update (10/16/09)A.M. updates her original post and expands her confusing alt-classical umbrella to include most everybody
anne can call it whatever she wants, but the commissioned, academic music they have to play is always going to be toothless and banal.
the big problem about article’s like this is that it promises the moon (yet again), and pulls out the rug on the those more adventurous early adopters who pay decent money to catch “the new music scene” which in turn makes it harder for me to get people to come out to my shows.
just to be clear i’m not saying the groups mentioned in these articles are poor performers or all the music the play is shite, but i’m very clearly pointing out at any one of their concerts you do have to suffer through at least 1-2 commissioned pieces they must play to “pay the bills” and keep the grants coming in. the audience has no idea that this pay to play is going on (it’s just like selling prime shelf space at the supermarket to the highest bidder) and yet comes away from the whole experience wondering if they must be stupid b/c they “didn’t quite understand the music”
on the other hand…
thank goodness most kids today don’t read the paper
p
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