Bookmarks for November 21st through November 25th [del.icio.us]
![Bookmarks for November 21st through November 25th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/11/hands1-150x150.jpg)
Bookmarks from November 21st through November 25th:[del.icio.us]
Los Angeles Eat+Drink – Fried in East L.A.: Antojito’s Carmen and the Breed Street Band of Mexican Vendors
“Until recently, the center of the Eastside street-food universe was located in a small parking lot on Breed Street in Boyle Heights, a nocturnal band of vendors drawing customers from as far away as Riverside and San Diego, serving sticky, sizzling, crunchy, meaty snacks from all over Mexico; salsas hot enough to burn small, butterfly-shaped patches into the leather of your shoes; and quart-size foam cups of homemade orange drink. Over here were huaraches; over there Mexico City–style quesadillas; crunchy flautas; sugary churros; gooey tacos al vapor. The vendors never stayed open quite late enough, but Breed Street had become something of an institution, a place to take out of town visitors, a great quick dinner before a show. Sometimes there were even clowns.”
- Photo Gallery: Fried in East L.A. With Antojitos Carmen & The Breed Street Band of Mexican Vendors – Los Angeles Restaurants and Dining – Squid Ink -
“Need a visual aid for your print edition? Jonathan Gold visits the Breed Street vendors of East Los Angeles (“once you abandon yourself to the magnetic chalupa forces you will be lured across the river again and again — the CIA could learn something about mind control from antojitos masters”). Click through for Anne Fishbein’s spectacular photos and read more in Gold’s Counter Intelligence, “Fried in East L.A.”
- Categorical Enervative: The Trouble With Genres | Classical Music -
People, we’re not really serious about adopting this “alt-classical” terminology, are we? I thought it was a joke, like “hobocore.” But no, it seems that there’s effort afoot to push it, un-ironically, into the classical lexicon.”"
- Books of The Times – The Voice That Helped Remake Culture, From Terry Teachout – Review – NYTimes.com
“With “Pops,” his eloquent and important new biography of Armstrong, the critic and cultural historian Terry Teachout restores this jazzman to his deserved place in the pantheon of American artists, building upon Gary Giddins’s excellent 1988 study, “Satchmo: The Genius of Louis Armstrong,” and offering a stern rebuttal of James Lincoln Collier’s patronizing 1983 book, “Louis Armstrong: An American Genius.” (wish this book was on kindle and it would be my holiday reading)
- Los Angeles Eat+Drink – Choza Mama (j. gold review) -
“Oh, Old Pasadena, dasher of hopes and destroyer of restaurants, a hostile, traffic-choked terrordome where only the strongest survive, where rents are breathtaking, where even the best-financed enterprises founder on the rocks. But out of the ashes of Hooters, within the very walls once saturated with testosterone and stale tap beer, comes Choza Mama, scion of the well-loved Burbank Peruvian restaurant, introducing Cusqueña and tallarines where once were Miller Lite and hot wings, and soft Latin American music where the likes of Hootie and the Blowfish once brayed”
- MIDEM(Net) Blog: Bruce Houghton: Doesn’t It Feel Lately Like Everyone Is In The Music Business? -
“The line between music fan and music professional has become difficult to draw. The demise of traditional media and rise of social networks means that fans are as powerful as publicists and radio promoters once were. Digital distribution has given everyone access to the consumer that was once funneled through a few. Everyone with a web site had the potential for global reach. I’m an authority, not because Billboard prints my words, but because I do. The Bad News: Everyone is your competitor. The Good News: Innovation is everywhere. It’s time to stop worrying about the bad and start embracing the good”
- When Sysadmins Ruled the Earth -
“Introduction: I’ve changed careers every two or three years ever since I dropped out of university in 1990, and one of the best gigs I ever had was working as a freelance systems administrator, working in the steam tunnels of the information age, pulling cables, configuring machines, keeping the backups running, kicking the network in its soft and vulnerable places. Sysadmins are the unsung heroes of the century, and if they’re not busting you for sending racy IMs, or engaging in unprofessional email conduct it’s purely out of their own goodwill. There’s a pernicious myth that the Internet was designed to withstand a nuclear war; while that Strangelove wet-dream was undoubtedly present in the hindbrains of the generals who greenlighted the network’s R&D at companies like Rand and BBN…” (great story… make sure to read the woodie guthrie copyright quote”
Bookmarks for September 28th through October 1st [del.icio.us]
![Bookmarks for September 28th through October 1st [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/10/value1-150x150.jpg)
/a>Bookmarks from September 28th through October 1st:[del.icio.us]
- Taruskin, vol.5, page 220 « The Rambler
“I’ve just recently, and belatedly, started leafing through Richard Taruskin’s monumental History of Western Music, one of the musicological banner publications of 2005. Now, I’ve been an occasional fan of Taruskin’s work – his Grove article on Nationalism is flawed, but significant, and Defining Russia Musically was an inspirational book for me… There’s far too much to go into here about what winds me up about this book (how about the laughable Europhobia, in which European music after 1950 is merely a Cold War sideshow, and after 1960 non-existent), much of which will have been said elsewhere, but I just wanted to get my reaction to one page in particular off my chest. This is page 220 of volume 5, on which Taruskin is discussing (speculating on) the Cold War implications of Penderecki’s Threnody for the Victims of Hiroshima. I fear, as an example of the lazy thought and downright falsehoods of this book, it may not be unique.”
- Music Apps Blur the Gap Between You and Clapton – NYTimes.com -
“And this is where it gets back to being like a video game. Many musical apps offer the ability to record a track, then add layers on top of it. Doing this between disparate apps is impossible without external recording software, but a multi-instrumental app like Moocow’s Band gives novices the opportunity to record and edit tracks with drums, bass and guitar, and make sure it all sounds pretty good (even if one doesn’t know how to play a lick of music). It’s as much a game as Guitar Hero, only instead of trying to keep up with prerecorded music, the goal is to make music of one’s own.”
Bookmarks for August 9th through August 17th [del.icio.us]
Bookmarks from August 9th through August 17th:[del.icio.us]
- TRIUMPH OF HIS WILL: GQ Feature on Quentin Tarantino – “You can lie about a lot of things,” he says, “but your filmography doesn’t lie. It’s right there. And it doesn’t give a shit about why you did it.”
- Clare Graham’s Wonderama – LA Times Magazine -”As for the question of art versus craft, Graham comes down definitively on one side. “I don’t like the terms outsider art, or naive art. What I do is craft,” he insists. “Fine art has a need to communicate something. My work is about simple processes done to the nth degree until the accumulation is significant.”
- Lefsetz Letter » Amanda Palmer email; the new art of twitter and blogging – “BUT this is, hands fucking down, also why people listen, why they search, why they want art. connection = primary. music/art = secondary.”
- Ready for the devil we don’t know -LA Times endorses a constitutional convention to fix CA budget mess -”A single initiative to end the current rule requiring a two-thirds supermajority of the Legislature to adopt a budget may be doomed at the ballot box. But opponents are more likely to accept the change if they can keep the supermajority to increase taxes and are assured that future taxes will no longer be disguised as “fees.”
- Fieldnotes from a Rock Band Bar Night | – “Much to my surprise, the scene reminded me of the participatory tradition that was the focus of my first major research project: Sacred Harp singing, an American vernacular hymnody tradition that is open to anyone, regardless of perceived musical expertise, and that revolves around drop-in community “singings” rather than rehearsed performances for an audience. “
- Views on Music and Life from an outpost.: Making the case for the musical amateur. -”think to say that people simply need more exposure to jazz, to classical music, etc- is only half-right. I think that people need to be directly involved. Make people an active part of any activity, and they are much more likely to stay engaged.”
- This Blog Will Change the World: No neon arrows – “What we need here is a third option, one which avoids asserting the absolute superiority of any one musical style without sliding into relativism.”
- YouTube – GAMEBOY FOOT CONTROLLER DEMO + 8BIT GUITAR -
joey mariano [animal-style] demonstrates his GBC Gameboy Foot Controller
- How American Health Care Killed My Father – The Atlantic (September 2009) -”Indeed, I suspect that our collective search for villains—for someone to blame—has distracted us and our political leaders from addressing the fundamental causes of our nation’s health-care crisis.”
- A music lesson for LACMA’s film program | Culture Monster | Los Angeles Times – “It is not without a twang of envy that I watch the film community react to the Los Angeles County Museum of Art’s announcement that the 40-year-old film program would go the way of the even older Monday Evening Concerts, which was thrown out on the cold street three years ago.”
- Cal State Fullerton abruptly begins canceling classes – College Life OC – OCRegister.com -”Cal State Fullerton officials say the university has begun canceling classes, including those that were already underway, because its being required to make tens of millions of dollars in cuts to help the state balance its budget.”
- WATTS ENSEMBLE: IF WE ALL GOT MOHAWKS -”What would I call the next punkest classical record? Fuck. I could tell you probably the Andy Kaufman of classical music, which is probably Terry Riley’s ‘In C.’ Don’t get me wrong—I love the piece but it almost feels like it’s daring you to like it. ‘In C’ is typically 45 minutes to an hour long and it’s everyone playing the phrases at the same tempo—but they play it staggered so it creates all these different patterns. It’s an amazing piece. But I’ve shown it to people before and they’re like, ‘Oh my God, this is driving me insane—I can’t deal with it.’ It’s kind of the same thing with Andy Kaufman. Some people were like, ‘Wow, this is fucking amazing’ and other people were like, ‘I can’t stand this guy.’”
- The Fun Music Company Ultimate Flashcard Set -”In the Ultimate Instant Print Flashcard Set you get a comprehensive selection of printable flash cards that you print yourself, right from your computer.”
- Create Digital Music » Hexagonal iPhone Sequencer-Rhythm Machine from Jordan Rudess -”Dream Theater keyboardist Jordan Rudess and noise.io developer Amidio have made a crazy-looking hexagonal sequencer for the iPhone. It comes with plenty of samples and factory sessions if you just want to play around…”
- Terry Teachout Asks, Can Jazz Be Saved? – WSJ.com -”No, I don’t know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they should like Schubert and Stravinsky has already lost the battle. If you’re marketing Schubert and Stravinsky to those listeners, you have no choice but to start from scratch and make the case for the beauty of their music to otherwise intelligent people who simply don’t take it for granted. By the same token, jazz musicians who want to keep their own equally beautiful music alive and well have got to start thinking hard about how to pitch it to young listeners—not next month, not next week, but right now.”
