“A year-old music blog. (Wow, time flies.) Dallas based, but needs a transfer to Montreal, stat. First to scoop “Creep” by Radiohead. OK, scratch that: like I said, they’ve only been doing this a year. But if Radiohead ever records a second track named “Creep,” they will definitely scoop that one.
No affiliation with the prog-rock band Muse, especially after The Resistance. Contributors are co-workers Patrick and Fred, the lives of whom are otherwise so packed to the gills that you should have no doubt that The Muse encroaches on their work day. They only really agree on Deftones; Fred otherwise describes Patrick’s musical interests as “strum strum hippie yodel.” Just as Patrick describes Fred’s as “terrible.” Yet somehow the two reach a daily armistice; the written, ever-evolving text of which is known regionally as The Muse in Music.”
“These are signs seen primarily at Tea Party Protests.
They all feature “creative” spelling or grammar.
This new dialect of the English language shall be known as “Teabonics.”
“Though it looks kinda boring and unspectacular, this is easily the best example of the dish I’ve had to date. Never mind that the rice and beans were perfect, which in itself is an odd occurrence. The tortitas were the right balance of nopales, tortas, and chile sauce. Even though it was a quite mild sauce in terms of spiciness, it was rich with flavor, the kind you just want to spoon up and drink. Plus these tortas were soft and pliable, though they kept their form. Too many as of late have been quite hard and tough to eat. Not at Lencho’s.”
“Three weeks ago the hard drive in my MacBook Pro went bad. So far as I can tell, I didn’t lose a single byte of data. Here’s how:”
“A tribute to the slowness of anxiety, by Instructor of Music at California State University, Fullerton Paul Bailey. His introduction speaks of his distress over the current economic downturn, but the music itself is absolutely timeless.”
“See, Dr. Drew never met Corey Haim, the police haven’t determined what substance (if any) killed him, but Dr. Drew is pretty certain he knows what killed this total stranger—that’s how great of a doctor he is. He can diagnose and determine cause of death just by hearing someone’s name! He’s basically Miss Cleo but with a medical degree so people (wrongfully) take him seriously”
“So why don’t I charge? A large part of it is that composing is something I do because I want to, and because I really am passionate about it. Call it a “hobby” or whatever, but it’s what I enjoy doing, and once you start monetizing that, I think it becomes more of a job than something you do as an escape. Don’t get me wrong-I like my day job, I like being a physician, etc. But you can like your job and still get paid for it. For me (and I stress, this is just what works for me), charging for my music is not something I’m interested in. I’d feel like a prostitute. We don’t parent for money, right? I also don’t compose for money. QED.”
“Now let me give you a marketing tip. The people who can afford to buy books and magazines and go to the movies don’t like to hear about people who are poor or sick, so start your story up here [indicates top of the G-I axis]. You will see this story over and over again. People love it, and it is not copyrighted. The story is “Man in Hole,” but the story needn’t be about a man or a hole. It’s: somebody gets into trouble, gets out of it again [draws line A]. It is not accidental that the line ends up higher than where it began. This is encouraging to readers.”
“I was pretty confident that ‘In C’ was going to have a life, even in the beginning,” he says. “It was a pretty startlingly original idea in its time, and it just came to me. It developed out of a lot of interests that I had at the time. Being able to get this piece written on a piece of paper and still have such a vast potential, I think, is an unusual accomplishment. I saw that, but I didn’t realize how pervasive the influence of that piece would be over the years.”
very reasonable take on educational reform by the union rep of deb’s middle school
“Black settlers from what is now Sonora, Mexico, helped establish the first settlement in 1781. The labor of Tongva Indians helped raise the plaza’s church in the 1820s. The histories of L.A.’s Latino barrios and Chinatown also begin at the plaza, which was the site of one of the great crimes of Los Angeles history, the Chinese Massacre of 1871.
In 1909 the City Council banned free speech in public areas except for the plaza — which became a gathering spot for anarchists and radicals of various stripes, including the Mexican revolutionary Ricardo Flores Magon. Chinese nationalists founded a military academy there in 1903 to train men to fight the Manchu dynasty.”
“Having 80.8% of the alphabet available is significantly below the 99.9% full letter uptime reliability we strive for. Since identifying the root case of this issue, we’ve started bringing vowels back to Gmail, so you should see them back in your account within the next few hours if you don’t already. In the meantime, while you may still see this issue in Gmail’s web interface, both IMAP and POP access are functioning normally. We’ll post an update as soon as things are fully resolved and, again, we’re v3ry s0rry”
“Minimalism taken to a new level.
Unfortunately for Eastman, he did not live long enough, and these works have been resurrected with great effort.”
“THERE IS NO MAGIC FAIRY DUST WHICH WILL MAKE A BORING, USELESS, REDUNDANT, OR MERELY INFORMATIVE SCENE AFTER IT LEAVES YOUR TYPEWRITER. YOU THE WRITERS, ARE IN CHARGE OF MAKING SURE EVERY SCENE IS DRAMATIC”
i found this track by the sound collage artist alone + together (yuki ota) on the soundcloud mp3 service/website. it made me think of colon nancarrow and what a time kyle gann would have trying to transcribe this.
i also want to point out that you can now “like” posts on this site. especially if you “like” what you hear please click away and i’m interested to see how it works as a feedback measurement tool (besides looking at page views)
i’m also going to be experimenting posting music on this site and others using the soundcloud service/website. right now most of their site is dance music, but there are some interesting groups like live improvisation, sound collage, and drone music.
if you are making music, for now i have created a few groups to post tracks;
an alt-classical group for DIY art music
and post-whatever group for all the music that doesn’t easily fit into either the art music or pop music continuum.
overall the site has a few hiccups (it can be pretty slow) and the search system is pretty rudimentary, but it seems like it could be a useful way to share music along a variety of similar interests and aesthetics.
if you check it out please let me know what you think at http://soundcloud.com/pbailey
and on a final note last week’s (oct 9-10) ImprovFriday+1 files are now up and shane cadman’s piece for the mighty noah bailey dowell was a very special standout this week. steve layton also made remix that afternoon of shane’s piece and the glitchy ostinato opening of my music for controllers III called chorale (the mighty)
check them all out at http://improvfriday.ning.com/
still trying to get my head around live improvisation using digital sound sources and controllers. these next two tracks were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator
Steve Layton also made a nice mashup of my Music for Controllers III and Shane Cadman’s very beautiful piece: “For the Mighty Noah Bailey Dowell”. Shane’s description of the piece follows:
“I know Noah Bailey Dowell and his family from a church we all used to go to. He is known as “The Mighty” and he died on 10.3.09 after a battle with a rare form of cancer – he was not quite 8 years old. He and his family are an inspiration. They are all mighty indeed!. This piece is for Noah. I don’t know what else to say.”
listen and come join the fun at improvfriday.ning.com
finally getting around to joining the ImprovFriday fun. here is my first submission. Music for Controllers I created using ableton live, buddha machine (iphone), korg kaossillator and nano-key Be the first to like. Like Unlike
Bookmarks from September 6th through September 20th:[del.icio.us]
i was very happy to see that WNYC’s John Schaefer wrote a great review of Retrace Our Steps for the E-Music website.*
“Composer Paul Bailey winningly describes his ensemble as an “alt-classical garage band.” With 4 singers (two of whom also speak), strings, winds, piano, electric guitar, vibes, and electric bass, it’s as good a description as any. Retrace Our Steps is his “secular oratorio in 4 acts,” and while the opening notes of Act I and of Act IV sound like they might have come from Arnold Schoenberg’s Transfigured Night, the dominant musical references are to Philip Glass and Michael Nyman. Bailey’s pulsing, tonal chamber music is married to texts by Gertrude Stein, Guy Debord and Jenny Bitner. All four acts are highly rhythmic affairs, but each has its own character: Act I insistent, Act IV a more reflective cousin (a neat trick since the rhythm seems to be the same); Act II with a stinging electric guitar part leading the way; Act III with an elegant combination of vibes and rocking strings and guitar. Rather than providing a narrative in a traditional oratorio sense, Bailey gives us a series of aural snapshots dealing with isolation, alienation, and the irony of modern communication (that when it is so easy to communicate, it is still so hard to communicate effectively). A further irony is that this message is carried by some immediately accessible music; if the message is that instrumental rock and new classical music are not so far apart, that message comes through loud and clear.”
and last week WNYC recently replayed the original show that featured my music.
*i’m not sure what is going on but it looks like Act II hasn’t been uploaded properly on the emusic site. If you have had problems and have downloaded an incomplete track please email me and besides giving you a link to Act II, i’ll also be happy to send you a special “surprise”.
and of course you can download the whole album right here for free at anytime
Retrace Our Steps, Act 1
Retrace Our Steps, Act 2
Retrace Our Steps, Act 3
Retrace Our Steps, Act 4
(download graphic libretto)
(download Graphic Libretto and Mp3′s)
Bookmarks from June 26th through June 29th:[del.icio.us]
- Los Angeles New Music Ensemble – looks like there is a new music group in town. welcome aboard! “The Los Angeles New Music Ensemble (LANME) is an organization created to promote new music, collaboration within the arts, the commissioning of new works, and the creation of multimedia presentations within innovative live performances. To further these goals, LANME is dedicated to learning and playing the best and most exciting new chamber music around.”
- New school board members ready for challenge – LA Daily News -former John Marshall High School colleague Steve Zimmer is interviewed as he prepares to become a school board member. “Zimmer admits that scarier than dealing with a billion-dollar deficit is the idea of not being on the campus of Marshall every day. It will be interesting to see if someone immersed on the ground level can translate that experience to doing a good job on the board,” Zimmer said.” As a teacher, Zimmer has also been a very active member of United Teachers Los Angeles, which has prompted some to believe his vote will always follow the powerful union’s stance. I don’t accept that voting on the side of the union is siding against students,” he said “
- laboratory tests of vegan restaurants in la | vegan food and living in Los Angeles -
very interesting blog post that tests a number of LA restaurants to see if their food was really vegan. (fyi: i’m not and my wife is a pescatarian) although there were some meals that were obviously misrepresented as vegan, it seems the biggest culprit might be the mislabeling and mistranslation of food from the taiwan to us markets.
- A Chapter from The Listen: Music for 18 Musicians – these excerpts are being touted as a new type of music criticism and a new way to attract audiences. i hate to throw a bucket of cold water on these ambitious young writer/composers, but the excerpts are overwritten and seem musically naive, trying to impress a faculty advisor in grad school. hence exhibit A and B: “
- And now melody. And now melodies. The melodies here being the playings-out of the harmonies. The harmonies being the on-ringing of all the melodic notes” “
- The harmonies are one harmony that absorbs the up-till-now waves of the other harmonies, that absorbs the leftover pulses. This accumulated on-ringing describes a recognizable environment… —a single addition to the bottom of the harmony—acts as a diaphragm, allowing this environment to open and to breathe in”
- this play by play description doesn’t work for me and its certainly not the way i would want people to read about my music. i think a better tack would be to try and distill what makes these pieces great.
- You balance the budget – Los Angeles Times -Try your hand at closing California’s budget shortfall, estimated at $24 billion. It’s not easy, but it can be done. Cut spending, raise taxes and/or borrow to get the state out of the red. For each choice — drawn from proposals from across the political spectrum — we’ve tried to give some sense of the effects. As you craft your proposal, the Deficit Meter will show your progress.
- The tragic end of Michael Jackson: The Jeruselum Post – very tragic michael jackson quote that is further proof that fame is not a replacement for love “I am going to say something I have never said before and this is the truth. I have no reason to lie to you and God knows I am telling the truth. I think all my success and fame, and I have wanted it, I have wanted it because I wanted to be loved. That’s all. That’s the real truth. I wanted people to love me, truly love me, because I never really felt loved. I said I know I have an ability. Maybe if I sharpened my craft, maybe people will love me more. I just wanted to be loved, because I think it is very important to be loved and to tell people that you love them and to look in their eyes and say it.”
- I’m in a band… -via S21, i’m glad to see other composer/performers starting their own groups
- Just Released: “New World Ardor”- NetNewMusic – willam houston’s new (and very enjoyable) post-apocalypse party music. reminds me of john oswald’s ‘plunderphonics’
there have been some great online discussions over the break about the “big” issues over at the NetNewMusic site; the purpose of music as art? is music a commodity? what is the role of technology in music?
currently i’m interested in using technology should help us to augment the possibilities of our lives (some call it augmented reality). its been interesting discovering the many examples with musicians exploring live looping, controllerism, mashups etc…
along those lines i’m going to introduce you to my friend jon brenner’s obsessive take on technology. his approach is pretty simple in which he uses everyday items (bicycle and coffee machine) to “assemble” songs piece by piece and like the mosaic on the right using a field recorder and protools.
as you will hear his results are pretty amazing!
tour de forte
also as a bonus is jon’s modular mashup of my fearless leader, overcoming tourism and lloyd rodgers the little prince
welcome to the new site. this is a conglomeration (is that a word?) my old blog and and the info and music from the pbe site. overall i’m hoping the new site should make for a much better browsing experience, so let me show you around the new digs… the rest of the site is […]
Since January 2008 there have been 222 homicides in LA county. I’m not sure what to do about it, but I can’t stop thinking about it. It started when I came across the LA times Homicide Report (blog). For over a year reporter Jill Leovy and Rueben Vives had a simple and horrendous task, to […]
this spring continues to be a steady progression of ups and downs. the flu was a 5 week body blow to start the year and this past week (welcome spring!) allergies have been kicking my ass. that all being said, i’m finally back to my routine of transcribing, writing and arranging except this time (instead […]
my apologies for those who turned in to listen to the radio interview today. unfortunately mr. perlich became ill and was not able to conduct our interview. once we reschedule i’ll be sure to post the new time and date. thanks for concerned calls and emails i was happy to hear there was so much […]
musicianship toolbox part 1, building sightsinging fundamentals so you want to improve your ears? what to do? where to start? here is a simple exercise to get you started the first skill you to develop is the ability to sing all the diatonic intervals (2nds-8ths, ascending and descending) by being able to sing these intervals […]
the pbe hiatus is finally over. in rehearsal tonight we realized that 3 months was the longest break we have ever taken since we started in 2002. i’m glad to be back to it preparing for a club show at mr. t’s bowl (our favorite venue) on feb 20th. we are very fortunate to have john mahr covering keyboards during eric hendrikson’s personal leave.
reh went well tonight, we started in on quite a bit of music that we haven’t performed that much and ended up with quite a bit more music then we can use. so far the setlist is starting to look something like this:
chaconne, john brenner (great modular piece)
bonedance, lloyd rodgers
fearless leader, pb
life’s too short, pb (tentative, 2 of 3 singers confirmed…)
national anthem, radiohead (cover)
this spring we are also working on adding doug hein’s orlando and john brenner’s leaderless fear to our repertoire. one thing that i have noticed about programming is that a concert of 5 or more pieces by most any composer can be a real drag (especially mine). i try and not program more than 2-3 of my own pieces, and when planning this show it became clear that when you pick the top 1-2 pieces from a variety of composers it quickly can become a pretty exceptional show.
anyhow, its great to be back in the game and with last night’s great rehearsal i can get up to the mountains for a few days in much better state of mind. school starts in a week and our budget has been slashed 10%, so i sure hope i still have some classes to teach. (remember life’s meant to be endured not enjoyed)
so while i’m away please help yourself to any or all the following;
its new, it fun, and free!****
and its an secular oratorio based on texts gertrude stein, guy debord and jenny bitner. while i was making it, i decided that it would be much more interesting and informative to have a graphic libretto instead of program notes. it was such an obvious idea and was surprised to find that nobody else seems to be doing this. so check it out and let me know what you think.
retrace our steps, act 1
retrace our steps, act 2
retrace our steps, act 3
retrace our steps, act 4
assorted live performances from fall 07
life’s too short (092507)
fearless leader, lacc, 100207
11/25/05 (with real quiet, 102507)
you can also support the pbe by purchasing our first album; music from summerland (2002)
download full album ($5) google checkout or paypal
(****at least for you early adopters. i’m trying something new and going to give this one away until CD#3 comes out (life’s too short, fall 08). i think giving away the new stuff and selling the back catalog isn’t a bad idea. so try it out and if you like it, i bet you might like my previous CD music from summerland)
my long life, my long life
RETRACE OUR STEPS is essentially a secular oratorio; a collection of thoughts, feelings, and opinions about modern life (consumerism, idealism, and alienation)
Traditionally oratorios functioned as a musical sermon, coordinated to biblical calendar to enhance the worship service. by setting these conflicting themes in a non-narrative format allows the contradictions and grey areas to become illuminated.
Instead of creating an “official” set of PROGRAM NOTES to accompany this recording (like the ones you are reading right now) I decided that a GRAPHIC LIBRETTO would far better bridge the gap between the trepidation many people feel today when listening to ART MUSIC (music meant for contemplation)
listen and download RETRACE OUR STEPS I-IV:
retrace our steps, act I
in my long life do you know because I tell you so, or do you know, do you know retrace our steps, act IV> Be the first to like. Like Unlike
in my long life, in my long life, life is strife life is strife Be the first to like. Like Unlike
has it not gone, what made it live has it not gone because now it is had retrace our steps, act IV Be the first to like. Like Unlike
but do I wantwhat we have got? retrace our steps, act IVtext by guy debord Be the first to like. Like Unlike
The meaning of words participates in the improvementplagiarism is necessary progress implies it retrace our steps, act III Be the first to like. Like Unlike
the greatness of art begins to appearat the dusk of lifeideas improve retrace our steps, act III Be the first to like. Like Unlike
2007-in regular rotation lcd soundsystem-sound of silver blonde redhead-23 modest mouse-we were dead before the ship even sank the knife-deep cuts radiohead-in rainbows real quiet-tight sweater (music of marc mellits) apparat-walls digitalism, idealism we are scientists, with love and squalor nin-year zero 2007-great tracks radiohead, 15 steps lcd soundsystem, all my friends blonde redhead, 23 […]