KUCI guest DJ, Sat June 11, 2011
i’m going to be interviewed and a guest DJ on Hobart Taylor’s KUCI radio show tomorrow from around 7-10am (the early bird gets the worm 
here is the tentative playlist of the music i should be playing that represents some socal (-ish) music that is important to me.
- Overture from “The Little Prince”, Lloyd Rodgers (Cartesian Reunion Memorial Orchestra)
- Orlando, He Dead, Doug Hein (Cartesian Reunion Memorial Orchestra)
- The Swing, Lloyd Rodgers (Lloyd Rodgers Group)
- The Shade Never Was, Shane Cadman (The Illustrious Theatre Orchestra)
- Wheelbarrow Walk, Michael Nyman (Michael Nyman Band)
- Espresto, Jon Brenner
- The Black Book, 3/10/01, Lloyd Rodgers
- Liberation Technology, Killsonic Marching Group
- Wandermix, Bruce Hamilton
- Scale One, Paul Muller
- ImAngryandYoubeToo, Adam Kondor
- The Little Death: I Don’t Have any Fun, Matt Marks
- Madison Square, Mikel Rouse
- Music for Insomniacs, Shane Cadman
also here is a list of the track of mine i’ll probably play. i’ll add the links and some comments later (for all of the music on the page). in general much of this music can be found on the www.alt-classical.com or www.paulbailey.us websites right now.
Music from my latest Alt-Classical EP (2011)
- Life’s Too Short (Radio Edit) Graphic Libretto
- An Eye for Optical Theory (Nyman cover)
- Fearless Leader
Music from Summerland (2002)
- Summerland
- Obsessive Love
Retrace Our Steps (2008)
- Act 2 (texts by Jenny Bitner and Guy Debord) graphic libretto
Music for Controllers
- A Stable Job is an Oxymoron (2009)
Bookmarks for May 6th through May 10th
These are my links for May 6th through May 10th: The first sign that humans are on the verge of evolving into another species [Evolution] – “What Carlson’s work suggests is that species whose brains are evolving fairly rapidly – hello, Homo sapiens – are likely candidates for speciation under the right circumstances. The key [...]
Alt-Classical (2011)
What is Alt-Classical?
DIY, open instrumentation, alternative venues, mix of amateur and professional performers, music lies somewhere between art music (music meant to be contemplated) and pop music (music meant for mass consumption).
Alt Classical EP (2011) by pbailey
tracklist
Fearless Leader, (2006, revised 2007)
was partially inspired by a quote from the Hungarian composer Gyorgy Ligeti: “ Now there is no taboo; everything is allowed. But one cannot simply go back to tonality, its just not the way. We must find a way of neither going back nor continuing the avant-garde. I am in a prison: one wall is the avant-garde, the other wall is the past, and I cannot escape.”
An Eye for Optical Theory (Michael Nyman Cover)
It is interesting to note that the although all of Nyman’s music from the Peter Greenaway film The Draughtsman’s Contract was derived from a Purcell chaconne, the ground bass (on which this piece is built) was subsequently discovered to have been written by a lesser-known contemporary of Purcell. This arrangement uses most of the melodic materials from the original piece, freely combining them to create a bizzaro world second cousin of the original.
Life’s Too Short (2006)
is a lighthearted meditation of life, death, and nihilism based on the writings of Friedrich Nietzsche (iconic German philosopher) and John Sinclair (Los Angeles based writer).
Cheap Admiration (2005)
Is loosely based on a harmonic deconstruction of Sonata Ciacona by Johann Pezel (1639-1694) who worked as a musician in Germany and was promoted to town stadtpfeifer (band director) in Leipzig in 1670. Later in his career he applied for and was turned down for the job of Cantor of St. Thomaskirche, a job that J.S. Bach would hold 50 years later.
myinnersatan (2005, revised 2006)
started as a cross between counterpoint exercise and a contemplation of the soul crushing emptiness of desk work.
Principal of Sufficient Irritation (originally titled 11/25/05)
is three sections of five melodic/ostinato gestures that can be performed in endless variety. in rehearsals a unique roadmap and orchestration is decided upon and explored during the performance. The title is based on an interesting concept in P.K. Dick’s “Ubik”.
Undone (The Sweater Song)
Weezer cover FTW!
Paul Bailey Ensemble (PBE)
is an alt-classical garage band that plays the music of a variety of living and dead composers. The group was created in 2002 as DIY forum outside the usual and limited channels of art music presentation.
credits
released 16 February 2011
Paul Bailey, Trombone
Bruce Gallego, Electric Guitar
Eric Hendrickson, Keyboards
Scott McIntosh, Clarinet
Ryan Nunes, Vibraphone
Carl Stronach, Bass Guitar
With Special Guest Piano
John Marr on “Undone (The Sweater Song)”
Life’s Too Short Vocals
Nicole Baker, Mezzo Soprano, Spoken Word
Sean McDermott, Tenor
Paul Cummings, Bass
Life’s Too Short Graphic LIbretto
Recorded, Edited, and Mixed by Paul Bailey and Marlon Luna
Mixing and Mastering Consultant/Coach/Head Cheerleader Jon Brenner
Recorded at California State University Fullerton, Swing House Studios Hollywood, and Because They Are Dead Studios, Highland Park
“But Every Pain and Every Joy…”: Life’sToo Short #6
“But Every Pain and Every Joy and Every Thought and Every Sigh”: Life’s Too Short #6
Life’s Too Short #6
“You Have Have Choice, Love or Die”: Life’s Too Short #5
“You Have Have Choice, Love or Die”
5 of 19
Life’s Too Short #5
Life’s Too Short #1
page 1 of 19
nicole baker, mezzo-soprano and spoken word, sean mcdermott, tenor, paul cummings, bass, scott mcintosh, clarinet, eric hendrickson, keyboard, bruce gallego, electric guitar, carl stronach bass guitar, paul bailey, spoken word.
alt-classical EP fine!
a few weeks ago i thought i was actually done with the alt-c album. well… almost. i thought mixing was done and had a few tracks mastered and was feeling pretty good about the whole thing, that is before i started listening to the music on a variety of other sources (earbuds, car stereo, ipad [...]
Bookmarks from October 5th through October 10th 2010
“This deal held until about thirty years ago, when for a variety of reasons, California voters realized that while they had done very well from the existing contract, they could do even better by walking away from their obligations and spending what they had inherited on themselves. “My kids are finished with school; why should [...]
Bookmarks from August 30th through September 6th 2010
“What would a music experience designed specifically for the modern web look like? This is a question we’ve been playing around with for the last few months. Browsers and web technologies have advanced so rapidly in the last few years that powerful experiences tailored to each unique person in real-time are now a reality. Today [...]
Bookmarks from August 22nd through August 29th 2010
“Not to mention that the undialectical shelving of alt-classical “between” pop music and classical music misses, as I think its leading lights would agree, the point: One respect in which alt-classical music most definitely is contemporary music is that its creators insist on it. Corey Dargel could very easily bill himself as a songwriter, period, [...]
Bookmarks from August 16th through August 22nd 2010
“And then it’s time for the Cosmic Flip concept that my long lost friend Heriberto was fond of discussing : maybe the lack of importance makes it super important. I won’t delve into this serious filosophizing, but it was something to that effect. In any case, I think I’ve done my small part in describing [...]
Bookmarks from Saturday June 13th-Friday June 18th 2010
The Burger Lab: How to Make Perfect Thin and Crisp French Fries | A Hamburger Today
this looks awesome. DIY + nerd science!
It’s Complicated David Souter finally tells Americans to grow up.
“Souter’s speech thus represents much more than an ode to a changing Constitution or a forceful admission that something that sounds suspiciously like “empathy” means that “judicial perception turns on the experience of the judges, and on their ability to think from a point of view different from their own.” Souter’s words even transcend his own high-minded call to “keep the constitutional promises the nation has made.” What Souter asked Americans to do in his Harvard speech is to live with ambiguity. To, in his words, acknowledge that there is a “basic human hunger for the certainty and control that the fair-reading model seems to promise,” while recognizing, in Justice Oliver Wendell Holmes‘ formulation, that “certainty generally is illusion and repose is not our destiny.” He is telling us to stop dreaming of oracular judges with perfect answers to simple constitutional questions. He is telling us, in other words, to grow up.”
Does Professor Quality Matter? Evidence from Random Assignment of Students to Professors
“interestingly, they also find students whose professor had higher student evaluations typically did worse in subsequent courses. They attribute this to the “teaching to the test” that they think may go on in classes where professors have high student evaluations. Secondly, they find that students who took Calculus I from professors with lower student evaluations did better on subsequent courses. ”
The Civil War as Revenge of the Nerds – Personal – The Atlantic
“There’s a way of looking at the ugliness after Reconstruction–the rise of the Lost Cause, the Klan, the lynchings–as a tragic search for Southern white male identity. First the old slave patrols go. Then the Confederate Army is subdued and humiliated. Then blacks began to dominate “manly” athletic pursuits. Then Martin Luther King exposes the immorality of the Southern system. Reeling from “each successive volley, the Southern racist–and really any white racist–is left with a question: If the Southern white man is proven inferior physically, mentally, and even morally, than what is he?
HEY STOUFFERS! F$$K YOU IN YOUR F$$KING TOASTED A$$HOLE.
via . « Grocery Eats groceryeats.com post very NSFW (but very funny)
Almost All Is Vanity – PostClassic
“We have three markets. There’s a commercial market, entirely determined by huge corporations whose sole interest is money. We’re never going to make a dent in that one. There’s an orchestra-music circuit that you have to enter young, and it’s all about who you know, and the music sucks. And there’s an academic market, which demands a healthy respect for the Schoenberg line and a suspicion against anything populist. I and my 400 closest friends don’t fit any of these markets.”
“Success Is Just Another Form of Failure” – PostClassic
“The artists, on the other hand, are at a permanent disadvantage. The most creative of them cannot present their work with the kind of empirical verifiability that translates as prestige going up the ladder – except by winning awards administrated by other universities. And those who aim for and achieve any kind of popular or commercial success virtually negate the explicit aims of the institution.”
links for 2010-04-04
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A few bit.ly users who also heavily use Delicious and Twitter have asked for an easier way to sync all these services. We recently came up with a pretty good way to automate this sync process using Twitterfeed
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“Derrick Hart is an American musician. You might know him from his “Songs From A Cross (The Sea)” EP on 12rec, a release in which Derrick shows great musical talent and a really fantastic sense for song-writing and melodies.
With his “fall asleep to this” EP he goes a more experimental and meditative way. The five tracks are mainly based on vocals, even though there are no actual lyrics. “kontakt” and “when someone loves you no more” are performed only with his voice, captured with a contact-mic, processed and converted. “when someone loves you no more” begins things with a profound wailing on behalf of anyone who has ever suffered before blooming into some incomprehensible sonic victory. “emporia”, “colors that surround you” and “kontakt” are beautiful melodic miniatures and “wilderness of the city” ends it all with strings and a relentless, hypnotic groove. But always is Derrick’s voice as the key element in each song, tying everything together.”
Bookmarks for January 12th through January 19th [del.icio.us]
![Bookmarks for January 12th through January 19th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2010/01/ClownMushroomCloud1-150x150.jpg)
Bookmarks from January 12th through January 17th:[del.icio.us]
- Brian Eno: “Recorded Music Equals Whale Blubber” – hypebot -
“I think records were just a little bubble through time and those who made a living from them for a while were lucky. There is no reason why anyone should have made so much money from selling records except that everything was right for this period of time…” “It was a bit like if you had a source of whale blubber in the 1840s and it could be used as fuel. Before gas came along, if you traded in whale blubber, you were the richest man on Earth. Then gas came along and you’d be stuck with your whale blubber.” “Sorry mate – history’s moving along. Recorded music equals whale blubber. Eventually, something else will replace it.” – Brian Eno in The Guardian
- THE KNIFE -
“Commissioned by Danish performance group Hotel Pro Forma to write the music for their opera based on Charles Darwin and his book ‘On the Origin of the Species’, The Knife decided to make this a collaborative process, working with artists Mt. Sims and Planningtorock for the first time, to capture the huge width of the Darwin and evolution theme. They extensively researched Darwin related literature and articles, with Olof attending a field recording workshop in the Amazon to find inspiration and to record sounds. ‘Tomorrow, In A Year’ is a unique musical project. Richard Dawkins’s gene trees have formed the basis of some of the musical composition, artificial sounds have been mixed with field recordings, with the music inspired by everything from the different stages of a bird learning its melody, to a song based on Darwin’s loving letters about his daughter Anne. These are compositions that challenge the conventional conception of opera music.”
- Thoughts on the Naughts:San Francisco Classical Voice -
“Along with this development comes the emergence of “alt-classical” (alternative classical, an abbreviation with all the cachet of a computer key): This world of music existed for decades, but in the naughts (the decade of 2000–2009) it became newly visible thanks to decentralization and the lack of a dominant “mainstream” style in classical music. Imperfectly named, as is always the case with descriptive terms for large artistic phenomena, alt-classical represents the merging of genres of music, as well as the undermining of distinctions between “high” and “low,” classical and popular, along with an infusion of music formerly on the margins.”
- Los Angeles News – 2009: ODE TO THE MUSIC MAN -
“While most of this story’s respondents are Flaherty supporters, Paul Bailey, an adjunct professor of music education and theory at Cal State Fullerton (and one-time band director at John Marshall High School in Los Feliz), has this to say: “Talk about the forest for the trees: Teaching a drum line does not make a music program. I can easily see why an administration would reassign a music teacher (no matter how successful and well meaning) if they were unable and/or unwilling to field a marching band. Like it or not, the marching band is the most efficient way to get a large number of kids to participate in music. It’s unfortunate, but at the end of the day a music program should give musicians a variety of experiences and not focus on the specialized competitive agenda of one teacher.”
- Facebook | Sahar Saedi: what do you think about the musicianship classes? -
“I have had some really great professors both in csu fullerton and in el camino college and I feel that both of these schools which I have attended, have some very strong aspects to their music programs. However, I have one complain about the musicianship classes of both of these schools and I want to share it with you and ask for your insight. Unfortunately, in el camino college we had a very poor sightsinging class. There was absolutely no direction given to us as to how to learn to sightsing. We were given a few melodies that we would get tested on on our exam which by the time of the exam would basically be memorized, thus would not be sightsinging.”
- Tom Swafford: Violinist, Composer, Arranger! -
“My goal is to create clear music that communicates directly and genuinely. I don’t like slick music that has been edited and perfected artificially. I like all the subtle nuances, scratches, ‘mistakes’ that happen naturally and I think that this is a big part of what makes music expressive. “
Bookmarks for January 5th through January 11th [del.icio.us]
![Bookmarks for January 5th through January 11th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2010/01/010810-006-FF-hoth1-150x150.jpg)
Bookmarks from January 5th through January 11th:[del.icio.us]
- Till we meet again, in some screening room in the dark. (15) – By Roger Ebert Slate Magazine -
“To be fair, James Cameron undoubtedly knows this about genetics. We already know how the female Na’vi evolved breasts. They evolved them on Cameron’s drawing board, because you can’t have a love affair between two Na’vi who are both breastless and therefore apparently male. The bloggers from the tinfoil-hat brigade would really go bonkers then. Roger”
- L.A. charter schools flex their educational muscles – latimes.com -
“Bauer, the Granada Hills principal who wanted the district “leveled,” said he actually sees that happening — but from inside, and by the district’s own choice. “I think the current centralized L.A. Unified structure is being leveled by the superintendent and board,” he said. “I think the climate has changed a lot,” said Jennifer Epps, principal of , a high-performing elementary school in Historic South-Central. “I think that just overall, they’ve been realizing that what they’re doing isn’t necessarily right for every school . . . and they’re saying, ‘We don’t have the resources to change these schools fast enough. . . . We need other solutions.’ “
- Quotes on music -
“To those composers who use MIDI and drum machines: Keep using them! Realizing your scores via MIDI is not inherently better or worse than hearing them in your head. If you haven’t already, you will eventually figure out how to make your MIDI devices do things no one ever thought they would do! And then you might learn how to hear those kinds of things in your head, something that [the conductor] Dennis Russell Davies will never be able to do.” — Corey Dargel
- The Founders Of Computer / Electronic Music | soundseller BLOG -
“Six world-renowned pioneers of computer and electronic music gather at Tulane University to discuss the future of the form – both as they saw it in 1967 and as they see it today…”
- Dave Winer: “I’m a mystic about What It All Means.” -
“…Dave Winer’s writings make you “think.” What does this really mean? The best response comes from Winer himself in a remarkable note about Julia Child, whom he views as a “natural-born blogger,” even though she wrote before the blogging era: [snip]. A blogger is someone who takes matters into his or her own hands. Someone who sees a problem that no one is trying to solve, one that desperately needs solving, that begs to be solved, and because the tools are so inexpensive that they no longer present a barrier, they are available to the heroic individual. As far as I can tell, Julia Child was just such a person. Blogging software didn’t exist when she was pioneering, but it seems that if it did she would have used it.” In the same piece, he also mentions that “The story of the nobility of blogging largely remains, imho, untold,”
- Hello… I Must Be Going-allaboutjazz.com -
“You are all the victims of Big Lies, conceived by Big Liars and spread by small-time hustlers, self-seeking weasels, Kulchur pimps and self-loathing whores – with a little too much help from some truly dedicated and optimistic individuals who are simply unable to see the forest for the trees. Combine this with those most willing victims – the musicians, who insist upon remaining slaves, shackled by their comfortable ignorance, short-sightedness and willingness to plant their silent lips upon the glutes of anybody who can offer them the luxury of allowing them to work for chump change – and you have got the ideal formula for destruction.”
- 20 years goes by so quickly – NetNewMusic -
“As in Dan Stearns recent Trolley video, this video is music from twenty years ago from a group I was in called the Glue Factory Orchestra in one of our first, if not our first show. The auspicious title of “no name” goes with this tune. As you can tell, the video and audio aren’t the best, but the club Beneath Broadway was a great place to play and to see music and theatre and this reminds me of those days. GFO was: Tony Atherton (alto sax), Diane Barkauskas (keyboard, accordion), Dave Black (amplified string bass), Joe Bouchard (Guitar), Jeff Fairbanks (drums, marimba), Martin Tardif (electric bass), and Jerry Wheeler (trombone). Tune by Jeff Fairbanks”
Bookmarks for December 19th to 27th [del.icio.us]
![Bookmarks for December 19th to 27th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/12/4205075037_834d367e72_b1-150x150.jpg)
Bookmarks from December 19th to December 27th
- Los Angeles Eat+Drink – Drowning, Not Eating – page 1 – “Tortas cubanas are almost as common as burritos in Los Angeles. Mexico City–style pambazos rule the world of street food. The muscular cemita Poblano commands a fleet of trucks extending as far as the Westside. But the king of Mexican sandwiches is the mighty torta ahogada — drowned sandwich — a mass of bread and sauce and meat that is less a foodstuff than a way of life. You do not nibble at a torta ahogada; you dive straight into it, trusting that you will come out alive. I had always thought that roasted goat was the emblematic dish of Guadalajara, but tortas ahogadas joints there outnumber birria parlors at least 20:1…”
- Four New Images by Street Artist Banksy… “Four new images by the elusive street artist Banksy have surfaced over the weekend, with one seemingly attacking global warming sceptics. Banksy graffiti. Photo: Londonist.com The pieces follow the Copenhagen summit. Photo: londonist.com The latest designs were discovered by londonist.com along the banks of Regent’s Canal. It found the first beneath Camden Street Bridge – “almost in the back yard of the British Transport Police building”. The second and third pieces were etched under and next to the Oval Road Bridge in the direction of Primrose Hill. The most provocative simply has the words: “I don’t believe in global warming”, with the writing gradually disappearing into a canal.”
- “Alt-Classical”: Is This the Future? “Hot on the heels of James MacMillan’s red-hot piece in these pages calling Emperor’s New Clothes on Pierre Boulez, plus Dilettante Music’s digital composer-in-residence contest, and Norman Lebrecht’s poll of the living composers creating the most durable work (John Adams is no.1, then Part, then Reich), here’s more contemporary food for thought. Greg Sandow of Artsjournal’s blog about the future of classical music has run a post about the Chicago Symphony Orchestra’s two new composers-in-residence. They are Mason Bates and Anna Clyne. Not likely to be familiar names if your view of new music is simply what the BBC Symphony Orchestra…”
- Richard Lainhart: Puremagnetik interview dec 2009“The Ondes Martenot is a very expressive electronic instrument – Maurice Martenot, who invented it, was a cellist, and wanted an electronic instrument that could be played with the same degree of expression as a string instrument. Oraison is a piece I’ve always loved – I first heard it years ago as a student – and when I got the Buchla/Continuum system, I realized that the Continuum would let me play the piece myself, as it’s a superbly expressive controller, with the advantage that it’s polyphonic, unlike the original Ondes. So I spent some time transcribing the piece from the original score, then spent a lot more time practicing it. The Buchla let me program a sound that was similar to the Ondes, but with even more expression in the timbre control, and that’s what I used for my version. So, my own realization is a kind of analog-digital homage to the original – analog in the sound-producing domain, but digital in the control domain.”
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The Pushbutton Web: Realtime Becomes Real – Anil Dash “Pushbutton is a name for what I believe will be an upgrade for the web, where any site or application can deliver realtime messages to a web-scale audience, using free and open technologies at low cost and without relying on any single company like Twitter or Facebook. The pieces of this platform have just come together to enable a whole set of new features and applications that would have been nearly impossible for an average web developer to build in the past”
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Orson Welles and His Brief Passionate Betacam Love Affair – Orson Welles – Gizmodo“In January 1985, the phone rang. The caller announced that he was Orson Welles and that he wanted to have lunch with me. Thus began one of the most extraordinary and bittersweet adventures of my life.” Sometimes the journeys we take through this life begin and end in the most unexpected ways. My encounter with Welles in the last days of his life centered on a common interest: Sony’s new one-piece camcorder, the Betacam. It had just come to market and Welles, always the genius filmmaker, had big ideas for what he could do with one. With Welles there were no limits. “You can’t do that” wasn’t in his vocabulary. This was a short, but very passionate story
an experiment in narrowcasting and curation
an experiment in narrowcasting and curation of the independent DIY music community
as some of you may know i have been kicking around the idea of creating a new website to feature music from our community (independent DIY art music). my original idea centered around the observations of how various website in the community functioned.
originally there was Sequenza 21 which like a new music magazine functioned as good watercooler to discuss whatever articles and music being promoted. then there was Net New Music; which has been very interesting community fourm/clubhouse (on most days) for the new music community. both of these sites have specific purposes, but neither functions well as a music publishing and aggregation platform. after thinking about this quite a bit and surveying many of the platforms available and as an experiment i decided to try and create a website that focuses on curating and aggregating this music ourselves
fireworks "you can trust" sold here
i was very surprised to get a mention in the new yorker online, so if you haven’t visited her before let me please introduce myself: although i’m a “blogging composer” it’s probably easier to keep up with our bigger conversation with other wide range of very interesting and uniquely individual composers that i follow on [...]
anne midgette promises the moon
A.M. updates her original post and expands her confusing alt-classical umbrella to include most everybody
anne can call it whatever she wants, but the commissioned, academic music they have to play is always going to be toothless and banal.
the big problem about article’s like this is that it promises the moon (yet again), and pulls out the rug on the those more adventurous early adopters who pay decent money to catch “the new music scene” which in turn makes it harder for me to get people to come out to my shows.
just to be clear i’m not saying the groups mentioned in these articles are poor performers or all the music the play is shite, but i’m very clearly pointing out at any one of their concerts you do have to suffer through at least 1-2 commissioned pieces they must play to “pay the bills” and keep the grants coming in. the audience has no idea that this pay to play is going on (it’s just like selling prime shelf space at the supermarket to the highest bidder) and yet comes away from the whole experience wondering if they must be stupid b/c they “didn’t quite understand the music”
on the other hand…
thank goodness most kids today don’t read the paper
p
the winners are already decided
after reading anne midgette’s washington post article Roll Over Beethoven about her new “alt-classical” genre i have a few bones to pick with with her description and logic.* besides mixing up the alt.classical genre with the alt.classical transcription bandwagon. (Alarm Will Sound’s Aphex Twin transcriptions and Christopher O’Riley’s Radiohead piano music) she tries then label [...]
Cheap Admiration
‘m really happy to finally release the first track from my upcoming PBE EP “Alt-Classical”
Cheap Admiration (2005), is a simple pop song (loosely based on a harmonic deconstruction) of Johann Pezel’s (1639-1694) Sonata Ciacona.
Around 1670 Pezel was the town stadtpfeifer (band director) in Leipzig and later in his career he applied and was turned down for the job of Cantor of St. Thomaskirche, a job that J.S. Bach would hold 50 years later.
Alt-Classical is:
DIY, open instrumentation, alternative venues, mix of amateur and professional performers, music lies somewhere between art music (music meant to be contemplated) and pop music (music meant for mass consumption).
Alt-Classical is the third CD/EP release from the Paul Bailey Ensemble
Paul Bailey Ensemble (PBE)
The Paul Bailey Ensemble (PBE) is an alt-classical garage band that plays the music of a variety of living and dead composers. The southern california group was created in 2002 as a DIY forum outside the usual and limited channels of art music presentation.
- Paul Bailey, Trombone
- Bruce Gallego, Electric Guitar
- Eric Hendrickson, Keyboards
- Scott McIntosh, Clarinet
- Ryan Nunes, Vibraphone
- Carl Stronach, Bass Guitar
