Posts Tagged ‘musiceducation’

Bookmarks for January 12th through January 19th [del.icio.us]

Bookmarks for January 12th through January 19th [del.icio.us]

Bookmarks from January 12th through January 17th:[del.icio.us]

  • Brian Eno: “Recorded Music Equals Whale Blubber” – hypebot -
    “I think records were just a little bubble through time and those who made a living from them for a while were lucky. There is no reason why anyone should have made so much money from selling records except that everything was right for this period of time…” “It was a bit like if you had a source of whale blubber in the 1840s and it could be used as fuel. Before gas came along, if you traded in whale blubber, you were the richest man on Earth. Then gas came along and you’d be stuck with your whale blubber.” “Sorry mate – history’s moving along. Recorded music equals whale blubber. Eventually, something else will replace it.” – Brian Eno in The Guardian
  • THE KNIFE -
    “Commissioned by Danish performance group Hotel Pro Forma to write the music for their opera based on Charles Darwin and his book ‘On the Origin of the Species’, The Knife decided to make this a collaborative process, working with artists Mt. Sims and Planningtorock for the first time, to capture the huge width of the Darwin and evolution theme. They extensively researched Darwin related literature and articles, with Olof attending a field recording workshop in the Amazon to find inspiration and to record sounds. ‘Tomorrow, In A Year’ is a unique musical project. Richard Dawkins’s gene trees have formed the basis of some of the musical composition, artificial sounds have been mixed with field recordings, with the music inspired by everything from the different stages of a bird learning its melody, to a song based on Darwin’s loving letters about his daughter Anne. These are compositions that challenge the conventional conception of opera music.”
  • Thoughts on the Naughts:San Francisco Classical Voice -
    “Along with this development comes the emergence of “alt-classical” (alternative classical, an abbreviation with all the cachet of a computer key): This world of music existed for decades, but in the naughts (the decade of 2000–2009) it became newly visible thanks to decentralization and the lack of a dominant “mainstream” style in classical music. Imperfectly named, as is always the case with descriptive terms for large artistic phenomena, alt-classical represents the merging of genres of music, as well as the undermining of distinctions between “high” and “low,” classical and popular, along with an infusion of music formerly on the margins.”
  • Los Angeles News – 2009: ODE TO THE MUSIC MAN -
    “While most of this story’s respondents are Flaherty supporters, Paul Bailey, an adjunct professor of music education and theory at Cal State Fullerton (and one-time band director at John Marshall High School in Los Feliz), has this to say: “Talk about the forest for the trees: Teaching a drum line does not make a music program. I can easily see why an administration would reassign a music teacher (no matter how successful and well meaning) if they were unable and/or unwilling to field a marching band. Like it or not, the marching band is the most efficient way to get a large number of kids to participate in music. It’s unfortunate, but at the end of the day a music program should give musicians a variety of experiences and not focus on the specialized competitive agenda of one teacher.”
  • Facebook | Sahar Saedi: what do you think about the musicianship classes? -
    “I have had some really great professors both in csu fullerton and in el camino college and I feel that both of these schools which I have attended, have some very strong aspects to their music programs. However, I have one complain about the musicianship classes of both of these schools and I want to share it with you and ask for your insight. Unfortunately, in el camino college we had a very poor sightsinging class. There was absolutely no direction given to us as to how to learn to sightsing. We were given a few melodies that we would get tested on on our exam which by the time of the exam would basically be memorized, thus would not be sightsinging.”
  • Tom Swafford: Violinist, Composer, Arranger! -
    “My goal is to create clear music that communicates directly and genuinely. I don’t like slick music that has been edited and perfected artificially. I like all the subtle nuances, scratches, ‘mistakes’ that happen naturally and I think that this is a big part of what makes music expressive. “

Bookmarks for August 9th through August 17th [del.icio.us]

Bookmarks from August 9th through August 17th:[del.icio.us]

  • TRIUMPH OF HIS WILL: GQ Feature on Quentin Tarantino – “You can lie about a lot of things,” he says, “but your filmography doesn’t lie. It’s right there. And it doesn’t give a shit about why you did it.”
  • Clare Graham’s Wonderama – LA Times Magazine -”As for the question of art versus craft, Graham comes down definitively on one side. “I don’t like the terms outsider art, or naive art. What I do is craft,” he insists. “Fine art has a need to communicate something. My work is about simple processes done to the nth degree until the accumulation is significant.”
  • Lefsetz Letter » Amanda Palmer email; the new art of twitter and blogging – “BUT this is, hands fucking down, also why people listen, why they search, why they want art. connection = primary. music/art = secondary.”
  • Ready for the devil we don’t know -LA Times endorses a constitutional convention to fix CA budget mess -”A single initiative to end the current rule requiring a two-thirds supermajority of the Legislature to adopt a budget may be doomed at the ballot box. But opponents are more likely to accept the change if they can keep the supermajority to increase taxes and are assured that future taxes will no longer be disguised as “fees.”
  • Fieldnotes from a Rock Band Bar Night | – “Much to my surprise, the scene reminded me of the participatory tradition that was the focus of my first major research project: Sacred Harp singing, an American vernacular hymnody tradition that is open to anyone, regardless of perceived musical expertise, and that revolves around drop-in community “singings” rather than rehearsed performances for an audience. “
  • Views on Music and Life from an outpost.: Making the case for the musical amateur. -”think to say that people simply need more exposure to jazz, to classical music, etc- is only half-right. I think that people need to be directly involved. Make people an active part of any activity, and they are much more likely to stay engaged.”
  • This Blog Will Change the World: No neon arrows – “What we need here is a third option, one which avoids asserting the absolute superiority of any one musical style without sliding into relativism.”
  • YouTube – GAMEBOY FOOT CONTROLLER DEMO + 8BIT GUITAR -
    joey mariano [animal-style] demonstrates his GBC Gameboy Foot Controller
  • How American Health Care Killed My Father – The Atlantic (September 2009) -”Indeed, I suspect that our collective search for villains—for someone to blame—has distracted us and our political leaders from addressing the fundamental causes of our nation’s health-care crisis.”
  • A music lesson for LACMA’s film program | Culture Monster | Los Angeles Times – “It is not without a twang of envy that I watch the film community react to the Los Angeles County Museum of Art’s announcement that the 40-year-old film program would go the way of the even older Monday Evening Concerts, which was thrown out on the cold street three years ago.”
  • Cal State Fullerton abruptly begins canceling classes – College Life OC – OCRegister.com -”Cal State Fullerton officials say the university has begun canceling classes, including those that were already underway, because its being required to make tens of millions of dollars in cuts to help the state balance its budget.”
  • WATTS ENSEMBLE: IF WE ALL GOT MOHAWKS -”What would I call the next punkest classical record? Fuck. I could tell you probably the Andy Kaufman of classical music, which is probably Terry Riley’s ‘In C.’ Don’t get me wrong—I love the piece but it almost feels like it’s daring you to like it. ‘In C’ is typically 45 minutes to an hour long and it’s everyone playing the phrases at the same tempo—but they play it staggered so it creates all these different patterns. It’s an amazing piece. But I’ve shown it to people before and they’re like, ‘Oh my God, this is driving me insane—I can’t deal with it.’ It’s kind of the same thing with Andy Kaufman. Some people were like, ‘Wow, this is fucking amazing’ and other people were like, ‘I can’t stand this guy.’”
  • The Fun Music Company Ultimate Flashcard Set -”In the Ultimate Instant Print Flashcard Set you get a comprehensive selection of printable flash cards that you print yourself, right from your computer.”
  • Create Digital Music » Hexagonal iPhone Sequencer-Rhythm Machine from Jordan Rudess -”Dream Theater keyboardist Jordan Rudess and noise.io developer Amidio have made a crazy-looking hexagonal sequencer for the iPhone. It comes with plenty of samples and factory sessions if you just want to play around…”
  • Terry Teachout Asks, Can Jazz Be Saved? – WSJ.com -”No, I don’t know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they should like Schubert and Stravinsky has already lost the battle. If you’re marketing Schubert and Stravinsky to those listeners, you have no choice but to start from scratch and make the case for the beauty of their music to otherwise intelligent people who simply don’t take it for granted. By the same token, jazz musicians who want to keep their own equally beautiful music alive and well have got to start thinking hard about how to pitch it to young listeners—not next month, not next week, but right now.”