Posts Tagged ‘crime’

Bookmarks for June 7th through June 12th

Bookmarks for June 7th through June 12th

These are my links for June 7th through June 12th: Class, power & ideology – – the illusion of control causes people to over-estimate the chances of them escaping the working class through their own efforts, and so under-estimate the importance of collective class action . – the in-group heterogeneity bias (which is the flipside [...]


Bookmarks from October 11th to October 23rd 2010

Bookmarks from October 11th to October 23rd 2010

“Mr. Sorkin, you made a movie people love. But you created it out of a few depositions, blog posts and your LA-influenced imagination of what a company you have nothing to do with in an industry you don’t understand would be like. I realize not everyone has the same ethical issues that I do with [...]


links for 2010-04-07

links for 2010-04-07
  • “But the reality is that our jobs are at stake. Failure to meet state standards exactingly will lead to a book not being adopted, which leads to losing out on huge amounts of money–money that *has already been spent to produce the books.* To give you some idea of the scale of this issue for us: When a math book I worked on was in danger of missing a deadline for California adoption, there was serious talk about shutting the entire department down. *The math department.* Department after department has gone down in some companies. We are already in a situation where budgetary constraints are causing states like Florida and California to put off buying more books, threatening jobs across the entire industry.”
  • ” His ongoing role as joke-within-a-joke grows ever larger and funnier, ever more self-referential and -reflective, the cosmic snake eating its own tail, until 2004. It is then that Shatner begins a five-year stint, first on The Practice, then on Boston Legal, in a role—as a blustery, buffoonish lawyer named Denny Crane who trades on long-lost greatness—that is so frankly a point-on mockery of William Shatner’s career and symbology, that is William Shatner, that it’s at first embarrassing to watch. It is also in 2004 that Shatner follows up on his 1968 LP, The Transformed Man—a compilation of spoken-word cover songs unlikely to be supplanted as the most ridiculed album ever made—with a CD called Has Been, a collection of original prose poems set to music by Ben Folds. Anyone ever subjected to The Transformed Man gasps, “How dare he?” Yet something about Has Been, a combination of the acid wit, self-laceration, and unabashed yearning Shatner exudes, makes the album great…”
  • “A study just published in the journal Psychology of Music suggests his experience was far from unique. It finds that reading a what-to-listen-for guide before hearing a piece of music seems to make the actual aesthetic experience less pleasurable.
    “Descriptions may interfere with the directness and intimacy with which listeners are able to experience a work,” writes Elizabeth Hellmuth Margulis of the University of Arkansas. “It may distance listeners, or place them at a remove — as if they were listening through someone else’s ear.”
  • “THERE IS NO MAGIC FAIRY DUST WHICH WILL MAKE A BORING, USELESS, REDUNDANT, OR MERELY INFORMATIVE SCENE AFTER IT LEAVES YOUR TYPEWRITER. YOU THE WRITERS, ARE IN CHARGE OF MAKING SURE EVERY SCENE IS DRAMATIC.”
  • “At times, Los Angeles still feels fragile, a sprawl of hubristic nature-defiance, unable to shake its noir sketchiness. If a half-inch of rain calls for breathless TV updates and canceled social events, what would a serious earthquake do to the hard-won stability of the new civic order?

    Chief Beck has his fingers crossed. “Absent some huge social disorder, this will be a golden age of policing,” he predicted. “I have been to every neighborhood of this city and the most popular piece of government now, by far, is the police officer.”


Bookmarks for December 11th through December 17th [del.icio.us]

Bookmarks for December 11th through December 17th [del.icio.us]

Bookmarks from December 11th through December 17th:[del.icio.us]

  • ‘Wire’ A Study Topic At Colleges – Baltimore Sun – [del.icio.us]
  • “We did not design the show purely as an entertainment, but as a political treatise and social critique,” he wrote in an e-mail to The Baltimore Sun. “To the extent that academia has found the work and is intent on extending the discussion, we are, of course, pleased.” Simon said he’s also happy that the social themes he worked into the series will be getting more attention – themes including “the fraud of the drug war, the evisceration of the working class, our inability to reform our political infrastructure, the inequality of educational opportunity and, lastly, the declining ambitions and viability of high-end journalism.”
  • Los Angeles News – Truck vs. Church and State: Kogi Bites Back – page 1 -
    “Wow! Little did our Squid Ink food blog editor, Amy Scattergood, know what she was getting into when she asked Church and State chef Walter Manzke a simple question, “Is there anything you won’t eat?” Manzke answered thusly and in the process set off a mini commentary storm: “Anything off a truck. L.A. seems to get caught up in these trends, when one person has great success with something and then no one can come up with anything new so they just copy it. And the most ridiculous one seems to be the truck. I mean, it was maybe cool when the first person did it, and it fits the economy because it’s cheap to operate and all that, but I think it’s everything that takes away from the purpose, the enjoyment and the passion of eating.”
  • Scott Brown on Film Reviews Written Before Cameras Roll | Magazine
    “Can we talk about how much the new Cameron Crowe movie sucks? I mean, seriously, what was going on with that freakin’ volcano? And all that nonsense about the Chinese antisatellite device? And hoo-boy, that far-fetched third-act turn — oh, hang on. You haven’t seen the movie? No worries, neither have I. Neither has anyone. It hasn’t actually been made yet — but the reviews are already in at Scriptshadow. A no-frills Hollywood blog, Scriptshadow is diabolically simple: An anonymous figure who goes by the nom de Net of Carson Reeves harvests scripts from a network of industry contacts (including hype-conscious writers and their reps). He reviews the screenplays, critiquing structure, story, and character development …”
  • Judge denies awarding $391,150 to teacher’s defense team | court, corbett, attorneys – News – The Orange County Register -
    “Corbett, an Advanced Placement European history teacher at Capistrano Valley High School in Mission Viejo, was found to have violated the First Amendment’s establishment clause when he referred to Creationism as “religious, superstitious nonsense” during a fall 2007 classroom lecture.” don’t you think this might have a chilling effect of “free speech”
  • Facebook is the new Compuserve -
    “The real concern is that we share so much behind the closed doors of Compuserve-esque Web “sites” that serve as Hotel Californias for our content. Yes, I want to keep some conversations private, but as more of my ramblings move to Facebook and other closed corners of the Web, I want to broaden the conversation beyond the borders of my “friends” list. I can’t. I’m stuck. What happens on Facebook, stays on Facebook. Even content that is cross-posted elsewhere: the ensuing commentary (often of equal or greater value to the original post) is trapped. Professor Jonathan Zittrain raises a warning voice about this in his “The Future of the Internet and How to Stop It”, but I can’t help but think that the convenience of Facebook will trump the social benefits of broadening conversations beyond the borders of such services.”
  • Jazz: The Music of Unemployment: How saving a farming village from bandits in feudal Japan is like being in a big band circa 2009 -
    “Because good musicians playing in a big band are like samurai deigning to fight without hope of glory, of course. They have to really love what they do, and they have to be willing to be paid in rice if need be.”
  • Logic made fun A new comic romps through one of philosophy’s greatest debates -
    “What “Logicomix” niftily demonstrates is how well the graphic novel form is suited to mounting sprightly explanations of abstract concepts. Thinkers often employ concrete metaphors as tools to convey difficult ideas — the “infinite hotel” of mathematician David Hilbert, for example, an establishment that, although full, always has room for another guest. In “Logicomix,” Hilbert’s paradox is further visualized by a character checking into an actual hotel and drawing arrows on the posted floor plan. That character is the British philosopher Bertrand Russell, and the scene is played for laughs with Russell’s bemused new bride shaking her head and a German porter exclaiming “They are crazy, these Britons!”
  • In search of Eva Tanguay, the first rock star. – By Jody Rosen – Slate Magazine -
    “To call Tanguay a “rock star” is anachronistic but appropriate. She was not just the pre-eminent song-and-dance woman of the vaudeville era. (One of her many nicknames was “The Girl Who Made Vaudeville Famous.”) She was the first American popular musician to achieve mass-media celebrity, with a cadre of publicists trumpeting her on- and offstage successes and outrages, and an oeuvre best summed up by the slogan that appeared frequently on theatrical marquees: “Eva Tanguay, performing songs about herself.” She was the first singer to mount nationwide solo headlining tours, drawing record-breaking crowds and shattering box-office tallies from Broadway to Butte. Newspaper accounts describe scenes of fan frenzy that foreshadowed Frank Sinatra at the Paramount Theatre and Beatlemania. At the height of her stardom, Tanguay commanded an unheard of salary, $3,500 per week, out-earning the likes of Al Jolson, Harry Houdini, and Enrico Caruso. “
  • Giving tourists a look at gang culture — latimes.com -
    “A group of civic activists, united by faith and a belief that the poor economy in the interior of Los Angeles is a social injustice, is preparing to offer bus tours of some of the grittiest pockets of the city, including decayed public housing, sites of deadly shootouts and streets ravaged by racial unrest. After a VIP preview last weekend, L.A. Gang Tours expects to open to the public in January, giving tourists a look at the cradle of the nation’s gang culture — the birthplace of many of the city’s gangs, including Crips and Bloods, Florencia 13 and 18th Street.”

Bookmarks for October 16th through October 22nd [del.icio.us]

Bookmarks for October 16th through October 22nd [del.icio.us]

Bookmarks from October 16th through October 22nd:[del.icio.us]

  • Space, movement and Rudy Perez — latimes.com -
    “The Times cited Perez as “the conscience of Los Angeles dance.” That he continues choreographing is something of a minor miracle. Not only is the arts economy dire, but Perez also has been visually impaired for the last decade. Moving slowly and burdened with hazy vision at best, Perez says the work keeps him going. The Armory engagement is particularly meaningful, because it was there, in 1992, that the Center first presented “The Dance-Crazy Kid From New Jersey Meets Hofmannsthal.” clip “The site-specific concert is dedicated to Cunningham, who died in July at age 90. It features two works with original music by longtime collaborator Steve Moshier, performed live by the composer and his Liquid Skin Ensemble.”
  • WitnessLA.com » Blog Archive » The Arrest of Alex Sanchez – Part 5: A Game Changer?- UPDATED -
    “FIRST LET’S RECAP THE BACK STORY: Alex Sanchez is the El Salvadoran-born, former MS-13 gang member who transformed his life to become a nationally respected gang intervention leader. Sanchez founded and is the executive director of Homies Unidos, and has been praised in cities across the country as someone who has helped turn around the lives of many, many young men and women. Then this past June, Alex was arrested by the FBI as part of a federal racketeering indictment and accused of plotting the murder of another gang member among other charges. It was not that the Feds accused Sanchez of shooting anyone himself, or personally dealing in drugs and guns. Worse, the indictment maintained that Sanchez is a shot caller—AKA a leader—of a particular clique of MS-13 who ordered such things done. He was, said the Feds, leading a double life and had successfully pulled the moral and psychological wool over the eyes of his myriad friends, admirers and supporters…”
  • Big teaching cuts this week at CSUF – College Life OC – OCRegister.com -
    “Faculty at Cal State Fullerton will be on furlough Tuesday, Wednesday and Thursday of this week as part of a larger move by the California State University system to save hundreds of millions of dollars to help balance the state budget.” The furloughs will affect thousands of students and hundreds of professors and lecturers at Orange County’s largest university, and will be followed on Friday by a general furlough for management and staff workers who aren’t on the faculty.
  • Là ci darem la mano- A Conversation October 18, 2009 -
    “Joe: seems weird to me that the entire genre of classical music is being portrayed as this sort of backwards, insecure entity it seems to me that the person who wrote it comes from the point of view of an outsider me: yeah except she doesn’t, i mean she knows classical music pretty well Joe: I’ve learned from the school that musical taste is extremely personal and if there are overall “musical trends” it’s more a result of music that either appeals to everybody by being kind of soul-less or music that captures the thinking of a particular time period to me, the 21st century is tech-obsessed, and preoccupied with nostalgia and particularly reworking the classics so these musical trends don’t surprise me at all. They’re just a product of the times…” …. Joe: it’s not new me: but 1. none of these artists are new they’ve been around Joe: though to some it may be great… … me: there’s no angle on this article that makes me care. none of the content or position is interesting”
  • The Random Band Game – ConceptArt.org Forums -
    This is incredibly fun and addicting… 1 – Go to “wikipedia.” Hit “random” or click http://en.wikipedia.org/wiki/Special:Random The first random wikipedia article you get is the name of your band. 2 – Go to “Random quotations” or click http://www.quotationspage.com/random.php3 The last four or five words of the very last quote of the page is the title of your first album. 3 – Go to flickr and click on “explore the last seven days” or click http://www.flickr.com/explore/interesting/7days Third picture, no matter what it is, will be your album cover. 4 – Use photoshop or similar to put it all together.
  • LA Eastside » Target’s humorous “illegal alien” costume -
    ‘Dear Target, What’s up with this “Illegal Alien” costume? I don’t get why a corporation that boasts about giving back to the community (can’t say I didn’t thoroughly enjoy the ¡Bienvenido Dudamel! concert a few weeks ago) and celebrates Nuestra Gente would sell such a despicable costume. (I know not all undocumented immigrants are Latino, but we do make up a plurality of the population.) Is it to make a buck? Is that enough to alienate (no pun intended) undocumented immigrants, their allies and our dollars? Couldn’t you make a buck by not selling “humorous costumes” that demean and make light of the situation faced by many undocumented immigrants and advance dehumanizing language? Is it humorous that thousands die trying to cross the US/Mexico border? Between 1998-2004 1,954 migrants died on the perilous journey north source). Since 2004, the Arizona Star Border Death Database has recorded 1,193 deaths at the border. Funny, no? ¡Chistoso!”
  • Artists Paid-Spotify -
    “I love Spotify as much as the next music fan, but its struggle to extract value is in danger of becoming a spectacle. To consumers it’s a miracle, to the industry it’s a problem to be solved. The strategy looks right – drive a developing ad-products business as much as possible, while trying to upscale users to a pay model for a better experience. It has to be the test case and I would strongly argue, deserves all the help it can get from its music partners. We need to begin to realise though, Spotify’s potential. It has the potential to generate revenues equivalent to a large niche, while at the same time eating further into CD revenues. This is the future music market – fragmentation into a number of niches.”