welcome back
it’s been a while and things got complicated. i put the PBE on hiatus and focused on other things for a while. in the meantime this budget crisis is making hard to make a steady living. along the way there have been a few spurts and false starts trying to get back to making music again but I’m glad to report that I’m stating a new chapter in my life.
classes start Monday and if all goes well i should have a pretty good schedule for making music on a consistent basis (last semester i had a 5am call time every day with quite a bit more grading than usual that slowed my progress and was very frustrating). but the main news (at least for some of you who i haven’t seen in a while) is a that i’m going to be performing solo or very small group for the time being. the last few years i have spent quite a lot of time making music with a wide variety of controllers. these days my weapon of choice is the Maschine a 16 pad box that is mainly used as a drum or sample looper but i am mainly using it as a 2.1 octave melodic instrument.
this should give you a better idea of what i am doing and I’m going to be posting more of these on a regular basis
Post-Keyboard?
after the last few years of dipping my toes into the world of making electronic music i finally have had the time to give it my full attention.
the explosion and rampant experimentation of form factor in iphone and ipad music apps have made it possible to get hands-on with a wide range of digital “controllers”. my thesis and starting point for this journey begins with an observation and a question:
- it’s interesting that in the electronic music revolution during the last 50 years, much of the music has been performed (at least melodically) based on a 17th C technology (the keyboard)
- the question i pose and am attempting to solve is that if you don’t make electronic music with a keyboard, then how will you make it?
http://www.youtube.com/watch?v=6-dAjULeWbI
Bookmarks for June 7th through June 12th
These are my links for June 7th through June 12th: Class, power & ideology – – the illusion of control causes people to over-estimate the chances of them escaping the working class through their own efforts, and so under-estimate the importance of collective class action . – the in-group heterogeneity bias (which is the flipside [...]
Music for Commuters (RealNewMusic 2010)
here is the video from our (with jeremy keller, guitar) performance at the RealNewMusic 2010 show in whittier (091810)
overall i’m pretty happy with the whole shebang. the audio is a little light on the bass because the recording was made from the balcony. this piece originally was created as “music for controllers 1” which was became “music for commuters” when it became a duo and video was added.
below is the video from the show and the audio mp3′s from the show and dress rehearsal
music for commuters dress rehearsal, 091810
music for commuters live, 091810
the hole in my soul has been temporarily filled
i really enjoyed rehearsal yesterday and after of summer of living in the past (mixing the alt-classical EP) it was great to start living in the present.
it was my second time playing with guitarist jeremy keller and not only it was starting to gel musically but we were also able to get beyond our training and technique to create an incredibly visceral electronic/ folk/modular improv performance.
i have always felt it was possible as duo or trio, but finding this hasn’t been easy. while i was talking to jeremy i found out he hasn’t really played much tonal music and although our musical instincts are puling us in opposite directions, i’m finding that the space between the seams very is invigorating and satisfying.
since yesterdays rehearsal the fact that i haven’t been able to stop listening to our rehearsal probably says a lot about what has been absent than anything else. it’s like dreaming your arm was missing and waking up realizing how lucky you are that it still works.
right now the hole in my soul has been temporarily filled
Music for Controllers, Reh 082110
jeremy keller, guitar
paul bailey, korg nanokey, buddha machine, kaossilator, and ableton live
Cleaning Out the Garage
summer is here and i’m actually think it might be productive. it’s not like i don’t need the break, i’m just not that productive when i don’t have any real structure to my day. overall the last few years have been a little too much drama for me and it’s time to “get my house in order” (literally as well as figuratively).
1st up is cleaning out my garage and turning it into a rehearsal studio/performance space. over the last few years i have definitely outgrown my “office” and now that i’m teaching private students at the house i need a bigger space to work in. after editing and mixing three albums (not to mention most of the composing that i do at home)i also have to admit that i really need a change of scenery. even though i wasn’t writing that much music this past year i found it very hard to want to sit down at my desk to do anything creative so i ventured out anywhere i could think of as an alternative creative space (including different rooms in the house) and came to the conclusion that having a larger space in my garage should do the trick for now. it will also allow me to setup and properly practice with the all the gear i’m using with my “music for controllers” setup. instead making music through headphones i really have needed to spend the time figuring out how to play these pieces “live” and have come to realize it’s much more involved than when I just played trombone.
the main problem is getting a proper balance when you are mixing live acoustic instruments (trombone, voice) and controllers (kaossilator, drone/scruti box, buddha machine, ableton live, launchpad, etc…). i also have realized that mixing electric and acoustic instruments without sound reinforcement can be very a very disjointed listening experience in a live performance and in many ways my even though much of this music is not technically hard to perform my “practicing” centers around how to setup gear, mics, and amps which means that i have to pretty much be practicing/performing with a stereo/PA system to make my performances aurally make sense.
with all that being said (and after trying to mostly “practice” at other locations) the reality is that the setup and teardown of this technological spectacle (a few amps, mic/stand, laptop/keyboard stand/table, MOTU traveller(digital/audio interface), and 2 pedal boards) can take almost as long as the rehearsal so for the time being i’m going to be only performing solo or with whomever musicians that can make it to the 90042 for a weekly rehearsal.
after driving down to fullerton and back for the last 20 years for PBE and DIE rehearsals can really take it’s toll and at this point in my life i think it’s only natural to change things up and make music in a different way. to me it’s kinda funny b/c on one hand i know there are a lot of people who over the past few years have been introduced to my “Retrace Our Steps/PBE 1.0″ music who really wish i was making more music with the larger group and really like the strings/winds/rock band orchestration. there are also another group who have only seen the “PBE 2.0 rock band” (as we jokingly called it) and keep asking when that group is going to perform again. all i can say is that part of making alt-classical music is not really having the control to make those choices which leaves me to make music with the equipment and musicians that are available (and not continually banging my trying to fit a round peg in a square hole)
the good news is that if all goes well I should be performing on a regular basis soon. when and if there will be a PBE 3.0 is yet to be seen. right now one step at a time is fine with me.
"A Tribute to the Slowness of Anxiety"
My Music for Controllers EP has recieved another thoughtful review via The Muse is Music
“A tribute to the slowness of anxiety, by Instructor of Music at California State University, Fullerton Paul Bailey. His introduction speaks of his distress over the current economic downturn, but the music itself is absolutely timeless.
A quiet, transcendent work, which the composer nearly forgot after concluding it was “a little too minimal.”
(Note to self, spend some time on this site.)
thanks fred!
got a great review of my Music for Controllers EP from marc weidenbaum at disquiet.com
“Probably the sole development that wasn’t a surprise, pleasant or otherwise, was that other musicians would use the Buddha Machine as a tool of self-expression. Among the latest is Paul Bailey, whose recent Music for Controllers album includes several tracks featuring the Buddha Machine (in this case, the Buddha Machine app for the iPhone and iPod Touch). The opening tones on the album’s opening track are familiar, their patient looping like waves brushing up against the shore, albeit in slow motion (MP3). But that’s just the start. Then comes a pitter-patter like some children’s wind-up toy acting up, and a tentative bit of melody that slowly, ever so slowly, over the course of nine minutes, finds a common sensibility with the looping tones, and insinuates its own drone-like hymn. In the process, Bailey manages to do what many Buddha Machine adopters have not, which is to once again relegate the machine to the background.”
are improvisations performed live using ableton live, korg/nanokey, buddha machine and srutibox (iphone), and korg kaossilator
Music for Controllers by paul bailey
Music for Controllers I
created using ableton live, buddha machine (iphone), korg kaossillator and nano-key
Music for Controllers II (coming soon)
Music for Controllers III and Music for Controllers IV
were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator
Music for Controllers V
improvisation post-whatever ableton, buddha machine (iphone), srutibox just-intonation drone
Music for Controllers VI (A Stable Job is an Oxymoron)
this track was based on a field recording i made of my last day of work before my “fall break” at CSUF (a one-week non paid work furlough). a few days later i improvised over the recording of my commute (from highland park to union station) with some materials of an earlier piece i made last spring (not getting fired is the new promotion). when it was finished i felt it was a little too minimal and forgot about it until about a week ago and when i listened to it again i realized it pretty accurately captured my dread of what this financial disaster has become in my life.
interestingly enough on that was the same day on my commute home the conductor on my amtrak route told me that she had lost about 75 daily commuters between san diego and los angeles from a year ago and it was pretty sad how so few of us were left. i know for me there aren’t many part time faculty left in the music department at CSUF and at this point it’s can get pretty depressing whenever i think about all of my friends who are out of work.
probably a little TMI, but yeah… i guess it is a bit dark.
Music for Controllers VI (A Stable Job is an Oxymoron) is spoken word piece based on twitter RSS feeds on the keywords “fired” and “job”. parts of this piece were originally contained in the piece “not getting fired is the new promotion” (2009) and was improvised/performed/composed using ableton live, novation launchpad, korg kaossilator, iphone (buddha machine, srutibox), text-2-speech, and a field recording (zoom H2) of my morning commute (metro goldline from heritage square to union station; los angeles, ca 10/15/2009 (10 min)
are improvisations performed live using ableton live, korg/nanokey, buddha machine and srutibox (iphone), and korg kaossilator
Music for Controllers I
created using ableton live, buddha machine (iphone), korg kaossillator and nano-key
Music for Controllers II (coming soon)
Music for Controllers III and Music for Controllers IV
were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator
Music for Controllers V
improvisation post-whatever ableton, buddha machine (iphone), srutibox just-intonation drone
Music for Controllers VI (A Stable Job is an Oxymoron)
this track was based on a field recording i made of my last day of work before my “fall break” at CSUF (a one-week non paid work furlough). a few days later i improvised over the recording of my commute (from highland park to union station) with some materials of an earlier piece i made last spring (not getting fired is the new promotion). when it was finished i felt it was a little too minimal and forgot about it until about a week ago and when i listened to it again i realized it pretty accurately captured my dread of what this financial disaster has become in my life.
interestingly enough on that was the same day on my commute home the conductor on my amtrak route told me that she had lost about 75 daily commuters between san diego and los angeles from a year ago and it was pretty sad how so few of us were left. i know for me there aren’t many part time faculty left in the music department at CSUF and at this point it’s can get pretty depressing whenever i think about all of my friends who are out of work.
probably a little TMI, but yeah… i guess it is a bit dark.
Music for Controllers VI (A Stable Job is an Oxymoron) is spoken word piece based on twitter RSS feeds on the keywords “fired” and “job”. parts of this piece were originally contained in the piece “not getting fired is the new promotion” (2009) and was improvised/performed/composed using ableton live, novation launchpad, korg kaossilator, iphone (buddha machine, srutibox), text-2-speech, and a field recording (zoom H2) of my morning commute (metro goldline from heritage square to union station; los angeles, ca 10/15/2009 (10 min)
Music for Controllers by paul bailey
it looks like it’s going to work out (2010)
i have been making music on my train commute each morning to CSUF improvising and creating songs using my new iPad and looping music programs like PatternMusic. So far i’m really enjoying the fact that there is a finally a robust portable music device that you can create/improvise/compose on without a laptop/desktop/studio. yeah the sounds are cheezy, but when it comes to working on computers i have always liked it that way. i’d rather imagine what it could sound like on acoustic instruments than create something that is almost (but not quite)
for the first time it’s nice to take it with you. one one hand i like that it’s kinesthetic, and on the other i’m glad i have good ears cause playing by ear on a grid based pattern/step sequencer can be pretty awkward.
it looks like it’s going to work out: (2010)
It looks like it’s going to work out by paul bailey
improvised and performed using an iPad and PatternMusic (051810)
also pardon the sound quality. for now the only way to record is with a miniplug line out which adds a bit of noise
Music for Controllers (2009)
are improvisations performed live using ableton live, korg/nanokey, buddha machine and srutibox (iphone), and korg kaossilator
Music for Controllers I
created using ableton live, buddha machine (iphone), korg kaossillator and nano-key
Music for Controllers II (coming soon)
Music for Controllers III and Music for Controllers IV
were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator
Music for Controllers V
improvisation post-whatever ableton, buddha machine (iphone), srutibox just-intonation drone
Music for Controllers VI (A Stable Job is an Oxymoron)
this track was based on a field recording i made of my last day of work before my “fall break” at CSUF (a one-week non paid work furlough). a few days later i improvised over the recording of my commute (from highland park to union station) with some materials of an earlier piece i made last spring (not getting fired is the new promotion). when it was finished i felt it was a little too minimal and forgot about it until about a week ago and when i listened to it again i realized it pretty accurately captured my dread of what this financial disaster has become in my life.
interestingly enough on that was the same day on my commute home the conductor on my amtrak route told me that she had lost about 75 daily commuters between san diego and los angeles from a year ago and it was pretty sad how so few of us were left. i know for me there aren’t many part time faculty left in the music department at CSUF and at this point it’s can get pretty depressing whenever i think about all of my friends who are out of work.
probably a little TMI, but yeah… i guess it is a bit dark.
Music for Controllers VI (A Stable Job is an Oxymoron) is spoken word piece based on twitter RSS feeds on the keywords “fired” and “job”. parts of this piece were originally contained in the piece “not getting fired is the new promotion” (2009) and was improvised/performed/composed using ableton live, novation launchpad, korg kaossilator, iphone (buddha machine, srutibox), text-2-speech, and a field recording (zoom H2) of my morning commute (metro goldline from heritage square to union station; los angeles, ca 10/15/2009 (10 min)
Music for Controllers by paul bailey
My Early iPad Review
so far the iPad has been a pretty interesting and although i’ve had only for a week i think it’s still to early to tell on how useful a mobile device it will become. instead of trying to read the tea leaves of what it might become, i’m going to break it down in some smaller chunks:
Things I Like
- great to read magazine length multimedia content on the interwebs
- i also prefer it as a newsreader and really a perfect couch computer
- great for viewing photo slideshows and movies
- at the end of the day it shines as a media consumption device
Limitations
- not really great for content creation
- iWork is buggy, editing rich text documents without a mouse is a pain (although it’s been shown you can easily hack a Bluetooth mouse)
- it’s a pain in the ass to type on (in relation i prefer to type much more on my iphone) i have pretty big hands and i have to peck out words one letter at a time
- using it with a bluetooth keyboard makes you miss the mouse even more
- no good Twitter client yet (twitterific is ok, wish they had echofon)
- to heavy to read comforably in bed or on the couch
- iBooks are too expensive. no reason not to continue using amazon and their very good kindle app for the Ipad
- multitasking would make many programs much more useful (textexpander, pastebot, 1password)
- screen glare is a problem, although works better in landscape
- not many must have iPad specific app yet (i assume this will change by the end of the summer once developers have adequate time to create and test their iPad specific apps)
iPad vs. iPhone
- after using it for a week i was surprised to discover that my iPhone is better for messaging and typing short notes and email. i think the form factor of the IPad makes it really a tweener mobile device. to big to do the basic mobile tasks, and not robust enough to do more than basic word processing.
- on the other hand i have found when teathering to my iPhone it makes the iPhone/iPad combination very compelling. one device for the mobile bits and a more robust device for the larger more complex tasks (reading, basic word processing, basic music composition/improvisation)
- like i said above i prefer to day most text entry on the iPhone. the iPad is too big and heavy to even write a long email.
My Favorite iPad Apps
- Instapaper i use basically as a tool to read most of the content i find interesting on the interwebs. it’s fundamental function is to strip out all the excess pictures and adverts to leave you with a text only version of whatever article/blog you were wanting to read
- simplenote is my basic plain-text word processor on the iPad and iPhone. i’m using it right now to write this article. the best thing about it is that it easily syncs between any mobile device your desktops. kinda like what google docs and pages should eventually be doing. although i used to be a big evernote user, the ease of use and the quick syncing has made simplenote my main tool to keep jot down quick notes on the go
- comiczeal is a very simple and effective pdf/comic reader. and have finally been able to enjoy reading graphic novels on my ipad
- Todo i have been using todo on the iphone for quite a while and it’s Ipad cousin is well worth the upgrade. i wish they would eventually have an OSX version (like things), but i’m very happy with the iPad and Iphone versions
iPad Case
Netflix
Kindle iPad app
- i really like that you can easily sync books and share your bookmarks and annotations publicly. i find that it’s to heavy for reading for long periods of time and think my kindle 2 overall is a better bookreader. i also noticed today that it doesn’t have the % read line at the bottom of each page, which for some strange reason i seem to prefer.
iPad apps that show promise
SkyGrid
- it’s kind of a curated newsreader. i don’t have any clear idea how it works, but if i just want to catch up on the news it’s great place to start. i wish it had instapaper support or would let me open another browser to save an article for later, but for now all you can really do is email a link to yourself.
textexpander, pastebot, and 1password
- i’m starting to use these more and more between my macbook/iphone/ipad and i can see them becoming more useful when multitasking comes to OS 4 later this summer (and they release an iPad specific app)
iPad as a Music Controller
PatternMusic
- so far it’s the most interesting music performance app. it’s a pattern based looper (similar to the session view side of ableton live) one of the great things about it is that it starts to show the possibilities of using the ipad as a stand alone musical instrument (instead of just a controller) right now its sound pallete is limited and would be great if it offered midi out and the ability to internally record it’s own performances
ChipPad
- mp3 based sequencer in which you launch your own loops. it offers an interesting alternative to the session view and arrangement views in ableton live
Electrify
- seems like a ipad specific version of the Electribe/Groovebox, andcould be useful, but still haven’t figured out how to make it sing
Eliss
- really not a music controller, but a interesting generative music game that was pretty cool on the iphone, but is much cooler (b/c of the bigger size) on the iPad
also if you haven’t tried this out for your iphone/ipad, your really should.
The Future of Controllerism?
i like that the setup is more like a guitar than a keyboard.
Create Digital Music » Roger Linn Imagines a New, Multi-touch Instrument, And — HELP!
A Possible Future for Multi-Touch Music Controllers
why the future of multi-touch music controllers might be created outside of apple (using windows 7, linux, or google’s android)
via create digital music talking to stantum (lemur/jazzmutant cofounder Guillaume Largillier)
“In other words, we’re waiting for someone to ship a product that incorporates their technology. Windows 7 already includes multi-touch APIs out of the box in all but its Starter edition, so the Windows platform is a major candidate. Windows, while proprietary, has none of the developer, language, software, or hardware restrictions that the iPad platform does, so if your application doesn’t fit the iPad model or needs pen input, Windows’ stock just rose. Free software is possible too. Linux already supports the Stantum Slate PC and a number of other digitizers, support that will be baked into the kernels shipping in this year’s major Linux distros. We’re not just talking drivers, either: the whole Linux community is working on everything from libraries for environments like Java to support in the windowing system to touch-centric distros. (More on the Linux situation later this week.) Google’s Android has a multitouch API, too. I’ve used it, and got frustrated quickly not because of the OS, but because the hardware on current phone handsets just doesn’t work well with more than one finger. That could change if Stantum’s tech starts to appear in licensee products; Android as a touch OS could take off.”
"Relegate the Machine to the Background"
got a great review of my Music for Controllers EP from marc weidenbaum at disquiet.com
“Probably the sole development that wasn’t a surprise, pleasant or otherwise, was that other musicians would use the Buddha Machine as a tool of self-expression. Among the latest is Paul Bailey, whose recent Music for Controllers album includes several tracks featuring the Buddha Machine (in this case, the Buddha Machine app for the iPhone and iPod Touch). The opening tones on the album’s opening track are familiar, their patient looping like waves brushing up against the shore, albeit in slow motion (MP3). But that’s just the start. Then comes a pitter-patter like some children’s wind-up toy acting up, and a tentative bit of melody that slowly, ever so slowly, over the course of nine minutes, finds a common sensibility with the looping tones, and insinuates its own drone-like hymn. In the process, Bailey manages to do what many Buddha Machine adopters have not, which is to once again relegate the machine to the background.”
Music for Controllers by paul bailey
i actually found out about the buddha machine from reading marc’s blog and in the back of my mind i was wondering what he would think. it’s not actually posted on this site yet (it’s been a busy spring), but you can find it at archive.org (via blacksquare netlabel)
Paul Bailey: Music for Controllers VI (2009)
Paul Bailey: Music for Controllers VI (2009)
Music for Controllers VI by paul bailey
this track was based on a field recording i made of my last day of work before my “fall break” at CSUF (a one-week non paid work furlough). a few days later i improvised over the recording of my commute (from highland park to union station) with some materials of an earlier piece i made last spring (not getting fired is the new promotion). when it was finished i felt it was a little too minimal and forgot about it until about a week ago and when i listened to it again i realized it pretty accurately captured my dread of what this financial disaster has become in my life.
interestingly enough on that was the same day on my commute home the conductor on my amtrak route told me that she had lost about 75 daily commuters between san diego and los angeles from a year ago and it was pretty sad how so few of us were left. i know for me there aren’t many part time faculty left in the music department at CSUF and at this point it’s can get pretty depressing whenever i think about all of my friends who are out of work.
probably a little TMI, but yeah… i guess it is a bit dark.
spoken word piece based on twitter RSS feeds on the keywords “fired” and “job”. parts of this piece were originally contained in the piece “not getting fired is the new promotion” (2009)
made using ableton live, novation launchpad, korg kaossilator, iphone (buddha machine, srutibox), text-2-speech, and a field recording (zoom H2) of my morning commute (metro goldline from heritage square to union station; los angeles, ca 10/15/2009 (10 min)
Music for Solo Controller 1
finally getting around to making music with my launchpad and max/msp. getting the software and hardware to play nice with each other is still a challenge (the midi gets bogged down when 4 or more patterns are triggered), but overall i finally ‘get’ what all the hubub about the monome. i think my best description is that it’s bringing modular improvisation (that i’m very much into) very successfully into the a very programmable music machine that is easy for anybody to intuitively music with. (kinda like an very sophisticated orff instrument for adults)
this track was created using my novation launchpad, max/msp, nonome (monome emulator) and the polygome64 (P4/M2) inside of ableton live.
[soundcloud url="http://soundcloud.com/pbailey/music-for-solo-controller-1"]
Update: January 3, 2010
i just added a 2nd version that plays a little bit better with MIDI
Music for Controllers III and IV
still trying to get my head around live improvisation using digital sound sources and controllers. these next two tracks were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator
Steve Layton also made a nice mashup of my Music for Controllers III and Shane Cadman’s very beautiful piece: “For the Mighty Noah Bailey Dowell”. Shane’s description of the piece follows:
“I know Noah Bailey Dowell and his family from a church we all used to go to. He is known as “The Mighty” and he died on 10.3.09 after a battle with a rare form of cancer – he was not quite 8 years old. He and his family are an inspiration. They are all mighty indeed!. This piece is for Noah. I don’t know what else to say.”
Shane Cadman
100909 – For the Mighty Noah Bailey Dowell
Steve Layton
listen and come join the fun at improvfriday.ning.com
Bookmarks for September 28th through October 1st [del.icio.us]
![Bookmarks for September 28th through October 1st [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/10/value1-150x150.jpg)
/a>Bookmarks from September 28th through October 1st:[del.icio.us]
- Taruskin, vol.5, page 220 « The Rambler
“I’ve just recently, and belatedly, started leafing through Richard Taruskin’s monumental History of Western Music, one of the musicological banner publications of 2005. Now, I’ve been an occasional fan of Taruskin’s work – his Grove article on Nationalism is flawed, but significant, and Defining Russia Musically was an inspirational book for me… There’s far too much to go into here about what winds me up about this book (how about the laughable Europhobia, in which European music after 1950 is merely a Cold War sideshow, and after 1960 non-existent), much of which will have been said elsewhere, but I just wanted to get my reaction to one page in particular off my chest. This is page 220 of volume 5, on which Taruskin is discussing (speculating on) the Cold War implications of Penderecki’s Threnody for the Victims of Hiroshima. I fear, as an example of the lazy thought and downright falsehoods of this book, it may not be unique.”
- Music Apps Blur the Gap Between You and Clapton – NYTimes.com -
“And this is where it gets back to being like a video game. Many musical apps offer the ability to record a track, then add layers on top of it. Doing this between disparate apps is impossible without external recording software, but a multi-instrumental app like Moocow’s Band gives novices the opportunity to record and edit tracks with drums, bass and guitar, and make sure it all sounds pretty good (even if one doesn’t know how to play a lick of music). It’s as much a game as Guitar Hero, only instead of trying to keep up with prerecorded music, the goal is to make music of one’s own.”
Music for Controllers I
finally getting around to joining the ImprovFriday fun. here is my first submission. Music for Controllers I created using ableton live, buddha machine (iphone), korg kaossillator and nano-key Be the first to like. Like Unlike
Bookmarks for August 9th through August 17th [del.icio.us]
Bookmarks from August 9th through August 17th:[del.icio.us]
- TRIUMPH OF HIS WILL: GQ Feature on Quentin Tarantino – “You can lie about a lot of things,” he says, “but your filmography doesn’t lie. It’s right there. And it doesn’t give a shit about why you did it.”
- Clare Graham’s Wonderama – LA Times Magazine -”As for the question of art versus craft, Graham comes down definitively on one side. “I don’t like the terms outsider art, or naive art. What I do is craft,” he insists. “Fine art has a need to communicate something. My work is about simple processes done to the nth degree until the accumulation is significant.”
- Lefsetz Letter » Amanda Palmer email; the new art of twitter and blogging – “BUT this is, hands fucking down, also why people listen, why they search, why they want art. connection = primary. music/art = secondary.”
- Ready for the devil we don’t know -LA Times endorses a constitutional convention to fix CA budget mess -”A single initiative to end the current rule requiring a two-thirds supermajority of the Legislature to adopt a budget may be doomed at the ballot box. But opponents are more likely to accept the change if they can keep the supermajority to increase taxes and are assured that future taxes will no longer be disguised as “fees.”
- Fieldnotes from a Rock Band Bar Night | – “Much to my surprise, the scene reminded me of the participatory tradition that was the focus of my first major research project: Sacred Harp singing, an American vernacular hymnody tradition that is open to anyone, regardless of perceived musical expertise, and that revolves around drop-in community “singings” rather than rehearsed performances for an audience. “
- Views on Music and Life from an outpost.: Making the case for the musical amateur. -”think to say that people simply need more exposure to jazz, to classical music, etc- is only half-right. I think that people need to be directly involved. Make people an active part of any activity, and they are much more likely to stay engaged.”
- This Blog Will Change the World: No neon arrows – “What we need here is a third option, one which avoids asserting the absolute superiority of any one musical style without sliding into relativism.”
- YouTube – GAMEBOY FOOT CONTROLLER DEMO + 8BIT GUITAR -
joey mariano [animal-style] demonstrates his GBC Gameboy Foot Controller
- How American Health Care Killed My Father – The Atlantic (September 2009) -”Indeed, I suspect that our collective search for villains—for someone to blame—has distracted us and our political leaders from addressing the fundamental causes of our nation’s health-care crisis.”
- A music lesson for LACMA’s film program | Culture Monster | Los Angeles Times – “It is not without a twang of envy that I watch the film community react to the Los Angeles County Museum of Art’s announcement that the 40-year-old film program would go the way of the even older Monday Evening Concerts, which was thrown out on the cold street three years ago.”
- Cal State Fullerton abruptly begins canceling classes – College Life OC – OCRegister.com -”Cal State Fullerton officials say the university has begun canceling classes, including those that were already underway, because its being required to make tens of millions of dollars in cuts to help the state balance its budget.”
- WATTS ENSEMBLE: IF WE ALL GOT MOHAWKS -”What would I call the next punkest classical record? Fuck. I could tell you probably the Andy Kaufman of classical music, which is probably Terry Riley’s ‘In C.’ Don’t get me wrong—I love the piece but it almost feels like it’s daring you to like it. ‘In C’ is typically 45 minutes to an hour long and it’s everyone playing the phrases at the same tempo—but they play it staggered so it creates all these different patterns. It’s an amazing piece. But I’ve shown it to people before and they’re like, ‘Oh my God, this is driving me insane—I can’t deal with it.’ It’s kind of the same thing with Andy Kaufman. Some people were like, ‘Wow, this is fucking amazing’ and other people were like, ‘I can’t stand this guy.’”
- The Fun Music Company Ultimate Flashcard Set -”In the Ultimate Instant Print Flashcard Set you get a comprehensive selection of printable flash cards that you print yourself, right from your computer.”
- Create Digital Music » Hexagonal iPhone Sequencer-Rhythm Machine from Jordan Rudess -”Dream Theater keyboardist Jordan Rudess and noise.io developer Amidio have made a crazy-looking hexagonal sequencer for the iPhone. It comes with plenty of samples and factory sessions if you just want to play around…”
- Terry Teachout Asks, Can Jazz Be Saved? – WSJ.com -”No, I don’t know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they should like Schubert and Stravinsky has already lost the battle. If you’re marketing Schubert and Stravinsky to those listeners, you have no choice but to start from scratch and make the case for the beauty of their music to otherwise intelligent people who simply don’t take it for granted. By the same token, jazz musicians who want to keep their own equally beautiful music alive and well have got to start thinking hard about how to pitch it to young listeners—not next month, not next week, but right now.”
learning a new instrument
this spring continues to be a steady progression of ups and downs. the flu was a 5 week body blow to start the year and this past week (welcome spring!) allergies have been kicking my ass. that all being said, i’m finally back to my routine of transcribing, writing and arranging except this time (instead [...]
