Posts Tagged ‘art’

Bookmarks for May 29th through June 6th

Bookmarks for May 29th through June 6th

These are my links for May 29th through June 6th: Circles and Euclidian Rhythms: Off the Grid, a Few Music Makers That Go Round and Round – Music Notation, What is it Good For? How About Humans? – Make: Online | Walled Gardens vs. Makers – “Making, in short, is not about making. Making is […]


Bookmarks from June 28th through July 3rd

Bookmarks from June 28th through July 3rd

“What makes Piazzolla’s music so emotionally powerful is his infallible sense of harmony. I tell students over and over that the principal problem with most compositions I see is their lack of harmonic coherence. Listening to Piazzolla ought to be a model of how one cannot hope to establish an original musical voice without first having a secure and identifiable harmonic sense. Of course Piazzolla’s harmonic world is largely derived from Bach’s, with smooth, circle-of-fifths progressions moving effortlessly underneath the plangent cantilenas of his melodies. That was his special discovery—a melding of indigenous tango rhythms and melodic tropes with the contrapuntal sophistication of Bach and the edgy brutalism of early Stravinsky and Bartók.”

link: John Adams: Hell Mouth: El Tanguero

“In this Year of the Tiger 2010, there are perhaps as many boba shops filling the L.A. basin as there are intersections to hold them. I imagine container ships stacking up in San Pedro Bay bearing nothing but vacuum-sealed tapioca pearls from the food factories outside Kaohsiung, waiting to dump their payload into robotically-sealed cups of syrupy tea from Santa Monica to Ontario Mills. Taro, the starchy corm (i.e., a modified underground stem, rather than a true bulb), cultivated widely throughout eastern Asia and Oceania, is a personal bubble tea favorite–and a misnomer to boot. Rarely is there any actual tea in taro milk tea, which typically consists of taro powder, flavored and dyed a fetching lavender, sugar syrup and milk or creamer. Little culinary lies aside, I’m on a mission to source L.A.’s best taro milk tea. Below are the first five candidates. Your boba hits and misses are welcome in the comments.”

link: Triangulating Boba: In Search of LA’s Best Taro Milk Tea – Los Angeles Restaurants and Dining – Squid Ink

“They’re going to close you out, at some horrible level, they say, “You didn’t post the margin, we’re going to close you out,” and then what do you do? You’re going to sue them? By the time this thing wends its way through the courts, you’re out of business. And if you’re being foreclosed on by a bank, and you’re in litigation, that massively increases the probability that other banks will do the same thing to you, because they’ll be worried, and you’re caught in this vicious circle. Yeah, so, theoretically, in calm times you would look to the courts for vindication, but in difficult times the damage that’s done may be irreversible before you can get any kind of remedy.”

link: n+1: Bullies and Bankers

“LCK: I can go out on the road. I can make money. I can do what I do in its purest form without asking anybody for permission. You can’t cancel my stand-up tours. It’s impossible. There’s too many separate bosses. There is no “bosses.” I rent these theaters now. When I worked the clubs, it was very different. Pretty much you needed to please the Improvs, but if I get cancelled, I can put together a stand-up tour and go on the road and continue generating. I don’t worry that way anymore. I don’t know what it’s like to be an actor, where if your show gets cancelled, really you’re just a bum. [Laughs.] It must be really awful. You can’t go out and do a little acting, you know what I mean? If I’m not on tour, I can run down to the comedy club and do a little stand-up. If you’re an actor, you can’t go—I guess there’s forms of it.”

link: Louis C.K. | TV | Interview | The A.V. Club

“Dykstra, of course, was never a market genius. When researching our lawsuit against him (he eventually agreed to pay $200,000—but later defaulted), I uncovered emails from a stock-market analyst named Richard Suttmeier, who sent Dykstra a list of “deep-in-the-money” call picks each morning. Most of “Dykstra’s” picks came from this list. Several bloggers also figured out how these picks performed so phenomenally: He counted his winners, but endlessly rolled over his losers, in tallying his overall results.”

link: Jim Cramer – Lenny Dykstra Stock Scandal, Reports Randall Lane’s The Zeroes – The Daily Beast

“RZ: Yeah, I mean here in Los Angeles it’s tough. It’s tough to open a restaurant. When I went to San Francisco it reminded me a little bit of London. You can open anywhere and people come, a lot of neighbors come. Here you need to drive everywhere, you have the parking, it’s tough. But it’s not impossible. And I think if you can come here to Los Angeles then that’s it, you can go anywhere in the world.”

link: Q & A With Mo-Chica’s Ricardo Zarate, Part 2: The Joy of Barracuda, L.A. Peruvian Food + Life and Soccer in England – Los Angeles Restaurants and Dining – Squid Ink

“Why is the painting-camera gap where Baldessari toils so fertile? Before the media age, when pictures meant paintings, their rarity made them powerful and astounding. Today we’re so inundated by a nonstop flood of camera images that we’re largely insensible to them. Images wash over us, like the weather, so paintings have lost their once-singular ability to galvanize. Using paintings’ historic raw materialism as a guide, Baldessari finds ways to jam the whirling camera-circuits. His best work stops us short, allowing us to see things with fresh eyes.”

link: Art review: ‘John Baldessari: Pure Beauty’ @ LACMA | Culture Monster | Los Angeles Times



Bookmarks from Saturday June 19th-Friday June 26th

Bookmarks from Saturday June 19th-Friday June 26th

“Riches can be lost, fame can flee, but music — ephemeral as it is, just molecules of air being pushed about — stays with you. It really doesn’t get any better than this.”

link: Renewable Music: No greater pleasure

“You might have thought that with the chief of police and all those command officers present that the operation would have been run more smoothly. If that was indeed your expectation you are not a police officer, certainly not one with the LAPD. Police officers everywhere know, and LAPD officers might know best of all, that the degree of success in any tactical operation is in inverse proportion to the number of command officers present. Seldom has this proven more true than in downtown Los Angeles Thursday evening. I even saw, while running to one trouble spot with my colleagues, an assistant chief who was also running, but in the opposite direction. (It was just as well; he only would have been in the way.)”

link: Pajamas Media » What I Saw at the Lakers Riots

“In my second year I worked as his teaching assistant. CalArts had no grades, but we did have pass, high pass or fail. John’s system was if we went down the roster and could remember the person, we passed them. If we could remember the person and the work, it was a high pass. If we couldn’t remember them, we failed them, but if they came back and argued for another grade, they would pass. It was a brilliant system that could never work today.”

link: John Baldessari’s former students share memories – latimes.com

“I don’t want to be like Henry Moore,” he said, “just making big monuments for public spaces, like the one beside the Met on the piazza over there. Yet I’m currently involved in a piece I didn’t want to do, for a major American orchestra I have a long history with. I wanted to write a string quartet, but this orchestra is having its centenary and they really pleaded. Eventually I had to give in.”

link: John Adams: ‘I just don’t know what to say about American classical music’ | Interview | Music | The Observer

“I have yet to eat at the Kogi truck or any of the “new” catering trucks. I will not dare turn my back on my beloved loncheras, so I haven’t had the opportunity to taste their food, a fusion of Asian and Mexican, enter The Red Hot Kitchen. I never thought that eating a tofu burrito would be so delicious. And the salsa ? Mathematical.”

link: LA Eastside » Red Hot Kitchen

“The main problem is that most of the places in 90042 that are good to watch the deportes, are not the places that are open this early morning. (Oh, the days when Mr. T’s Bowl opened at 6AM and the drinks were correctly priced.) That being said, there are a couple of good places to catch the games with people here.”

Highland Park World Cup Fever « 90042

“One particularly interesting suggestion is to have journals publish lists of rejected papers along with the accepted research. This would act as a sort of public punishment and might encourage scientists to submit their research to appropriate journals on the first try. Another method to decrease the science community’s focus on metrics would be to allow tenure candidates to submit just their top few papers for evaluation. One commentator notes that, unlike in most fields, science output is not directly proportional to effort. Instead of ranking scientists purely on their publication records, credit should be given for all sorts of activities that don’t necessarily come across in traditional metrics. Establishing publicly available datasets, serving on committees, and developing new experimental set-ups should all be taken into account in hiring and tenure decisions. More journals should follow the leads of PLoS ONE and The Journal of Negative Results and begin publishing negative or inconclusive findings.”

link:School Is Turned Around, but Cost Gives Pause – NYTimes.com

“Locke High represents both the opportunities and challenges of the Obama administration’s $3.5 billion effort, financed largely by the economic stimulus bill, to overhaul thousands of the nation’s failing schools.The school has become a mecca for reformers, partly because the Department of Education Web site hails it as an exemplary turnaround effort.But progress is coming at considerable cost: an estimated $15 million over the planned four-year turnaround, largely financed by private foundations. That is more than twice the $6 million in federal turnaround money that the Department of Education has set as a cap for any single school. Skeptics say the Locke experience may be too costly to replicate.”“When people hear we spent $15 million, they say, ‘You’re insane,’ ” said Marco Petruzzi, chief executive of Green Dot Public Schools, the nonprofit charter school group that has remade Locke. “But when you look closely, you see it’s not crazy.”

Quality, not quantity: ending science’s “academic prostitution”

“Then I read it and responded,” said Mrs. Holzer. “Although it had no plot line. That worried me a little. I see now it should have worried me more. Basically ‘Dude’ was everyman. Everyman who loses his innocence and fights to regain it. But ‘Dude’ was also Gerry Ragni’s own life. His memories. Temptations. His fears. His struggle to create. He’s one of 10 children from a poor Italian family in Pittsburgh, you know. When he was 5 years old, he began painting crazy beautiful pictures all over the walls of his family’s house and his parents couldn’t stop him. Even then he believed he was a genius. That belief has made him tireless.

“The Dude” New York Times Review 10-22-72



a case against working for the king

a case against working for the king

“It is no secret that Ms. Monk rarely does commissions. It seems the current count of commissions she has accepted over her entire career rests around four or five. She explained the reason is because the artist is then working on someone else’s deadline. Not to mention she does not believe in “made to order art.” Benn clarified that Ms. Monk does not even work on her own deadlines, but the project’s deadline. Meaning that she spends the time getting to know the project so that it takes on a life of its own within the creative process, and after working diligently on the project, it reveals to her what it will be ultimately.”

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a little balance

a little balance

over the last few weeks it’s been interesting getting into photography as a hobby/creative outlet b/c i have discovered a new way of scratching my urge to make things (and even perform). part of the the major changes i have been going are trying to find a balance between my different personas (creative/teaching/personal) and it looks like photography is going to be just what i need.

i think it’s interesting that  for quite a long time i have been an active photography enthusiast, always taking my camera with me to document and capture life as it rumbles along, but what has got me interested now how you can you photographic technique (perspective, color and light) to capture (i.e compose) a shot.  calling it a composition (in the musical sense) is really a misnomer, b/c it’s really much more like counterpoint in music except you are using a camera as digital tool to adjust the light, shadow, and color to create the heightened reality through the illusion of balance.

i guess at this point of my life a little balance could go a long way


Bookmarks for December 27th through December 31st [del.icio.us]

Bookmarks for December 27th through December 31st [del.icio.us]

Bookmarks from December 27th through December 31st:[del.icio.us]

  • Doctorow, How to Destroy the Book | Electronic Frontier Foundation -
    “When I buy an audiobook on CD, it’s mine. The license agreement, such as it is, is “don’t violate copyright law,” and I can rip that CD to mp3, I can load it to my iPod or any number of devises—it’s mine; I can give it away, I can sell it; it’s mine. But when you buy an audiobook through Audible, which now controls 90 per cent of the [downloadable] audiobook market, you get a license agreement, not a property interest. The things that you can do with it are limited by DRM; the players you can play it on are limited by the license agreements with Audible. Audible doesn’t do this because the publishers ask them to. Audible and iTunes, because Audible is the sole supplier to iTunes, do this because it’s in their own interest….”
  • how to make a living playing music | Ol’ Danny Barnes -
    “i hear so much complaining about this subject, i just wanted to lay my practical experience on you. free. first, three pre-conditions: 1. if you are a very materialistic person, skip this article, i don’t think you are going to like what it says. 2. if you don’t have the music where you want it art-wise, you might want to go work on that, this article isn’t going to help you much either. you will be better off by practicing and studying and working on your music instead. you will need to get the art pretty close to where you want it, before you should worry about making much of a living out of it. 3. determine if you are actually called to be a musician. if you aren’t called, all the gyrations in the world, won’t make it work. if you are called, no matter what you do, it’s going to work. this determination will solve most of the problems you are going to encounter. “
  • Mixed Meters: Could Terry Riley’s In C Be Accepted As Classical Music -
    “I fantasize that someday In C will be programmed on regular orchestra concerts. Yes, getting this piece into the standard repertory is a long ways off. If it happened, In C would change from a “minimalist classic” into an actual piece of classical music. That would provide strong evidence that classical music has some life left in it.” A chamber orchestra would be just the right size. Before the intermission the program could be, maybe, a Rossini overture and a Mozart concerto. And the second half would be a 35-minute performance of In C employing all the performers from the first half. Great concert! Of course, during In C the conductor should sit in the ensemble and play an instrument, provided he or she is capable. Otherwise tell the conductor to sit in the audience.
  • Militant Locationist Rant « 90042 -
    “Recently in our humble corner of Los Angeles, a brewery opened. Which is great news to anyone, (especially myself) who enjoys what Benjamin Franklin said was, “proof that God loves us.” Microbrewing is something I have supported for a long, long, and expensive time. Having a new microbrewery nearby is a wonderful thing. The only problem is the name. And what is in a name? To quote Shakespeare, “A rose by any other name would smell as sweet.” Maybe so, but out of the millions of names to engrave on your mast, the brewers of this new brewery have chosen to name their venture after a location here in Northeast Los Angeles. It’s good to represent, right? The name of this new establishment is Eagle Rock Brewery. Great, Eagle Rock is a fine place; home to many of my favorite festivals, restaurants, stores, and newspapers. The only problem is the brewery is not located in Eagle Rock 90041, but in Glassell Park 90065.”
  • Lefsetz Letter » Blog Archive » Gleevec -
    “I’m still reading the responses to my “Leukemia” missive. I appreciate the good will. But I’m reading slowly not only because the missives are all personal, directed specifically to me, but because I’m learning so much. I heard from Steven Page, formerly of the Barenaked Ladies. Did I know that Kevin Hearn from BNL had leukemia? Steven copied him on the e-mail. Turns out Kevin had CML too. Before Gleevec. He had a bone marrow transplant, and it worked.But it’s not. [snip] Because some guy who wasn’t in it for the money, who was willing to sacrifice everything for his passion, put together the pieces to come up with a breakthrough drug that allows me to live.”
  • UbuWeb Sound – Marshall McLuhan -
    “Marshall McLuhan appeared on the Dick Cavett Show in December of 1970 along with Truman Capote and Chicago Bears running back, Gayle Sayers. Both Capote and Sayers participated in the discussion with McLuhan. This recording was made on reel-to-reel audio tape in 1970 and directly transferred to computer in 2005. Unfortunately, the exact date of the show was not noted, except that the show did take place before Christmas. All commercials and breaks were removed from McLuhan’s appearance.”
  • The annotated world « BuzzMachine -
    “Tweet: A view of our annotated world: Hyperlocal is what’s around me and how I search that There are eight million stories in the naked city and soon every one of them will be available on your phone through visual, aural, and geographic search and augmented reality in our newly annotated world. Every address, every building, every business has a story to tell. Visualize your world that way: Look at a restaurant and think about all the data that already swirls around it — its menu, its reviews and ratings and tags (descriptive words), its recipes, its ingredients, its suppliers (and how far away they are, if you care about that sort of thing), its reservation openings, who has been there (according to social applications), who do we know who has been there, its health-department reports, its credit-card data (in aggregate, of course), pictures of its interior, pictures of its food, its wine list, the history of the location, its decibel rating, its news… “

Bookmarks for December 5th through December 10th [del.icio.us]

Bookmarks for December 5th through December 10th [del.icio.us]

Bookmarks from December 5th through December 10th:[del.icio.us]

  • Take a poll: Should I review Bocelli? – The Arts Blog : The Orange County Register -
    “A classical music critic is always a little out of place at an Andrea Bocelli concert. Generally, he’s the only one who doesn’t want to be there. A Bocelli concert, for all the tenor’s merits, for all his charisma, is about as classical as a Bugs Bunny cartoon. I’ve written reviews of Bocelli concerts before. As recently as last June. It’s kind of a no-win situation for a critic. If you’re totally honest, which I try to be, you always end up pissing someone off — i.e. usually the people who are bothering to read your review…”
  • jacktrip – Project Hosting on Google Code -
    “jackTrip is a Linux and Mac OS X-based system used for multi-machine network performance over the Internet. It supports any number of channels (as many as the computer/network can handle) of bidirectional, high quality, uncompressed audio signal steaming.” You can use it between any combination of Linux and Mac OS X (i.e., one end using Linux can connect to the other using Mac OS X). It is currently being developed and actively tested at CCRMA by the SoundWIRE group.
  • subway architecture -
    “london’s underground became the first subway system in the world when it began operation in 1863. since then, underground subways have been built in almost every major city of the world. from new york and paris to hong kong and dubai, subways are an essential part of public transportation in cities. within these systems, architecture plays a big role in defining the environment of the subway. here is a collection of some of the most architecturally interesting subway stations. “
  • RjDj -
    RjDj is a music and sound application for mobile devices with microphone and various other reality sensing sensors like accelerometer, touch pad, GPS etc. Currently the iPhone and iPod Touch are supported devices.
  • Cal State gets the wrong number in answering budget crisis — latimes.com
    “We seem to be quickly moving toward the day when the once-great Cal State system moves to a three-day week, with academic buildings rented out to storage companies and professors teaching class in parking lots and under trees. But even so, I was taken aback to hear they might be shutting down phone service at Cal State Long Beach. I drove to the campus to see if it was true. When I got to the office of Lisa Vollendorf, who runs the Romance, German and Russian department, I noticed that she still had a phone. “I still have mine, too,” said Jeff High, associate professor of German studies, who wasn’t sure how much longer he’d be able to make or take calls. Vollendorf, who is on the university budget committee, said turning off the phones campuswide was recommended by committee members as a way to avoid further cuts in instruction. The thinking was that professors could use personal cellphones to conduct school business.”


Bookmarks for October 24th through October 31st [del.icio.us]

Bookmarks for October 24th through October 31st [del.icio.us]

Bookmarks from October 24th through October 31st:[del.icio.us]

  • Brow Beat : The DORF Matrix: Towards a Theory of NPR’s Taste in Black Music -
    “In the weeks since the publication of the All Songs Considered list, I have been puzzling over NPR’s musical coverage—in particular, its approach to black music. I wondered: Could NPR’s musical taste be as lily-white as the “The Best Music of 2009 (So Far)” list? After scouring NPR’s Web site and studying its broadcasts—All Things Considered profiles, Fresh Air interviews, even the music interludes played between segments on NPR’s marquee programs—I can report that the answer is no. It’s not that NPR doesn’t like black music. It merely maintains a strict preference for black music that few actual living African-Americans listen to.”
  • why i’m not afraid to take your money« by amanda fucking palmer -
    “I know this for myself – it’s something you’ve done since you were six years old, and there’s a sense that if you stop giving 100% you are doomed to failure, and that is unacceptable. No wonder so many players hate their sport – the surprise is that so few admit it.” And despite all the kudos, money and silverware, there’s a reason it’s the top players who suffer most – because they’re the ones playing the most tennis, as they don’t get knocked out in the first or second round. So they have the least free time, the most mental stress and suffer the most physically. Agassi’s avowed hatred for his sport is far from exclusive to tennis. British cyclists Chris Boardman, the former Olympic pursuit champion, and Tour de France star David Millar have both admitted to not really liking cycling. “In Boardman’s case,” says William Fotheringham, the Guardian’s cycling correspondent, “he liked the winning not the cycling itself, and he drove himself to win.”
  • Why did Andre Agassi hate tennis? | Sport | The Guardian -
    “I know this for myself – it’s something you’ve done since you were six years old, and there’s a sense that if you stop giving 100% you are doomed to failure, and that is unacceptable. No wonder so many players hate their sport – the surprise is that so few admit it.” And despite all the kudos, money and silverware, there’s a reason it’s the top players who suffer most – because they’re the ones playing the most tennis, as they don’t get knocked out in the first or second round. So they have the least free time, the most mental stress and suffer the most physically. Agassi’s avowed hatred for his sport is far from exclusive to tennis. British cyclists Chris Boardman, the former Olympic pursuit champion, and Tour de France star David Millar have both admitted to not really liking cycling. “In Boardman’s case,” says William Fotheringham, the Guardian’s cycling correspondent, “he liked the winning not the cycling itself, and he drove himself to win.”
  • don’t care about old composers-rogerbourland.com -
    “I asked Aaron Copland what he was composing in fall 1976: “Nothing, and I am not accepting commissions; if people want to play my music, there’s plenty of it available in my catalog.” Today I went through an old journal, listing old UCLA Music faculty and their appointments and salaries. I looked at all the composers and saw their careers over a span of decades. I sighed and thought about how none of their music is heard these days. And I’m sure that this is true for every music school in America.”
  • Brand (Dis)Loyalty « The Quick and the Ed -
    “A couple of days ago a message popped up on my Tivo informing me of a new service, “Blockbuster on Demand.” Ah, Blockbuster. That takes me back, to that period of about four years when all of the mom and pop video rental stores had been driven out of business but Netflix hadn’t yet arrived, so the only way to rent a movie was to drive to the nearest Blockbuster, spend ten minutes trying to find a place to park, discover that your first eight choices were unavailable, wait in line for fifteen minutes, and be informed by a surly, inattentive clerk that you owed the Blockbuster corporation 27 dollars in late fees and other assorted charges. snip This is what happens when organizations use their monopoly status to mistreat customers. Sooner or later the world changes, your monopoly is gone, and you pay the price… If there’s one thing that’s pretty certain, it’s that people will have more education choices in the future than they’ve had in the pas
  • Music review: ‘Einstein’ at the beach | Culture Monster | Los Angeles Times -
    So “Baby Einstein” won’t make your kids smarter after all. Last week, the Walt Disney Co. confessed that plopping kids in front of its video does not count as instant education and offered to refund gullible parents their money. But the few enlightened parents who tried “Einstein on the Beach” instead may have a wiser tale to tell. Saturday night, Jacaranda, the West Side’s new music series, concluded its first concert of the season at First Presbyterian Church of Santa Monica with excerpts from Philip Glass’ groundbreaking opera he conceived with director Robert Wilson in 1976. Glass offers the option of replacing the women’s voices at the end with a children’s chorus and that is what Jacaranda did. Asking youngsters to show up late at night to sing the last eight minutes of a five-hour avant-garde work is, obviously, unreasonable. Then again, little about putting on “Einstein on the Beach” has ever been practical…”


Bookmarks for September 28th through October 1st [del.icio.us]

Bookmarks for September 28th through October 1st [del.icio.us]

/a>Bookmarks from September 28th through October 1st:[del.icio.us]

  • Taruskin, vol.5, page 220 « The Rambler
    “I’ve just recently, and belatedly, started leafing through Richard Taruskin’s monumental History of Western Music, one of the musicological banner publications of 2005. Now, I’ve been an occasional fan of Taruskin’s work – his Grove article on Nationalism is flawed, but significant, and Defining Russia Musically was an inspirational book for me… There’s far too much to go into here about what winds me up about this book (how about the laughable Europhobia, in which European music after 1950 is merely a Cold War sideshow, and after 1960 non-existent), much of which will have been said elsewhere, but I just wanted to get my reaction to one page in particular off my chest. This is page 220 of volume 5, on which Taruskin is discussing (speculating on) the Cold War implications of Penderecki’s Threnody for the Victims of Hiroshima. I fear, as an example of the lazy thought and downright falsehoods of this book, it may not be unique.”
  • Music Apps Blur the Gap Between You and Clapton – NYTimes.com -
    “And this is where it gets back to being like a video game. Many musical apps offer the ability to record a track, then add layers on top of it. Doing this between disparate apps is impossible without external recording software, but a multi-instrumental app like Moocow’s Band gives novices the opportunity to record and edit tracks with drums, bass and guitar, and make sure it all sounds pretty good (even if one doesn’t know how to play a lick of music). It’s as much a game as Guitar Hero, only instead of trying to keep up with prerecorded music, the goal is to make music of one’s own.”

Bookmarks for August 9th through August 17th [del.icio.us]

Bookmarks from August 9th through August 17th:[del.icio.us]

  • TRIUMPH OF HIS WILL: GQ Feature on Quentin Tarantino – “You can lie about a lot of things,” he says, “but your filmography doesn’t lie. It’s right there. And it doesn’t give a shit about why you did it.”
  • Clare Graham’s Wonderama – LA Times Magazine -”As for the question of art versus craft, Graham comes down definitively on one side. “I don’t like the terms outsider art, or naive art. What I do is craft,” he insists. “Fine art has a need to communicate something. My work is about simple processes done to the nth degree until the accumulation is significant.”
  • Lefsetz Letter » Amanda Palmer email; the new art of twitter and blogging – “BUT this is, hands fucking down, also why people listen, why they search, why they want art. connection = primary. music/art = secondary.”
  • Ready for the devil we don’t know -LA Times endorses a constitutional convention to fix CA budget mess -”A single initiative to end the current rule requiring a two-thirds supermajority of the Legislature to adopt a budget may be doomed at the ballot box. But opponents are more likely to accept the change if they can keep the supermajority to increase taxes and are assured that future taxes will no longer be disguised as “fees.”
  • Fieldnotes from a Rock Band Bar Night | – “Much to my surprise, the scene reminded me of the participatory tradition that was the focus of my first major research project: Sacred Harp singing, an American vernacular hymnody tradition that is open to anyone, regardless of perceived musical expertise, and that revolves around drop-in community “singings” rather than rehearsed performances for an audience. “
  • Views on Music and Life from an outpost.: Making the case for the musical amateur. -”think to say that people simply need more exposure to jazz, to classical music, etc- is only half-right. I think that people need to be directly involved. Make people an active part of any activity, and they are much more likely to stay engaged.”
  • This Blog Will Change the World: No neon arrows – “What we need here is a third option, one which avoids asserting the absolute superiority of any one musical style without sliding into relativism.”
  • YouTube – GAMEBOY FOOT CONTROLLER DEMO + 8BIT GUITAR -
    joey mariano [animal-style] demonstrates his GBC Gameboy Foot Controller
  • How American Health Care Killed My Father – The Atlantic (September 2009) -”Indeed, I suspect that our collective search for villains—for someone to blame—has distracted us and our political leaders from addressing the fundamental causes of our nation’s health-care crisis.”
  • A music lesson for LACMA’s film program | Culture Monster | Los Angeles Times – “It is not without a twang of envy that I watch the film community react to the Los Angeles County Museum of Art’s announcement that the 40-year-old film program would go the way of the even older Monday Evening Concerts, which was thrown out on the cold street three years ago.”
  • Cal State Fullerton abruptly begins canceling classes – College Life OC – OCRegister.com -”Cal State Fullerton officials say the university has begun canceling classes, including those that were already underway, because its being required to make tens of millions of dollars in cuts to help the state balance its budget.”
  • WATTS ENSEMBLE: IF WE ALL GOT MOHAWKS -”What would I call the next punkest classical record? Fuck. I could tell you probably the Andy Kaufman of classical music, which is probably Terry Riley’s ‘In C.’ Don’t get me wrong—I love the piece but it almost feels like it’s daring you to like it. ‘In C’ is typically 45 minutes to an hour long and it’s everyone playing the phrases at the same tempo—but they play it staggered so it creates all these different patterns. It’s an amazing piece. But I’ve shown it to people before and they’re like, ‘Oh my God, this is driving me insane—I can’t deal with it.’ It’s kind of the same thing with Andy Kaufman. Some people were like, ‘Wow, this is fucking amazing’ and other people were like, ‘I can’t stand this guy.’”
  • The Fun Music Company Ultimate Flashcard Set -”In the Ultimate Instant Print Flashcard Set you get a comprehensive selection of printable flash cards that you print yourself, right from your computer.”
  • Create Digital Music » Hexagonal iPhone Sequencer-Rhythm Machine from Jordan Rudess -”Dream Theater keyboardist Jordan Rudess and noise.io developer Amidio have made a crazy-looking hexagonal sequencer for the iPhone. It comes with plenty of samples and factory sessions if you just want to play around…”
  • Terry Teachout Asks, Can Jazz Be Saved? – WSJ.com -”No, I don’t know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they should like Schubert and Stravinsky has already lost the battle. If you’re marketing Schubert and Stravinsky to those listeners, you have no choice but to start from scratch and make the case for the beauty of their music to otherwise intelligent people who simply don’t take it for granted. By the same token, jazz musicians who want to keep their own equally beautiful music alive and well have got to start thinking hard about how to pitch it to young listeners—not next month, not next week, but right now.”