was at least 75% full.</p>
<p>Not bad for minimalism.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

