Bookmarks for December 19th to 27th [del.icio.us]

Bookmarks from December 19th to December 27th

  • Los Angeles Eat+Drink – Drowning, Not Eating – page 1 – “Tortas cubanas are almost as common as burritos in Los Angeles. Mexico City–style pambazos rule the world of street food. The muscular cemita Poblano commands a fleet of trucks extending as far as the Westside. But the king of Mexican sandwiches is the mighty torta ahogada — drowned sandwich — a mass of bread and sauce and meat that is less a foodstuff than a way of life. You do not nibble at a torta ahogada; you dive straight into it, trusting that you will come out alive. I had always thought that roasted goat was the emblematic dish of Guadalajara, but tortas ahogadas joints there outnumber birria parlors at least 20:1…”
  • Four New Images by Street Artist Banksy… “Four new images by the elusive street artist Banksy have surfaced over the weekend, with one seemingly attacking global warming sceptics. Banksy graffiti. Photo: Londonist.com The pieces follow the Copenhagen summit. Photo: londonist.com The latest designs were discovered by londonist.com along the banks of Regent’s Canal. It found the first beneath Camden Street Bridge – “almost in the back yard of the British Transport Police building”. The second and third pieces were etched under and next to the Oval Road Bridge in the direction of Primrose Hill. The most provocative simply has the words: “I don’t believe in global warming”, with the writing gradually disappearing into a canal.”
  • “Alt-Classical”: Is This the Future? “Hot on the heels of James MacMillan’s red-hot piece in these pages calling Emperor’s New Clothes on Pierre Boulez, plus Dilettante Music’s digital composer-in-residence contest, and Norman Lebrecht’s poll of the living composers creating the most durable work (John Adams is no.1, then Part, then Reich), here’s more contemporary food for thought. Greg Sandow of Artsjournal’s blog about the future of classical music has run a post about the Chicago Symphony Orchestra’s two new composers-in-residence. They are Mason Bates and Anna Clyne. Not likely to be familiar names if your view of new music is simply what the BBC Symphony Orchestra…”
  • Richard Lainhart: Puremagnetik interview dec 2009“The Ondes Martenot is a very expressive electronic instrument – Maurice Martenot, who invented it, was a cellist, and wanted an electronic instrument that could be played with the same degree of expression as a string instrument. Oraison is a piece I’ve always loved – I first heard it years ago as a student – and when I got the Buchla/Continuum system, I realized that the Continuum would let me play the piece myself, as it’s a superbly expressive controller, with the advantage that it’s polyphonic, unlike the original Ondes. So I spent some time transcribing the piece from the original score, then spent a lot more time practicing it. The Buchla let me program a sound that was similar to the Ondes, but with even more expression in the timbre control, and that’s what I used for my version. So, my own realization is a kind of analog-digital homage to the original – analog in the sound-producing domain, but digital in the control domain.”
  • The Pushbutton Web: Realtime Becomes Real – Anil Dash “Pushbutton is a name for what I believe will be an upgrade for the web, where any site or application can deliver realtime messages to a web-scale audience, using free and open technologies at low cost and without relying on any single company like Twitter or Facebook. The pieces of this platform have just come together to enable a whole set of new features and applications that would have been nearly impossible for an average web developer to build in the past”
  • Orson Welles and His Brief Passionate Betacam Love Affair – Orson Welles – Gizmodo“In January 1985, the phone rang. The caller announced that he was Orson Welles and that he wanted to have lunch with me. Thus began one of the most extraordinary and bittersweet adventures of my life.” Sometimes the journeys we take through this life begin and end in the most unexpected ways. My encounter with Welles in the last days of his life centered on a common interest: Sony’s new one-piece camcorder, the Betacam. It had just come to market and Welles, always the genius filmmaker, had big ideas for what he could do with one. With Welles there were no limits. “You can’t do that” wasn’t in his vocabulary. This was a short, but very passionate story
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