Bookmarks for January 12th through January 19th [del.icio.us]
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Bookmarks from January 12th through January 17th:[del.icio.us]
- Brian Eno: “Recorded Music Equals Whale Blubber” – hypebot -
“I think records were just a little bubble through time and those who made a living from them for a while were lucky. There is no reason why anyone should have made so much money from selling records except that everything was right for this period of time…” “It was a bit like if you had a source of whale blubber in the 1840s and it could be used as fuel. Before gas came along, if you traded in whale blubber, you were the richest man on Earth. Then gas came along and you’d be stuck with your whale blubber.” “Sorry mate – history’s moving along. Recorded music equals whale blubber. Eventually, something else will replace it.” – Brian Eno in The Guardian
- THE KNIFE -
“Commissioned by Danish performance group Hotel Pro Forma to write the music for their opera based on Charles Darwin and his book ‘On the Origin of the Species’, The Knife decided to make this a collaborative process, working with artists Mt. Sims and Planningtorock for the first time, to capture the huge width of the Darwin and evolution theme. They extensively researched Darwin related literature and articles, with Olof attending a field recording workshop in the Amazon to find inspiration and to record sounds. ‘Tomorrow, In A Year’ is a unique musical project. Richard Dawkins’s gene trees have formed the basis of some of the musical composition, artificial sounds have been mixed with field recordings, with the music inspired by everything from the different stages of a bird learning its melody, to a song based on Darwin’s loving letters about his daughter Anne. These are compositions that challenge the conventional conception of opera music.”
- Thoughts on the Naughts:San Francisco Classical Voice -
“Along with this development comes the emergence of “alt-classical” (alternative classical, an abbreviation with all the cachet of a computer key): This world of music existed for decades, but in the naughts (the decade of 2000–2009) it became newly visible thanks to decentralization and the lack of a dominant “mainstream” style in classical music. Imperfectly named, as is always the case with descriptive terms for large artistic phenomena, alt-classical represents the merging of genres of music, as well as the undermining of distinctions between “high” and “low,” classical and popular, along with an infusion of music formerly on the margins.”
- Los Angeles News – 2009: ODE TO THE MUSIC MAN -
“While most of this story’s respondents are Flaherty supporters, Paul Bailey, an adjunct professor of music education and theory at Cal State Fullerton (and one-time band director at John Marshall High School in Los Feliz), has this to say: “Talk about the forest for the trees: Teaching a drum line does not make a music program. I can easily see why an administration would reassign a music teacher (no matter how successful and well meaning) if they were unable and/or unwilling to field a marching band. Like it or not, the marching band is the most efficient way to get a large number of kids to participate in music. It’s unfortunate, but at the end of the day a music program should give musicians a variety of experiences and not focus on the specialized competitive agenda of one teacher.”
- Facebook | Sahar Saedi: what do you think about the musicianship classes? -
“I have had some really great professors both in csu fullerton and in el camino college and I feel that both of these schools which I have attended, have some very strong aspects to their music programs. However, I have one complain about the musicianship classes of both of these schools and I want to share it with you and ask for your insight. Unfortunately, in el camino college we had a very poor sightsinging class. There was absolutely no direction given to us as to how to learn to sightsing. We were given a few melodies that we would get tested on on our exam which by the time of the exam would basically be memorized, thus would not be sightsinging.”
- Tom Swafford: Violinist, Composer, Arranger! -
“My goal is to create clear music that communicates directly and genuinely. I don’t like slick music that has been edited and perfected artificially. I like all the subtle nuances, scratches, ‘mistakes’ that happen naturally and I think that this is a big part of what makes music expressive. “
Bookmarks for December 27th through December 31st [del.icio.us]
![Bookmarks for December 27th through December 31st [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2010/01/mg65Z1-150x150.jpg)
Bookmarks from December 27th through December 31st:[del.icio.us]
- Doctorow, How to Destroy the Book | Electronic Frontier Foundation -
“When I buy an audiobook on CD, it’s mine. The license agreement, such as it is, is “don’t violate copyright law,” and I can rip that CD to mp3, I can load it to my iPod or any number of devises—it’s mine; I can give it away, I can sell it; it’s mine. But when you buy an audiobook through Audible, which now controls 90 per cent of the [downloadable] audiobook market, you get a license agreement, not a property interest. The things that you can do with it are limited by DRM; the players you can play it on are limited by the license agreements with Audible. Audible doesn’t do this because the publishers ask them to. Audible and iTunes, because Audible is the sole supplier to iTunes, do this because it’s in their own interest….”
- how to make a living playing music | Ol’ Danny Barnes -
“i hear so much complaining about this subject, i just wanted to lay my practical experience on you. free. first, three pre-conditions: 1. if you are a very materialistic person, skip this article, i don’t think you are going to like what it says. 2. if you don’t have the music where you want it art-wise, you might want to go work on that, this article isn’t going to help you much either. you will be better off by practicing and studying and working on your music instead. you will need to get the art pretty close to where you want it, before you should worry about making much of a living out of it. 3. determine if you are actually called to be a musician. if you aren’t called, all the gyrations in the world, won’t make it work. if you are called, no matter what you do, it’s going to work. this determination will solve most of the problems you are going to encounter. “
- Mixed Meters: Could Terry Riley’s In C Be Accepted As Classical Music -
“I fantasize that someday In C will be programmed on regular orchestra concerts. Yes, getting this piece into the standard repertory is a long ways off. If it happened, In C would change from a “minimalist classic” into an actual piece of classical music. That would provide strong evidence that classical music has some life left in it.” A chamber orchestra would be just the right size. Before the intermission the program could be, maybe, a Rossini overture and a Mozart concerto. And the second half would be a 35-minute performance of In C employing all the performers from the first half. Great concert! Of course, during In C the conductor should sit in the ensemble and play an instrument, provided he or she is capable. Otherwise tell the conductor to sit in the audience.
- Militant Locationist Rant « 90042 -
“Recently in our humble corner of Los Angeles, a brewery opened. Which is great news to anyone, (especially myself) who enjoys what Benjamin Franklin said was, “proof that God loves us.” Microbrewing is something I have supported for a long, long, and expensive time. Having a new microbrewery nearby is a wonderful thing. The only problem is the name. And what is in a name? To quote Shakespeare, “A rose by any other name would smell as sweet.” Maybe so, but out of the millions of names to engrave on your mast, the brewers of this new brewery have chosen to name their venture after a location here in Northeast Los Angeles. It’s good to represent, right? The name of this new establishment is Eagle Rock Brewery. Great, Eagle Rock is a fine place; home to many of my favorite festivals, restaurants, stores, and newspapers. The only problem is the brewery is not located in Eagle Rock 90041, but in Glassell Park 90065.”
- Lefsetz Letter » Blog Archive » Gleevec -
“I’m still reading the responses to my “Leukemia” missive. I appreciate the good will. But I’m reading slowly not only because the missives are all personal, directed specifically to me, but because I’m learning so much. I heard from Steven Page, formerly of the Barenaked Ladies. Did I know that Kevin Hearn from BNL had leukemia? Steven copied him on the e-mail. Turns out Kevin had CML too. Before Gleevec. He had a bone marrow transplant, and it worked.But it’s not. [snip] Because some guy who wasn’t in it for the money, who was willing to sacrifice everything for his passion, put together the pieces to come up with a breakthrough drug that allows me to live.”
- UbuWeb Sound – Marshall McLuhan -
“Marshall McLuhan appeared on the Dick Cavett Show in December of 1970 along with Truman Capote and Chicago Bears running back, Gayle Sayers. Both Capote and Sayers participated in the discussion with McLuhan. This recording was made on reel-to-reel audio tape in 1970 and directly transferred to computer in 2005. Unfortunately, the exact date of the show was not noted, except that the show did take place before Christmas. All commercials and breaks were removed from McLuhan’s appearance.”
- The annotated world « BuzzMachine -
“Tweet: A view of our annotated world: Hyperlocal is what’s around me and how I search that There are eight million stories in the naked city and soon every one of them will be available on your phone through visual, aural, and geographic search and augmented reality in our newly annotated world. Every address, every building, every business has a story to tell. Visualize your world that way: Look at a restaurant and think about all the data that already swirls around it — its menu, its reviews and ratings and tags (descriptive words), its recipes, its ingredients, its suppliers (and how far away they are, if you care about that sort of thing), its reservation openings, who has been there (according to social applications), who do we know who has been there, its health-department reports, its credit-card data (in aggregate, of course), pictures of its interior, pictures of its food, its wine list, the history of the location, its decibel rating, its news… “
Bookmarks for December 19th to 27th [del.icio.us]
![Bookmarks for December 19th to 27th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/12/4205075037_834d367e72_b1-150x150.jpg)
Bookmarks from December 19th to December 27th
- Los Angeles Eat+Drink – Drowning, Not Eating – page 1 – “Tortas cubanas are almost as common as burritos in Los Angeles. Mexico City–style pambazos rule the world of street food. The muscular cemita Poblano commands a fleet of trucks extending as far as the Westside. But the king of Mexican sandwiches is the mighty torta ahogada — drowned sandwich — a mass of bread and sauce and meat that is less a foodstuff than a way of life. You do not nibble at a torta ahogada; you dive straight into it, trusting that you will come out alive. I had always thought that roasted goat was the emblematic dish of Guadalajara, but tortas ahogadas joints there outnumber birria parlors at least 20:1…”
- Four New Images by Street Artist Banksy… “Four new images by the elusive street artist Banksy have surfaced over the weekend, with one seemingly attacking global warming sceptics. Banksy graffiti. Photo: Londonist.com The pieces follow the Copenhagen summit. Photo: londonist.com The latest designs were discovered by londonist.com along the banks of Regent’s Canal. It found the first beneath Camden Street Bridge – “almost in the back yard of the British Transport Police building”. The second and third pieces were etched under and next to the Oval Road Bridge in the direction of Primrose Hill. The most provocative simply has the words: “I don’t believe in global warming”, with the writing gradually disappearing into a canal.”
- “Alt-Classical”: Is This the Future? “Hot on the heels of James MacMillan’s red-hot piece in these pages calling Emperor’s New Clothes on Pierre Boulez, plus Dilettante Music’s digital composer-in-residence contest, and Norman Lebrecht’s poll of the living composers creating the most durable work (John Adams is no.1, then Part, then Reich), here’s more contemporary food for thought. Greg Sandow of Artsjournal’s blog about the future of classical music has run a post about the Chicago Symphony Orchestra’s two new composers-in-residence. They are Mason Bates and Anna Clyne. Not likely to be familiar names if your view of new music is simply what the BBC Symphony Orchestra…”
- Richard Lainhart: Puremagnetik interview dec 2009“The Ondes Martenot is a very expressive electronic instrument – Maurice Martenot, who invented it, was a cellist, and wanted an electronic instrument that could be played with the same degree of expression as a string instrument. Oraison is a piece I’ve always loved – I first heard it years ago as a student – and when I got the Buchla/Continuum system, I realized that the Continuum would let me play the piece myself, as it’s a superbly expressive controller, with the advantage that it’s polyphonic, unlike the original Ondes. So I spent some time transcribing the piece from the original score, then spent a lot more time practicing it. The Buchla let me program a sound that was similar to the Ondes, but with even more expression in the timbre control, and that’s what I used for my version. So, my own realization is a kind of analog-digital homage to the original – analog in the sound-producing domain, but digital in the control domain.”
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The Pushbutton Web: Realtime Becomes Real – Anil Dash “Pushbutton is a name for what I believe will be an upgrade for the web, where any site or application can deliver realtime messages to a web-scale audience, using free and open technologies at low cost and without relying on any single company like Twitter or Facebook. The pieces of this platform have just come together to enable a whole set of new features and applications that would have been nearly impossible for an average web developer to build in the past”
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Orson Welles and His Brief Passionate Betacam Love Affair – Orson Welles – Gizmodo“In January 1985, the phone rang. The caller announced that he was Orson Welles and that he wanted to have lunch with me. Thus began one of the most extraordinary and bittersweet adventures of my life.” Sometimes the journeys we take through this life begin and end in the most unexpected ways. My encounter with Welles in the last days of his life centered on a common interest: Sony’s new one-piece camcorder, the Betacam. It had just come to market and Welles, always the genius filmmaker, had big ideas for what he could do with one. With Welles there were no limits. “You can’t do that” wasn’t in his vocabulary. This was a short, but very passionate story
Bookmarks for November 10th through November 16th [del.icio.us]
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Bookmarks from November 10th through November 16th:[del.icio.us]
- I dreamed the press would be forgiving – Life’s a Pitch -”Due to the high price point of this box set we will only be able to send out review copies on loan on a case by case basis and will not be able to provide any contest copies. However, we can do contests using single disc bundles from the box set. Please let me know if you would like to run a contest. I have also included a widget below which includes a video describing the box set. … PS. Because there are no review copies we are allowing members of the media to purchase Outside The Box at the wholesale cost $475. Let me know if you are interested. Bold. Call. I understand the loan thing, but the “wholesale” cost? Is that almost insulting, or is it just me? I can’t imagine someone from the classical music press in 2009 paying $475 for a review copy, unless he or she was going to turn around and sell it on eBay for a profit. Which would probably make them more than their paper would pay for the review itself! “
- Greg Mitchell: The Great Atomic Film Cover-Up -
“In the weeks following the atomic attacks on Japan 64 years ago, and then for decades afterward, the United States engaged in airtight suppression of all film shot in Hiroshima and Nagasaki after the bombings. This included footage shot by U.S. military crews and Japanese newsreel teams. In addition, for many years, all but a handful of newspaper photographs were seized or prohibited. The public did not see any of the newsreel footage for 25 years, and the U.S. military film remained hidden for nearly four decades. I first probed the coverup back in 1983 in Nuclear Times magazine (where I was editor), and developed it further in later articles and in my 1995 book with Robert Jay Lifton, Hiroshima in America and in a 2005 documentary Original Child Bomb. To see some of the footage, go to my blog. “
- Michael Kaiser: Does the Symphonic Orchestra Model Work? -
“One of the Fellows participating in the Kennedy Center Arts Management Institute raised a serious question with me: can the traditional model of a symphony orchestra work in the United States? He observed that salaries are very high for musicians, conductors and guest artists, and ticket demand is not strong enough to cover most of these costs. High ticket prices are stifling that demand and contributions will continue to have to grow very rapidly to cover inflation. I cannot argue with this analysis. Somehow the cost structure for American orchestras has risen to the point that every orchestra is likely to struggle to make ends meet.”
- Homicides: Nov. 1 to 9 | The Homicide Report | Los Angeles Times -
“The year-to-date number of homicides in Los Angeles County is about 645. This number does not include a few cases in which specifying the cause of death has been deferred.”
- The McSweeney’s Effect « Mark Athitakis’ American Fiction Notes -
“[I]t does this incredible thing for people like me, or people like me five years ago if that makes sense. Because a lot of publishers, for reasons of legitimacy, feel the need to include big writers. Or maybe it’s not even for legitimacy, maybe it’s just to put names on the front cover that will sell. And usually, to be honest, it’s the crummier work from those writers. They rarely, if ever, take risks on folk who they’ve never heard of. You might not have heard of them as the reader, but it’s almost always someone on the magazine who knew someone, someone’s old professor makes a call and gets the story in.”
- Art review: ‘Collection: MOCA’s First Thirty Years’ | Culture Monster | Los Angeles Times -
“But this is not just a promotional treasure-house show. Installed chronologically by chief curator Paul Schimmel, it also tells a story — although one that’s rarely heard. The postwar rise of American art is paired with the simultaneous rise of Los Angeles, from shallow backwater to cultural powerhouse. At the Grand Avenue building, which spans 1939 to 1979, the distinctive emergence of a mature L.A. art is embedded within the larger postwar prominence of the United States, artistically dominated by New York. At the Geffen — the story picks up in the year MOCA was born. Two telling works flank the Grand Avenue entry. At the left, a lovely little 1939 abstraction by Piet Mondrian signals Modernism’s shift from Europe to America as war loomed. At the right is Sam Francis’ luminous cloud of gray-white color, painted in postwar Paris in 1951 as an atmospheric evocation of urban light. Francis later moved to Santa Monica and served as a founding MOCA trustee.”
- The Hundred Greatest Quotes From “The Wire” In Ten Minutes (VIDEO)
“The Wire” was arguably the best show to ever grace our televisions and now an entrepreneurial fan has strung together all the best lines from its five seasons into one ten-minute video. Omar, Bubbles, Bunk, McNulty, Rawls, Stringer, Avon, Snoop, Marlo, Cheese, Prop Joe, Clay Davis and more are immortalized for their funniest and most poignant lines. “
- The Source » Twitter users weigh in on the Gold Line Eastside Extension
“Six years ago when the Gold Line to Pasadena opened there was no Twitter. Today on the first day of revenue service for the new Gold Line Eastside extension, L.A.’s first light rail since then, Twitter is a global phenomenon. Angelenos are taking advantage of the technology to share their feelings about the extension in 140 character blips. I counted over 300 tweets referencing the Gold Line during yesterdays grand opening and the tweets continue today as revenue service gets underway. Early Sunday morning, Twitter users were sharing their anticipation for the day:…”
- John Cage Visualization on Vimeo -
“Kinetic typography sketch using an excerpt from Indeterminacy 136 and a section from Tossed as it is Untroubled, both by John Cage. The typefaces are Serifa and Bookman Old Style. The animation is done in AfterEffects.”
- Disquiet » Keith Fullerton Whitman Live at Root Strata’s On Land Festival (AIFF) –
“Back in September, the first On Land festival brought a wide range of quiet-minded electronicists and other music-makers to San Francisco. I caught the first of the three concerts, which were conceived by the Root Strata record label, but unfortunately for me not the one featuring a solo performance by Boston-based musician Keith Fullerton Whitman. Of course, missed concert opportunities aren’t what they once were. Chances are, someone recorded what you didn’t witness — sometimes even the musicians themselves. And fortunately in this case, Whitman has just uploaded a high-quality recording of the nearly 20-minute set to his soundcloud.com/kfw space:”
Bookmarks for November 2nd through November 6th [del.icio.us]
![Bookmarks for November 2nd through November 6th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/11/51UxzILIxzL._SS500_1-150x150.jpg)
Bookmarks from November 2nd through November 6th:[del.icio.us]
- Lefsetz Letter » Blog Archive » Streaming -
“Ownership is for pussies. Oh, don’t e-mail, you same people who said we should save the album. Notice what a few years do? Radiohead says no more albums, Rush the same thing. So, when your favorite acts give up on the long form format, don’t you too? I know you do. Because you’ve stopped sending me hate mail in quantity. If I write the album is history, I now only get a couple of e-mails complaining. Whereas I used to get hundreds! How many years until when I say streaming is the answer that I get the same miniscule response? How long until you nod your head and say I’m right? The major labels are confused. They were for streaming a decade ago, then they were for ownership, and now they’re afraid somebody’s gonna come up with a streaming solution and become the new MTV and have all the power. But maybe not all the profits, the majors are investors in Spotify.”
- Your Carnitas Wonderland – Los Angeles Area Digest – CHOW
“Metro Balderas is a family operation with four locations in Los Angeles, each run by a different member of the family. exilekiss visited the Highland Park branch, run by Jasmine Guzman. Every Saturday and Sunday, Metro Balderas offers eight types of pork carnitas in the Distrito Federal style for a barrage of carnitas taco glory.”
- WitnessLA.com » Blog Archive » ON BEING BLUE: A Cop Talks About Cops – Part II -
2008 Witness LA interview with the new LAPD chief of police, Charlie Beck
- Benjamin Smith: Improvisations -
“Benjamin Smith is an improvisor currently living in West Orange, New Jersey. Smith ventures far beyond the standard idea of jazz improvisation, into a sound world equally influenced by modern classical. All of the pieces are free improvisations invented at the time of recording, and feature Smith alone at a Yamaha P-70 digital keyboard. He say…”
- Kalvos and Damian Show #557 with The Brick Elephant Festival of Firsts – ImprovFriday -
“David “Damian or is it Kalvos” Gunn traveled to Valley Falls, New York, to join M J Leach at the Brick Elephant for the “Festival of Firsts”. MJ co-hosted the K&D show for the four-hour concert that included music by Karl Korte, Dan Evans Farkas, Nicholas Chase, Alfred Brown, Al Margolis, Doug Van Nort, Petr Machadjik, Kjell Perder, Conrad Kehn, and Richard Lainhart — as well as David and MJ’s music. The show is up on the K&D site in four parts. http://kalvos.org/shows-2009.html There was a lot of interesting partial and full improv on the concert — full program is at ReSoundings.Net. “
- Newspaper first to go live with public Google Wave | Media Owners | Revolution -
“Following the hype around the launch of Google Wave, German newspaper Welt Kompakt has become one of the first to launch a public Wave, helping readers interact with the title”
- The Complete Guide to Google Wave: How to Use Google Wave -
The Complete Guide to Google Wave is a comprehensive user manual by Gina Trapani with Adam Pash. Google Wave is a new web-based collaboration tool that’s notoriously difficult to understand. This guide will help. Here you’ll learn how to use Google Wave to get things done with your group. Because Wave is such a new product that’s evolving quickly, this guidebook is a work in progress that will update in concert with Wave as it grows and changes. Read more about The Complete Guide to Google Wave.
Bookmarks for October 12th through October 15th [del.icio.us]
![Bookmarks for October 12th through October 15th [del.icio.us]](http://www.paulbailey.us/wp-content/uploads/2009/10/Alpha-Sumo11-150x150.jpg)
Bookmarks from October 12th through October 15th:[del.icio.us]
- Views: Professors Should Embrace Wikipedia – Inside Higher Ed -
“I propose that all academics with research specialties, no matter how arcane (and nothing is too obscure for Wikipedia), enroll as identifiable editors of Wikipedia. We then watch over a few wikipages of our choosing, adding to them when appropriate, stepping in to resolve disputes when we know something useful. We can add new articles on topics which should be covered, and argue that others should be removed or combined. This is not to displace anonymous editors, many of whom possess vast amounts of valuable information and innovative ideas, but to add our authority and hard-won knowledge to this growing universal library”
- Terminal Degree: Is he kidding? -
“My previous employer just blogged about the need for a “health care solution that will enable a healthier place for all of God’s children.” Longtime readers of this blog will get the irony: While I was an adjunct there, I couldn’t get health care through my employer. Maybe that sentence should read “all God’s full-time, tenure-track children.”
- Betty Draper Affair Advice: Not That You Asked | Unsolicited Advice -
“Betty. Betty, Betty, Betty. I’m not going to recap your various travails here. I’ll leave that to the experts. But I can give you a few concrete pieces of advice (or plot developments, or whatever) that might exponentially increase your happiness. Ready?”
- The music of Los Angeles on CitySounds.fm -
“DavidDavid Weekend fun: Citysounds 2.0 “Exactly one month ago, we introduced you to Citysounds.fm, a really cool mashup created by Henrik Berggren and David Kjelkerud during the London Music Hack Day. Citysounds is built on top of the SoundCloud API and makes it easy to browse through SoundCloud tracks from a specific city around the world. Today, Henrik and David inform us about a big update they just launched and let me tell you that it’s pretty exciting. They’ve added a great set of features and we think that the current look & feel is a big improvement. So what’s new? Show more tracks from one city: when selecting a city on the frontpage, you’ll be able to click through to the city overview page where it will show you more tracks from that city:”
- SoundGrid @ mifki -
“SoundGrid aims to be the most advanced matrix sequencer for iPhone / iPod Touch to create stunning audio-visual performances in a moment and wherever you are. It was inspired by famous Yamaha Tenori-On and popular ToneMatrix webapp by André Michelle. Even if you never composed music you will find SoundGrid simple and exciting to play with and will start creating brilliant compositions in minutes with just the tips of your fingers. Then easily share them with other users and in turn browse, download and rate their creations. Or you can record composition to audio file, upload it directly to SoundCloud or export via email. You can even create your own unique ringtones!”
- 10/GUI on Vimeo -
Here it is: my crazy summer project to reinvent desktop human-computer interaction. This video examines the benefits and limitations inherent in current mouse-based and window-oriented interfaces, the problems facing other potential solutions, and visualizes my proposal for a completely new way of interacting with desktop computers.
- TuneGlue° | Relationship Explorer -
very interesting music mapping site based on band in last.fm
- Essay – The Collider, the Particle and a Theory About Fate – NYTimes.com -
“Then it will be time to test one of the most bizarre and revolutionary theories in science. I’m not talking about extra dimensions of space-time, dark matter or even black holes that eat the Earth. No, I’m talking about the notion that the troubled collider is being sabotaged by its own future. A pair of otherwise distinguished physicists have suggested that the hypothesized Higgs boson, which physicists hope to produce with the collider, might be so abhorrent to nature that its creation would ripple backward through time and stop the collider before it could make one, like a time traveler who goes back in time to kill his grandfather”
- Lefsetz Letter » Blog Archive » The Spotify Guys
“Spotify employs P2P software, that’s why it’s so damn good. It takes 2-5 seconds to ramp up each and every song, which has reduced bit rate during that window, but usually that’s a relatively dead window and the listener isn’t paying close attention anyway. Yes, there are tricks. Only seventy five percent of the song is downloaded, an algorithm provides the remaining twenty five percent. This is how they all do it, it’s de rigueur. And the files don’t only come from Spotify’s servers, bits and pieces come from other users with the software installed on their computers. Net effect? It feels like you own the track. Usability is equal to iTunes. You can fast forward, rewind, there’s no lag time. Well, that’s a bit different. You see then Spotify depends on the network. Which is why they’ve limited sign-ups in the nations they’ve already launched in. They want the streaming experience to be perfect on your mobile device, after all, you’re depending on it…”
- Acclaimed composer Terry Riley celebrated at Bard — Page 2 — Times Union – Albany NY:3351: -
“Most composers notate a piece to perfection — hoping for a masterpiece, perhaps — and then move on. But Riley is a dabbler. “I’ll present a piece before it’s finished, then it will be different at the next performance,” he says. “Then after 10 years it will take a new shape that I’m happy with and maybe change again after 20 years. It’s because I improvise so much.” …his roots in jazz and Indian ragas should both come through on Saturday. To him, the term improvisation seldom means starting from nothing and just seeing what happen “They’re improvisations but built on existing structures, maybe not chord progressions (as with jazz), but modes and rhythmic cycles and looplike patterns,” Riley explains. “We’ll have a little rehearsal the day before (at Bard), but also a bit of flying by the seat of the pants. I like that and I think these players do, too.”
- THE RESULTS ARE IN (Brown List 2009) -
“Welcome to the official site of the 2009 BROWN LIST, brought to you by the Hollywood Temp Diaries. As you’ve gleaned from my postings and your own experiences, there are a lot of people in Hollywood who are a real pain in the ass. Oddly enough, there are some decent people in this town too (they probably won’t make it too far, but that’s their problem). Anyhoo, I’ve compiled a list of people’s MOST-LIKED and LEAST-LIKED entertainment industry executives in something I’m calling the BROWN LIST. Click on the .pdf below and enjoy the read. Thanks to everyone for participating.”
- Cloud Eye Control joins the traditional and futuristic — latimes.com -
“On the fifth floor of the Los Angeles Theater Center in downtown L.A., the members of Cloud Eye Control are trying to create poetry out of collaborative technology. On one end of the large studio, makeshift tables hold laptops and electronic equipment, with a cluster of musical instruments nearby. The middle of the room is dominated by two free-standing screens… It’s only days away from the debut of the full-length version of “Under Polaris” at REDCAT, and there still are snags to work out, transitions to be smoothed. This performance combines live action, recorded animation, multiple projectors, mobile props, and a five-piece live band, so there’s still much to do. And, in the spirit of what Chi-wang Yang, the director of the group, calls do-it-yourself aesthetics, they somehow pull it all together.”
