Bookmarks for November 28th through December 3rd [del.icio.us]
![Bookmarks for November 28th through December 3rd [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/12/just-do-it1-150x150.jpg)
Bookmarks from November 28th through December 3rd:[del.icio.us]
- www.wanderingear.com – [del.icio.us]
- furthernoise.org issue November 2009 – [del.icio.us]
- Stasisfield.com : sonic planar analysis : experimental audio and visual art – [del.icio.us]
- The Narrowcast Future « Alan Furst’s Program Director Blog -
“Like it or not radio and all media are changing. There is no choice. Technology is the reason. Technology is changing the way we live, how we use our time, and what is available to us. We once thought of ourselves as ‘radio people’ or ‘TV people‘, now we are now simply in media. The web changed how we do our jobs and more importantly what those jobs are today. A person who concentrated on audio must know about written content and video. Radio news reporters now produce video pieces for their websites. The lines have blurred. Here’s the big one. Narrowcasting will replace broadcasting.”
- What is on the other side of Siberia? The Jewish Autonomous Region. (1) – By Masha Gessen – Slate Magazine -
“BIROBIDZHAN, Russia—Never have I heard so many snide comments about an upcoming trip. “Don’t bother coming back,” said a co-worker, laughing nervously. Birobidzhan has a way of making people laugh. Several of my colleagues were convinced I was joking. The word itself is not inherently funny, but the idea for which it stands is bizarre enough and its history is macabre enough that it makes people giggle. It is also ridiculously far away.”
- Facebook | Kronos Quartet: In C Interviews: Morton Subotnick -
“Can you give me a bit of background about the Tape Center and your relationship with Terry? Okay, well the tape center was a co-op, a very early electronic music studio that Ramon Sender and I started in 1961, I think it was. We also had a couple of performance spaces, so we did lots of performances. And we were a group of us, it was Terry, Pauline Oliveros, Ramon, myself and several other people were doing concerts together….”
- Writer Evan Ratliff Tried to Vanish: Here’s What Happened | Vanish | Wired.com -
“In Wired issue 17.09, Evan Ratliff wrote a story about how people disappear in the digital age. Then he went on the run himself, with Wired readers trying to track him down. His story in Wired issue 17.12, Gone, tells what happened. This blog shows the history of the hunt.”
- Seth’s Blog: Getting meta -
“Wikipedia contains facts about facts. It’s a collection of facts from other places. Facebook doesn’t have your friends. It has facts about your friends. Google is at its best when it gives you links to links, not the information itself. Over and over, the Internet is allowing new levels of abstraction. Information about information might be worth more than the information itself. Which posts should I read? Which elements of the project are at risk? Who is making the biggest difference to the organization? Right now, there’s way too much stuff and far too little information about that stuff. Sounds like an opportunity.” bpb (i’ts all about curation)
- Helicopter Parents: The Backlash Against Overparenting — Printout — TIME -
“Dr. Stuart Brown, a psychiatrist and the founder of the National Institute for Play — who has a treehouse above his office — recalls in a recent book how managers at Caltech’s Jet Propulsion Laboratory (JPL) noticed the younger engineers lacked problem-solving skills, though they had top grades and test scores. Realizing the older engineers had more play experience as kids — they’d taken apart clocks, built stereos, made models — JPL eventually incorporated questions about job applicants’ play backgrounds into interviews. “If you look at what produces learning and memory and well-being” in life, Brown has argued, “play is as fundamental as any other aspect.” The American Academy of Pediatrics warns that the decrease in free playtime could carry health risks: “For some children, this hurried lifestyle is a source of stress and anxiety and may even contribute to depression.” Not to mention the epidemic of childhood obesity in a generation of kids who never just go out and play. “
- Los Angeles Eat+Drink – Fried in East L.A.: Antojito’s Carmen and the Breed Street Band of Mexican Vendors – page 1 -
“Until recently, the center of the Eastside street-food universe was located in a small parking lot on Breed Street in Boyle Heights, a nocturnal band of vendors drawing customers from as far away as Riverside and San Diego, serving sticky, sizzling, crunchy, meaty snacks from all over Mexico; salsas hot enough to burn small, butterfly-shaped patches into the leather of your shoes; and quart-size foam cups of homemade orange drink. Over here were huaraches; over there Mexico City–style quesadillas; crunchy flautas; sugary churros; gooey tacos al vapor. The vendors never stayed open quite late enough, but Breed Street had become something of an institution, a place to take out of town visitors, a great quick dinner before a show. Sometimes there were even clowns.”
Bookmarks for October 24th through October 31st [del.icio.us]
![Bookmarks for October 24th through October 31st [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/11/writing-on-walls1-150x150.jpg)
Bookmarks from October 24th through October 31st:[del.icio.us]
- Brow Beat : The DORF Matrix: Towards a Theory of NPR’s Taste in Black Music -
“In the weeks since the publication of the All Songs Considered list, I have been puzzling over NPR’s musical coverage—in particular, its approach to black music. I wondered: Could NPR’s musical taste be as lily-white as the “The Best Music of 2009 (So Far)” list? After scouring NPR’s Web site and studying its broadcasts—All Things Considered profiles, Fresh Air interviews, even the music interludes played between segments on NPR’s marquee programs—I can report that the answer is no. It’s not that NPR doesn’t like black music. It merely maintains a strict preference for black music that few actual living African-Americans listen to.”
- why i’m not afraid to take your money« by amanda fucking palmer -
“I know this for myself – it’s something you’ve done since you were six years old, and there’s a sense that if you stop giving 100% you are doomed to failure, and that is unacceptable. No wonder so many players hate their sport – the surprise is that so few admit it.” And despite all the kudos, money and silverware, there’s a reason it’s the top players who suffer most – because they’re the ones playing the most tennis, as they don’t get knocked out in the first or second round. So they have the least free time, the most mental stress and suffer the most physically. Agassi’s avowed hatred for his sport is far from exclusive to tennis. British cyclists Chris Boardman, the former Olympic pursuit champion, and Tour de France star David Millar have both admitted to not really liking cycling. “In Boardman’s case,” says William Fotheringham, the Guardian’s cycling correspondent, “he liked the winning not the cycling itself, and he drove himself to win.”
- Why did Andre Agassi hate tennis? | Sport | The Guardian -
“I know this for myself – it’s something you’ve done since you were six years old, and there’s a sense that if you stop giving 100% you are doomed to failure, and that is unacceptable. No wonder so many players hate their sport – the surprise is that so few admit it.” And despite all the kudos, money and silverware, there’s a reason it’s the top players who suffer most – because they’re the ones playing the most tennis, as they don’t get knocked out in the first or second round. So they have the least free time, the most mental stress and suffer the most physically. Agassi’s avowed hatred for his sport is far from exclusive to tennis. British cyclists Chris Boardman, the former Olympic pursuit champion, and Tour de France star David Millar have both admitted to not really liking cycling. “In Boardman’s case,” says William Fotheringham, the Guardian’s cycling correspondent, “he liked the winning not the cycling itself, and he drove himself to win.”
- don’t care about old composers-rogerbourland.com -
“I asked Aaron Copland what he was composing in fall 1976: “Nothing, and I am not accepting commissions; if people want to play my music, there’s plenty of it available in my catalog.” Today I went through an old journal, listing old UCLA Music faculty and their appointments and salaries. I looked at all the composers and saw their careers over a span of decades. I sighed and thought about how none of their music is heard these days. And I’m sure that this is true for every music school in America.”
- Brand (Dis)Loyalty « The Quick and the Ed -
“A couple of days ago a message popped up on my Tivo informing me of a new service, “Blockbuster on Demand.” Ah, Blockbuster. That takes me back, to that period of about four years when all of the mom and pop video rental stores had been driven out of business but Netflix hadn’t yet arrived, so the only way to rent a movie was to drive to the nearest Blockbuster, spend ten minutes trying to find a place to park, discover that your first eight choices were unavailable, wait in line for fifteen minutes, and be informed by a surly, inattentive clerk that you owed the Blockbuster corporation 27 dollars in late fees and other assorted charges. snip This is what happens when organizations use their monopoly status to mistreat customers. Sooner or later the world changes, your monopoly is gone, and you pay the price… If there’s one thing that’s pretty certain, it’s that people will have more education choices in the future than they’ve had in the pas
- Music review: ‘Einstein’ at the beach | Culture Monster | Los Angeles Times -
So “Baby Einstein” won’t make your kids smarter after all. Last week, the Walt Disney Co. confessed that plopping kids in front of its video does not count as instant education and offered to refund gullible parents their money. But the few enlightened parents who tried “Einstein on the Beach” instead may have a wiser tale to tell. Saturday night, Jacaranda, the West Side’s new music series, concluded its first concert of the season at First Presbyterian Church of Santa Monica with excerpts from Philip Glass’ groundbreaking opera he conceived with director Robert Wilson in 1976. Glass offers the option of replacing the women’s voices at the end with a children’s chorus and that is what Jacaranda did. Asking youngsters to show up late at night to sing the last eight minutes of a five-hour avant-garde work is, obviously, unreasonable. Then again, little about putting on “Einstein on the Beach” has ever been practical…”
