Posts Tagged ‘rss’

Music for Controllers (2009)

Music for Controllers (2009)

are improvisations performed live using ableton live, korg/nanokey, buddha machine and srutibox (iphone), and korg kaossilator

Music for Controllers I
created using ableton live, buddha machine (iphone), korg kaossillator and nano-key

Music for Controllers II (coming soon)

Music for Controllers III and Music for Controllers IV

were improvised live using ableton live/ korg/nanokey, buddha machine (iphone), and the korg kaossilator

Music for Controllers V
improvisation post-whatever ableton, buddha machine (iphone), srutibox just-intonation drone

Music for Controllers VI (A Stable Job is an Oxymoron)
this track was based on a field recording i made of my last day of work before my “fall break” at CSUF (a one-week non paid work furlough). a few days later i improvised over the recording of my commute (from highland park to union station) with some materials of an earlier piece i made last spring (not getting fired is the new promotion). when it was finished i felt it was a little too minimal and forgot about it until about a week ago and when i listened to it again i realized it pretty accurately captured my dread of what this financial disaster has become in my life.
interestingly enough on that was the same day on my commute home the conductor on my amtrak route told me that she had lost about 75 daily commuters between san diego and los angeles from a year ago and it was pretty sad how so few of us were left. i know for me there aren’t many part time faculty left in the music department at CSUF and at this point it’s can get pretty depressing whenever i think about all of my friends who are out of work.
probably a little TMI, but yeah… i guess it is a bit dark.

Music for Controllers VI (A Stable Job is an Oxymoron) is spoken word piece based on twitter RSS feeds on the keywords “fired” and “job”. parts of this piece were originally contained in the piece  “not getting fired is the new promotion” (2009) and was improvised/performed/composed using ableton live, novation launchpad, korg kaossilator, iphone (buddha machine, srutibox), text-2-speech, and a field recording (zoom H2) of my morning commute (metro goldline from heritage square to union station; los angeles, ca 10/15/2009 (10 min)
Music for Controllers by paul bailey


New RSS and Bookmarks Feed

New RSS and Bookmarks Feed

it seems that yahoo has pretty much given up developing and improving their delicious bookmarking service, so i’m now using tumblr as a way to share my more interesting bookmarks.

http://bpbailey.tumblr.com/

also my RSS feed has also been having problems and at the end of the month i’ll be switching over to the new one

http://feeds2.feedburner.com/paulbaileyus2


Bookmarks for December 27th through December 31st [del.icio.us]

Bookmarks for December 27th through December 31st [del.icio.us]

Bookmarks from December 27th through December 31st:[del.icio.us]

  • Doctorow, How to Destroy the Book | Electronic Frontier Foundation -
    “When I buy an audiobook on CD, it’s mine. The license agreement, such as it is, is “don’t violate copyright law,” and I can rip that CD to mp3, I can load it to my iPod or any number of devises—it’s mine; I can give it away, I can sell it; it’s mine. But when you buy an audiobook through Audible, which now controls 90 per cent of the [downloadable] audiobook market, you get a license agreement, not a property interest. The things that you can do with it are limited by DRM; the players you can play it on are limited by the license agreements with Audible. Audible doesn’t do this because the publishers ask them to. Audible and iTunes, because Audible is the sole supplier to iTunes, do this because it’s in their own interest….”
  • how to make a living playing music | Ol’ Danny Barnes -
    “i hear so much complaining about this subject, i just wanted to lay my practical experience on you. free. first, three pre-conditions: 1. if you are a very materialistic person, skip this article, i don’t think you are going to like what it says. 2. if you don’t have the music where you want it art-wise, you might want to go work on that, this article isn’t going to help you much either. you will be better off by practicing and studying and working on your music instead. you will need to get the art pretty close to where you want it, before you should worry about making much of a living out of it. 3. determine if you are actually called to be a musician. if you aren’t called, all the gyrations in the world, won’t make it work. if you are called, no matter what you do, it’s going to work. this determination will solve most of the problems you are going to encounter. “
  • Mixed Meters: Could Terry Riley’s In C Be Accepted As Classical Music -
    “I fantasize that someday In C will be programmed on regular orchestra concerts. Yes, getting this piece into the standard repertory is a long ways off. If it happened, In C would change from a “minimalist classic” into an actual piece of classical music. That would provide strong evidence that classical music has some life left in it.” A chamber orchestra would be just the right size. Before the intermission the program could be, maybe, a Rossini overture and a Mozart concerto. And the second half would be a 35-minute performance of In C employing all the performers from the first half. Great concert! Of course, during In C the conductor should sit in the ensemble and play an instrument, provided he or she is capable. Otherwise tell the conductor to sit in the audience.
  • Militant Locationist Rant « 90042 -
    “Recently in our humble corner of Los Angeles, a brewery opened. Which is great news to anyone, (especially myself) who enjoys what Benjamin Franklin said was, “proof that God loves us.” Microbrewing is something I have supported for a long, long, and expensive time. Having a new microbrewery nearby is a wonderful thing. The only problem is the name. And what is in a name? To quote Shakespeare, “A rose by any other name would smell as sweet.” Maybe so, but out of the millions of names to engrave on your mast, the brewers of this new brewery have chosen to name their venture after a location here in Northeast Los Angeles. It’s good to represent, right? The name of this new establishment is Eagle Rock Brewery. Great, Eagle Rock is a fine place; home to many of my favorite festivals, restaurants, stores, and newspapers. The only problem is the brewery is not located in Eagle Rock 90041, but in Glassell Park 90065.”
  • Lefsetz Letter » Blog Archive » Gleevec -
    “I’m still reading the responses to my “Leukemia” missive. I appreciate the good will. But I’m reading slowly not only because the missives are all personal, directed specifically to me, but because I’m learning so much. I heard from Steven Page, formerly of the Barenaked Ladies. Did I know that Kevin Hearn from BNL had leukemia? Steven copied him on the e-mail. Turns out Kevin had CML too. Before Gleevec. He had a bone marrow transplant, and it worked.But it’s not. [snip] Because some guy who wasn’t in it for the money, who was willing to sacrifice everything for his passion, put together the pieces to come up with a breakthrough drug that allows me to live.”
  • UbuWeb Sound – Marshall McLuhan -
    “Marshall McLuhan appeared on the Dick Cavett Show in December of 1970 along with Truman Capote and Chicago Bears running back, Gayle Sayers. Both Capote and Sayers participated in the discussion with McLuhan. This recording was made on reel-to-reel audio tape in 1970 and directly transferred to computer in 2005. Unfortunately, the exact date of the show was not noted, except that the show did take place before Christmas. All commercials and breaks were removed from McLuhan’s appearance.”
  • The annotated world « BuzzMachine -
    “Tweet: A view of our annotated world: Hyperlocal is what’s around me and how I search that There are eight million stories in the naked city and soon every one of them will be available on your phone through visual, aural, and geographic search and augmented reality in our newly annotated world. Every address, every building, every business has a story to tell. Visualize your world that way: Look at a restaurant and think about all the data that already swirls around it — its menu, its reviews and ratings and tags (descriptive words), its recipes, its ingredients, its suppliers (and how far away they are, if you care about that sort of thing), its reservation openings, who has been there (according to social applications), who do we know who has been there, its health-department reports, its credit-card data (in aggregate, of course), pictures of its interior, pictures of its food, its wine list, the history of the location, its decibel rating, its news… “

Bookmarks for December 19th to 27th [del.icio.us]

Bookmarks for December 19th to 27th [del.icio.us]

Bookmarks from December 19th to December 27th

  • Los Angeles Eat+Drink – Drowning, Not Eating – page 1 – “Tortas cubanas are almost as common as burritos in Los Angeles. Mexico City–style pambazos rule the world of street food. The muscular cemita Poblano commands a fleet of trucks extending as far as the Westside. But the king of Mexican sandwiches is the mighty torta ahogada — drowned sandwich — a mass of bread and sauce and meat that is less a foodstuff than a way of life. You do not nibble at a torta ahogada; you dive straight into it, trusting that you will come out alive. I had always thought that roasted goat was the emblematic dish of Guadalajara, but tortas ahogadas joints there outnumber birria parlors at least 20:1…”
  • Four New Images by Street Artist Banksy… “Four new images by the elusive street artist Banksy have surfaced over the weekend, with one seemingly attacking global warming sceptics. Banksy graffiti. Photo: Londonist.com The pieces follow the Copenhagen summit. Photo: londonist.com The latest designs were discovered by londonist.com along the banks of Regent’s Canal. It found the first beneath Camden Street Bridge – “almost in the back yard of the British Transport Police building”. The second and third pieces were etched under and next to the Oval Road Bridge in the direction of Primrose Hill. The most provocative simply has the words: “I don’t believe in global warming”, with the writing gradually disappearing into a canal.”
  • “Alt-Classical”: Is This the Future? “Hot on the heels of James MacMillan’s red-hot piece in these pages calling Emperor’s New Clothes on Pierre Boulez, plus Dilettante Music’s digital composer-in-residence contest, and Norman Lebrecht’s poll of the living composers creating the most durable work (John Adams is no.1, then Part, then Reich), here’s more contemporary food for thought. Greg Sandow of Artsjournal’s blog about the future of classical music has run a post about the Chicago Symphony Orchestra’s two new composers-in-residence. They are Mason Bates and Anna Clyne. Not likely to be familiar names if your view of new music is simply what the BBC Symphony Orchestra…”
  • Richard Lainhart: Puremagnetik interview dec 2009“The Ondes Martenot is a very expressive electronic instrument – Maurice Martenot, who invented it, was a cellist, and wanted an electronic instrument that could be played with the same degree of expression as a string instrument. Oraison is a piece I’ve always loved – I first heard it years ago as a student – and when I got the Buchla/Continuum system, I realized that the Continuum would let me play the piece myself, as it’s a superbly expressive controller, with the advantage that it’s polyphonic, unlike the original Ondes. So I spent some time transcribing the piece from the original score, then spent a lot more time practicing it. The Buchla let me program a sound that was similar to the Ondes, but with even more expression in the timbre control, and that’s what I used for my version. So, my own realization is a kind of analog-digital homage to the original – analog in the sound-producing domain, but digital in the control domain.”
  • The Pushbutton Web: Realtime Becomes Real – Anil Dash “Pushbutton is a name for what I believe will be an upgrade for the web, where any site or application can deliver realtime messages to a web-scale audience, using free and open technologies at low cost and without relying on any single company like Twitter or Facebook. The pieces of this platform have just come together to enable a whole set of new features and applications that would have been nearly impossible for an average web developer to build in the past”
  • Orson Welles and His Brief Passionate Betacam Love Affair – Orson Welles – Gizmodo“In January 1985, the phone rang. The caller announced that he was Orson Welles and that he wanted to have lunch with me. Thus began one of the most extraordinary and bittersweet adventures of my life.” Sometimes the journeys we take through this life begin and end in the most unexpected ways. My encounter with Welles in the last days of his life centered on a common interest: Sony’s new one-piece camcorder, the Betacam. It had just come to market and Welles, always the genius filmmaker, had big ideas for what he could do with one. With Welles there were no limits. “You can’t do that” wasn’t in his vocabulary. This was a short, but very passionate story