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	<title>Comments for paulbailey.us</title>
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	<link>http://www.paulbailey.us</link>
	<description>composer, musician, educator</description>
	<lastBuildDate>Sun, 09 Oct 2011 17:23:14 +0000</lastBuildDate>
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		<title>Comment on A Bicycle for the Mind by admin</title>
		<link>http://www.paulbailey.us/2011/10/05/a-bicycle-for-the-mind/#comment-541</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 09 Oct 2011 17:23:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11546#comment-541</guid>
		<description>i think you are confusing &#039;easy&#039; with &#039;simple&#039; and just because the ipod made listening to music and assembling playlists much &#039;simpler&#039;  it didn&#039;t make studying scores any easier.  at the end of the day if you don&#039;t know what you are listening for it still will take a room of monkeys a lifetime to compose a great piece. 

a good example of technology making things &#039;simpler&#039; would be making scores. because of notation programs like finale and sibelius there is no real reason to handwrite a score anymore even though the slower and more intimate pace of writing with pen and ink might have led to a more cerebral and finely crafted composition, I&#039;m perfectly happy delaying the creation of the &quot;inked score&quot; as long as possible by spending the time i have gained on improvisation and performance through a lengthy period of pencil and paper sketches.</description>
		<content:encoded><![CDATA[<p>i think you are confusing &#8216;easy&#8217; with &#8216;simple&#8217; and just because the ipod made listening to music and assembling playlists much &#8216;simpler&#8217;  it didn&#8217;t make studying scores any easier.  at the end of the day if you don&#8217;t know what you are listening for it still will take a room of monkeys a lifetime to compose a great piece. </p>
<p>a good example of technology making things &#8216;simpler&#8217; would be making scores. because of notation programs like finale and sibelius there is no real reason to handwrite a score anymore even though the slower and more intimate pace of writing with pen and ink might have led to a more cerebral and finely crafted composition, I&#8217;m perfectly happy delaying the creation of the &#8220;inked score&#8221; as long as possible by spending the time i have gained on improvisation and performance through a lengthy period of pencil and paper sketches.</p>
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		<title>Comment on A Bicycle for the Mind by Brandt Schneider</title>
		<link>http://www.paulbailey.us/2011/10/05/a-bicycle-for-the-mind/#comment-540</link>
		<dc:creator>Brandt Schneider</dc:creator>
		<pubDate>Sun, 09 Oct 2011 13:30:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11546#comment-540</guid>
		<description>I&#039;m constantly wondering as an educator what is timeless and must be taught, and what is something that will be gone in two years.  Music has changed so much in past five years.  More importantly how we interact with music has changed.

I am excited that we can access, adapt, and create music so easily.

I worry that we put our headphones in and isolate ourselves.  I worry that music becomes so &quot;easy&quot; that we forget the work and the effort.</description>
		<content:encoded><![CDATA[<p>I&#8217;m constantly wondering as an educator what is timeless and must be taught, and what is something that will be gone in two years.  Music has changed so much in past five years.  More importantly how we interact with music has changed.</p>
<p>I am excited that we can access, adapt, and create music so easily.</p>
<p>I worry that we put our headphones in and isolate ourselves.  I worry that music becomes so &#8220;easy&#8221; that we forget the work and the effort.</p>
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		<title>Comment on Marc Maron and Ira Glass, WTF? by Roger Fletcher</title>
		<link>http://www.paulbailey.us/2010/10/28/marc-maron-and-ira-glass-wtf/#comment-500</link>
		<dc:creator>Roger Fletcher</dc:creator>
		<pubDate>Fri, 01 Jul 2011 02:16:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=9936#comment-500</guid>
		<description>Ira interview link doesn&#039;t bring him up.  Perhaps he has slipped beyond the 50 episode line.  :(</description>
		<content:encoded><![CDATA[<p>Ira interview link doesn&#8217;t bring him up.  Perhaps he has slipped beyond the 50 episode line.  <img src='http://www.paulbailey.us/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /> </p>
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		<title>Comment on Post-Keyboard? by Roger Fletcher</title>
		<link>http://www.paulbailey.us/2011/06/29/post-keyboard/#comment-499</link>
		<dc:creator>Roger Fletcher</dc:creator>
		<pubDate>Fri, 01 Jul 2011 02:13:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11497#comment-499</guid>
		<description>Thanks for the ideas.  Unfortunately on oldPhone and noPad for the foreseeable future. :^)</description>
		<content:encoded><![CDATA[<p>Thanks for the ideas.  Unfortunately on oldPhone and noPad for the foreseeable future. :^)</p>
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		<title>Comment on Post-Keyboard? by admin</title>
		<link>http://www.paulbailey.us/2011/06/29/post-keyboard/#comment-495</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Thu, 30 Jun 2011 18:47:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11497#comment-495</guid>
		<description>roger,

in many ways i think that the digital synthesis revolution was deferred because it was so expensive and complicated to program. the keyboard synth entered as temporary solution to be basically &quot;plug and play&quot; but as you know the tradeoff was pretty steep. 

i have been having a lot of fun (and learning quite a bit) by experimenting with all the iphone and ipad apps out there. there are so many great ideas and variations and it makes me feel like we are in the early baroque when the key placement and construction of the early woodwind instruments varied so much around europe. 

i&#039;m going to write more on this in another post later but here are a few apps that are worth trying out.

1. scruti box (drone generator)

2. thumbjam and slide control (kaossillator type controllers that are midi)
pianist pro (very customizable and useful if a piano isn&#039;t around, you can also plug in a small keyboard to run these sounds and makes a very portable solution with a small amp

3. beatpad (mpc style 4x4 grid controller, playing it convinced me to buy the maschine i was playing in the video)

4. polychord/soundprism: two very different and interesting approaches to playing harmonies 

5.pattern music: my favorite improv device and step sequencer

these days most of the apps are also midi so you can sync them via wifi to your computer and run whatever sounds you want from your DAW. 

overall i really like that i can use my ipad and iphone wherever i want to write and improvise ideas. on top of that it is getting easier everyday to integrate them into performing, but in general i don&#039;t think the performing on a touchscreen will ever be a big part of my live show.</description>
		<content:encoded><![CDATA[<p>roger,</p>
<p>in many ways i think that the digital synthesis revolution was deferred because it was so expensive and complicated to program. the keyboard synth entered as temporary solution to be basically &#8220;plug and play&#8221; but as you know the tradeoff was pretty steep. </p>
<p>i have been having a lot of fun (and learning quite a bit) by experimenting with all the iphone and ipad apps out there. there are so many great ideas and variations and it makes me feel like we are in the early baroque when the key placement and construction of the early woodwind instruments varied so much around europe. </p>
<p>i&#8217;m going to write more on this in another post later but here are a few apps that are worth trying out.</p>
<p>1. scruti box (drone generator)</p>
<p>2. thumbjam and slide control (kaossillator type controllers that are midi)<br />
pianist pro (very customizable and useful if a piano isn&#8217;t around, you can also plug in a small keyboard to run these sounds and makes a very portable solution with a small amp</p>
<p>3. beatpad (mpc style 4&#215;4 grid controller, playing it convinced me to buy the maschine i was playing in the video)</p>
<p>4. polychord/soundprism: two very different and interesting approaches to playing harmonies </p>
<p>5.pattern music: my favorite improv device and step sequencer</p>
<p>these days most of the apps are also midi so you can sync them via wifi to your computer and run whatever sounds you want from your DAW. </p>
<p>overall i really like that i can use my ipad and iphone wherever i want to write and improvise ideas. on top of that it is getting easier everyday to integrate them into performing, but in general i don&#8217;t think the performing on a touchscreen will ever be a big part of my live show.</p>
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		<title>Comment on Post-Keyboard? by Roger Fletcher</title>
		<link>http://www.paulbailey.us/2011/06/29/post-keyboard/#comment-494</link>
		<dc:creator>Roger Fletcher</dc:creator>
		<pubDate>Thu, 30 Jun 2011 06:12:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11497#comment-494</guid>
		<description>Some of us date back to pre-keyboard synths with voltage control knobs for oscillators and filters and patch bays (yes, real ones with physical cables to connect devices!) I probably did my most creative electronic stuff in that world. Once they all went keyboard, my electronic comps were influenced far too much by familiar fingering patterns and lack of real keyboard chops. I&#039;d like to give some of these new gadgets a try and see if I can transcend equal temperament again. I look forward to seeing some recommendations regarding gear.</description>
		<content:encoded><![CDATA[<p>Some of us date back to pre-keyboard synths with voltage control knobs for oscillators and filters and patch bays (yes, real ones with physical cables to connect devices!) I probably did my most creative electronic stuff in that world. Once they all went keyboard, my electronic comps were influenced far too much by familiar fingering patterns and lack of real keyboard chops. I&#8217;d like to give some of these new gadgets a try and see if I can transcend equal temperament again. I look forward to seeing some recommendations regarding gear.</p>
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		<title>Comment on Alt-Classical (2011) by Reflection: Anti-Social Music, review-ettes. &#171; Endless Possibilities</title>
		<link>http://www.paulbailey.us/2011/02/08/alt-classical-2011/#comment-492</link>
		<dc:creator>Reflection: Anti-Social Music, review-ettes. &#171; Endless Possibilities</dc:creator>
		<pubDate>Mon, 27 Jun 2011 18:53:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=11243#comment-492</guid>
		<description>[...] I hope you&#8217;ve gotten the Paul Bailey Ensemble album alt-classical by now.  It has a frakkin Weezer cover.  What&#8217;s taking you so long? There are many good [...]</description>
		<content:encoded><![CDATA[<p>[...] I hope you&#8217;ve gotten the Paul Bailey Ensemble album alt-classical by now.  It has a frakkin Weezer cover.  What&#8217;s taking you so long? There are many good [...]</p>
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		<title>Comment on Retrace Our Steps (2008) by Link Friday: lots of sounds, future of classical music, and more! &#171; Endless Possibilities</title>
		<link>http://www.paulbailey.us/2008/01/02/retrace-our-steps/#comment-459</link>
		<dc:creator>Link Friday: lots of sounds, future of classical music, and more! &#171; Endless Possibilities</dc:creator>
		<pubDate>Fri, 15 Apr 2011 14:38:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=2065#comment-459</guid>
		<description>[...] Life&#8217;s Too Short on his new album, and this, I&#8217;m really really digging Paul&#8217;s vocal music at the [...]</description>
		<content:encoded><![CDATA[<p>[...] Life&#8217;s Too Short on his new album, and this, I&#8217;m really really digging Paul&#8217;s vocal music at the [...]</p>
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		<title>Comment on an open letter to thesixtyone.com by admin</title>
		<link>http://www.paulbailey.us/2010/01/21/an-open-letter-to-thesixtyone-com/#comment-446</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 13 Mar 2011 08:57:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=2689#comment-446</guid>
		<description>i know but since they removed most of the useful social features of the site it still isn&#039;t worth participating in. it&#039;s almost impossible to find interesting music on that site anymore. for a short period of time they had a great thing going and screwed it up.</description>
		<content:encoded><![CDATA[<p>i know but since they removed most of the useful social features of the site it still isn&#8217;t worth participating in. it&#8217;s almost impossible to find interesting music on that site anymore. for a short period of time they had a great thing going and screwed it up.</p>
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		<title>Comment on an open letter to thesixtyone.com by Devin Cornell</title>
		<link>http://www.paulbailey.us/2010/01/21/an-open-letter-to-thesixtyone-com/#comment-445</link>
		<dc:creator>Devin Cornell</dc:creator>
		<pubDate>Sat, 12 Mar 2011 18:14:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.paulbailey.us/?p=2689#comment-445</guid>
		<description>Hey, you know you can still access the old website at old.thesixtyone.com.</description>
		<content:encoded><![CDATA[<p>Hey, you know you can still access the old website at old.thesixtyone.com.</p>
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