Posts Tagged ‘wnyc’

Bookmarks for July 16th through July 19th [del.icio.us]

Bookmarks from July 16th through July 19th:[del.icio.us]

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  • WNYC – New Sounds: Minimalist Music Theatre (July 2009) -”Minimalist Music Theatre Hear some music theatre pieces on this New Sounds show. Listen to Philip Glass‘s recent release “Waiting for the Barbarians,” adapted from the novel by the South African writer and Nobel Prize Winner John Coetzee. Also, there’s music by Paul Bailey – his post-minimalist music theatre piece “Retrace our Steps.” He describes it as a four act vocal/instrumental spectacle based on texts by Gertrude Stein, Guy Debord and Jenny Bitner. The “alt-classical garage band” Paul Bailey Ensemble performs the work”
  • Big Brother Is Listening – The Classical Beat (Anne Midgette) – washingtonpost.com - -Anne Midgette neatly sums up musoc.org “But statements like “Art Music is in many ways objectively superior to Pop ‘Music’” (note the quotes) make me grit my teeth and want to play Talking Heads albums really, really loudly. And this, from the FAQ, is just stupid: “The ‘music’ is melodically, harmonically, rhythmically, structurally, texturally, dynamically, thematically and conceptually barren compared to Art Music; it’s also spiritually and politically shabby by comparison. It’s short, trite and highly repetitive.” One is tempted to order a copy of Miles Davis’s “Kind of Blue” for the site’s editors, just for starters, but one wouldn’t know where to send it. Indeed, there’s something vaguely creepy about musoc’s deliberate anonymity, which is evidently part of its philosophy, though there are limits to how much an audience will care about what a website says if one doesn’t know who’s writing it.”
  • Celebrating Cronkite while ignoring what he did – Glenn Greenwald – Salon.com – In the hours and hours of preening, ponderous, self-serving media tributes to Walter Cronkite, here is a clip you won’t see, in which Cronkite — when asked what is his biggest regret — says (h/t sysprog): What do I regret? Well, I regret that in our attempt to establish some standards, we didn’t make them stick. We couldn’t find a way to pass them on to another generation. It’s impossible even to imagine the likes of Brian Williams, Tom Brokaw and friends interrupting their pompously baritone, melodramatic, self-glorifying exploitation of Cronkite’s death to spend a second pondering what he meant by that.
  • Philip Glass to perform film, opera works at Hollywood Bowl – Los Angeles Times – With “Koyaanisqatsi” — the name means “life out of balance” in Hopi — Glass had more than two years to work on the score. “There was no one waiting for the film — there was no distributor! So we were left alone to make a film — which I realized later was a great luxury.” Today Glass is struck by how pertinent the film seems, at a time when its notions of the world’s interconnectedness and the runaway power of technology have gone mainstream. But the film’s identity has changed since its premiere in 1982.”When we first showed it,” he says, “people thought it was a head trip. People seriously thought you had to get high before you watched it. It wasn’t too long, only four or five years, for people to realize there was actually a movie.”
  • Guest Blog: The Actors Diet: How I’m Recovering – Carrots ‘N’ Cake -Guest Blog: The Actors Diet: How I’m Recovering “…I’ve been struggling with binge eating and anorexia for a while; if you read my bio on our blog page you’ll see a little more about my history with food. I know a lot of women look up to actresses, and there are plenty of them who are in great shape, healthfully (my co-blogger Christy being one of them). As somebody who has been celebrated for her figure (in my feature film debut I played a ballet dancer AND got naked), I am proof that sometimes it is a false ideal, even when you have all the resources available to you, like a personal trainer, meal deliveries, a shrink, hypnosis coach, a best friend who’s a nutritionist…I felt like I had legitimate reasons to obsess about my weight – after all, my career depended on it.”
  • Intolerable Beauty: Chris Jordan Photographs American Mass Consumption – Photographer Chris Jordan describes the photos in his series “Intolerable Beauty: Portraits of American Mass Consumption” as his “first foray into being an engaged artist.”
  • US State Department employees ask Hillary clinton for Firefox – Video – “Have you been trying to get your corporate IT staff to let you use Firefox or another web browser instead of Internet Explorer? Then you apparently know how a fair number of folks at the US State Deparment feel. At a recent town hall meeting with staff, US Secretary of State Hillary Clinton received a question from one government employee who wanted to know if they could “please” use Firefox instead of Internet Explorer. You can see the Q&A by skipping to the 26:32 point in the video above. ” [del.icio.us]
  • Los Angeles News – Russian or Armenian Mob Used “Model Employee” Con at PCH Arco --
    An organized-crime ring that police believe is Russian or Armenian targeted a high-volume Redondo Beach Arco gas station, assigned a low-level soldier to infiltrate it and waited eight months while he worked himself into a position where he could implant a tiny, high-tech “skimmer” to steal customers’ credit-card information.
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Retrace Our Steps (Emusic Review/John Schaefer)

Retrace Our Steps (Emusic Review/John Schaefer)

i was very happy to see that WNYC’s John Schaefer wrote a great review of Retrace Our Steps for the E-Music website.*

“Composer Paul Bailey winningly describes his ensemble as an “alt-classical garage band.” With 4 singers (two of whom also speak), strings, winds, piano, electric guitar, vibes, and electric bass, it’s as good a description as any. Retrace Our Steps is his “secular oratorio in 4 acts,” and while the opening notes of Act I and of Act IV sound like they might have come from Arnold Schoenberg’s Transfigured Night, the dominant musical references are to Philip Glass and Michael Nyman. Bailey’s pulsing, tonal chamber music is married to texts by Gertrude Stein, Guy Debord and Jenny Bitner. All four acts are highly rhythmic affairs, but each has its own character: Act I insistent, Act IV a more reflective cousin (a neat trick since the rhythm seems to be the same); Act II with a stinging electric guitar part leading the way; Act III with an elegant combination of vibes and rocking strings and guitar. Rather than providing a narrative in a traditional oratorio sense, Bailey gives us a series of aural snapshots dealing with isolation, alienation, and the irony of modern communication (that when it is so easy to communicate, it is still so hard to communicate effectively). A further irony is that this message is carried by some immediately accessible music; if the message is that instrumental rock and new classical music are not so far apart, that message comes through loud and clear.”

and last week WNYC recently replayed the original show that featured my music.

*i’m not sure what is going on but it looks like Act II hasn’t been uploaded properly on the emusic site. If you have had problems and have downloaded an incomplete track please email me and besides giving you a link to Act II, i’ll also be happy to send you a special “surprise”.

and of course you can download the whole album right here for free at anytime

Retrace Our Steps, Act 1

Retrace Our Steps, Act 2

Retrace Our Steps, Act 3

Retrace Our Steps, Act 4

(download graphic libretto)

(download Graphic Libretto and Mp3′s)


The Pulse of Minimalism: WNYC New Sounds (June 9th, 2009)

The Pulse of Minimalism: WNYC New Sounds (June 9th, 2009)

it was great to find out that my Music from Summerland was recently featured on John Schafer’s WNYC New Sounds podcast this past june

“The pulsing rhythms of minimalism, as heard in the music of English composer Michael Nyman, and fellow Brit Jeremy Peyton-Jones. Plus there’s music from trombonist/composer Paul Bailey and the “alt-classical garage band” Paul Bailey Ensemble. It’s possible that we’ll also hear from guitarist Dominic Frasca and his takeoff of music based on Philip Glass, and more.”

The Pulse of Minimalism (June 9th, 2009)

at this point i feel very awkward on how to respond to these really thoughtful comments and reviews. besides a big thanks to john and caryn at wnyc . i think there are two bigger points that are worth making (and its that its nice to get a pat on the back when you are the least expecting it)

i’m starting to realize that although i might have moved on from a piece like retrace (i wrote in 2002) its pretty powerful and touching when somebody “gets it”. especially right now when the PBE is on hiatus and it’s going to be a while before we get out and perform again.  i’m really happy that the music is out there. i guess i never had really thought much about  music we weren’t currently performing (out of sight, out of mind?), but over the past few months i have really gotten back a lot from my friends about what the music and PBE means to them. i had never really contemplated that how some pieces take on a life of their own and means very different things to different people. amazing

<a href="http://paulbailey.bandcamp.com/album/music-from-summerland" onclick="javascript:_gaq.push(['_trackPageview','/yoast-ga/outbound-article/paulbailey.bandcamp.com']);">Overcoming Tourism by paul bailey</a>


summertime news and notes

for me summertime is the only of the year to time to catch up on some projects and get a little housecleaning done (professionally and personally). after a relaxing camping trip in catalina (hiking around two harbors was great!) i finally started going through my many “summer todo” lists that i made throughout the year. for whatever reason i always feel that i have to have “something tangible” completed by the 4th of july. so here is my list:

  1. unfortunately this website had to be burned to the ground and reinstalled. for some reason my template stopped working and it took me a while to figure out how reinstall from scratch. luckily it wasn’t as hard as i thought (thanks @vansgirl12)
  2. also most of this site should be quite useful now. scores (.pdf, .mus (finale), and .mid) to most of my music is now available through creative commons. all that means to me is that you can use it however you want; as long as you attribute me, and the work is not for resale.
  3. i started mixing the ‘alt-classical’ CD/EP again. i have to admit that doing all of the recording and editing alone (mostly) is too much of a narcissistic experience for me. eventually i’d really like to be able to hire somebody to do it, but until that day comes i have to get some distance and be able to disassociate myself from the music i wrote and we (the pbe performed).  the good news is that 2 years after the fact (recording) i can now listen to that music and enjoy it (i totally understand why some actors can’t see themselves on film). currently i’m pretty close to finishing 3 tracks (principle of sufficient irritation, cheap admiration, myinnnersatan), and i’m thinking of downsizing it into an EP just to get it done. at this point i can only anticipate more problems getting clearance to release my covers of Weezer’s Sweater Song and Radiohead’s National Anthem.
  4. and finally, it was great to get an email (thanks caryn!)  that a few weeks ago the PBE’s 1st album “Music from Summerland” was featured on John Schaefer’s  New Sounds (WNYC) radio show “The Pulse of Minimalism, 060909podcast download.  its our 2nd featured spot on the show and i’m really ectastic to have interest in my “back catalog”. along those lines i have made the 7 summerland mp3′s freely available to download. enjoy!  (i also learned a great lesson about making a special page for “press photos” so gig photos like this never see the light of day again)

like i said in some previous posts its hard not having a group to write or perform with right now, but mixing is keeping me plenty busy and if things go well i’m also hoping to get in the studio to record my Requiem for a High Homicide Enclave (2008)


Minimalist Music Theatre: WNYC New Sounds Podcast (2008)

Minimalist Music Theatre: WNYC New Sounds Podcast (2008)

Minimalist Music Theatre (originally aired May 20, 2008)

“Hear some music theatre pieces on this New Sounds show. Listen to Philip Glass’s recent release “Waiting for the Barbarians,” adapted from the novel by the South African writer and Nobel Prize Winner John Coetzee. Also, there’s music by Paul Bailey – his post-minimalist music theatre piece “Retrace Our Steps.” He describes it as a four act vocal/instrumental spectacle based on texts by Gertrude Stein, Guy Debord and Jenny Bitner. The “alt-classical garage band” Paul Bailey Ensemble performs the work. And more.”