A Bicycle for the Mind

RIP Steve Jobs 1955-2011
for me the ipod and the itunes playlist have been the most important technological innovation s and devices i have owned. after the first ipod came out i was finally able to study a huge variety of music on my long commute home each day without having be constantly swapping CD’s. it doesn’t sound like much but loading up the 15 different composers in a playlist to get an idea of how they all dealt with string ostinatos used to be a real pain in the ass (especially since many new music scores aren’t that available). these days still i don’t own a proper stereo and prefer to listen to music via my iphone when and wherever i want. Got my first Mac Tower in 2001 and mixed and recorded all 3 albums using your computers.
“That’s what a computer is to me: the computer is the most remarkable tool that we’ve ever come up with. It’s the equivalent of a bicycle for our minds.”"[Y]ou can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.” made with monome 64, press cafe, ableton live, and 13′ macbook pro (2011)
“That’s what a computer is to me: the computer is the most remarkable tool that we’ve ever come up with. It’s the equivalent of a bicycle for our minds.”
“[Y]ou can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.”
made with monome 64, press cafe, ableton live, and 13′ macbook pro (2011)
colon nancarrow on crack
MUSIC DADA (bara no kodoku) by ALONE TOGETHER
i found this track by the sound collage artist alone + together (yuki ota) on the soundcloud mp3 service/website. it made me think of colon nancarrow and what a time kyle gann would have trying to transcribe this.
i also want to point out that you can now “like” posts on this site. especially if you “like” what you hear please click away and i’m interested to see how it works as a feedback measurement tool (besides looking at page views)
i’m also going to be experimenting posting music on this site and others using the soundcloud service/website. right now most of their site is dance music, but there are some interesting groups like live improvisation, sound collage, and drone music.
if you are making music, for now i have created a few groups to post tracks;
an alt-classical group for DIY art music
and post-whatever group for all the music that doesn’t easily fit into either the art music or pop music continuum.
overall the site has a few hiccups (it can be pretty slow) and the search system is pretty rudimentary, but it seems like it could be a useful way to share music along a variety of similar interests and aesthetics.
if you check it out please let me know what you think at http://soundcloud.com/pbailey
and on a final note last week’s (oct 9-10) ImprovFriday+1 files are now up and shane cadman’s piece for the mighty noah bailey dowell was a very special standout this week. steve layton also made remix that afternoon of shane’s piece and the glitchy ostinato opening of my music for controllers III called chorale (the mighty)
check them all out at http://improvfriday.ning.com/


