brenner and bailey's digital circus
both of these shows are going to be a bit different than usual. since last may’s performance of the requiem for a high homicide enclave i have been using a wide variety of digital controllers in performance and this is our first big step in figuring out what works in front of a live audience. both shows are going to be laid back and probably similar to watching a comedian work out new material.
Requiem for a High Homicide Enclave (05-16-2008)
Requiem for a High Homicide Enclave (Live at REDCAT 05-16-08) from paul bailey on Vimeo.
Requiem for a High Homicide Enclave is a mashup based on excerpts from the from the LA Times Homicide Report which documents every murder that takes place in Los Angeles County using blog posts, comments, and Google Maps combined with a deconstruction
sorry its taken a while to get this one up, that’s what a busy fall will do for you. this performance was based only one the LA county homicide statistics through may 16 2008. right now i’m planning to update the piece and perform it a few times in 2009, but this is complicated with the fact that the LATimes suspended the homicide blog in november. i have a few ideas of how i’m going to update it. we are also planning to get together this spring and make a proper recording.
the audio is from the premier performance of the requiem at the REDCAT spring studio spring studio last may at the roy and edna disney cal arts theater at disney hall) featuring my co-conspirators sylvia desrochers (soprano) paul cummings (bass) bruce gallego (electric guitar) and myself playing the korg kaossillator, and a macbook pro running ableton live triggering a deconstructed looping continuo (henry purcell’s man that is born of a woman) with a fcb1000 midi pedal.
Music: Henry Purcell/Paul Bailey
Video: Paul Bailey
Libretto: LA Times Homicide Blog latimesblogs.latimes.com/homicidereport/2008/11/a-note-to-our-r.html
